Here is the album review I promised on my twitter yesterday! Before I start, once again I want to thank you all for supporting my blog, both my music reviews and my personal entries. I really appreciate all the views and I hope that you’ll keep it locked here because I ain’t stoppin’! 🙂 Thankyou.
You already know what I think of Russian Roulette, and the other 3 songs we’ve heard already from Rated R. Generally, they portray a darker, edgier side to Rihanna, both in the production (deeper, more menacing beats) and lyrical content that includes a bit of cursing, a lot of swagger and references to pain, trials and tribulations. “Russian Roulette”, “Wait Your Turn” and “Hard” are more or less indicative of the album as a whole. In contrast to her previous smash Good Girl Gone Bad, it’s a lot less uptempo. The songs are mainly midtempos and ballads, which may alienate a lot of fans who want her faster, danceable material (though “Hard” and “Rude Boy” cater to these needs, and do so well with swagger lyrics – the latter seeing Rihanna come on to a ‘rude boy’ as if she were the guy who is gonna “put it on you”). However, the slower material allows for two major things: one, to prove that Rihanna can actually sing. Okay, she’s no Beyoncé, but she holds her own a lot better than many people might expect. “Russian Roulette” and closing standout “The Last Song” don’t employ lots of vocal runs, but they emphasise strong, clear vocals that prove Rihanna’s got a voice as well as a body – btw. the artwork for this era is immense! – and also go well with the more emotionally searching and vulnerable material. Two, it allows for Rihanna to delve into her pain, and although it’s never made explicit that she’s referencing her love, abuse and love lost with Chris Brown, songs such as “Stupid In Love” and the epic “Cold Case Love” immediately bring that whole affair to mind.
Not every song is concerned with love lost. “Te Amo” is about a girl who’s infatuated with Rihanna, and its undulating beats have been beefed up slightly on the album version to make it more hypnotic and possibly (along with “Rude Boy”) the song that would have slotted in nicely on Good Girl Gone Bad. “Rockstar 101” is backed up by Slash’s guitar work and like “Hard” and “Wait Your Turn”, it demonstrates Rihanna’s confidence in herself – something she perhaps wants to emphasise. She is fierce! However, compared to some of the other tracks, “Rockstar 101” falls somewhat flat, as it doesn’t have as much depth as the emotionally-charged midtempos, nor does it ring as true as the harder-knocking songs. It does demonstrate that Rihanna is not an urban artist – she’s a pop singer who encompasses a range of music. On this album, she combines elements of rock, pop, R&B and melds them together to create a dark album that works for the most part. And credit goes to her for trying to improve on each album – like Good Girl Gone Bad, the amount of filler on the disc is fairly minimal (in contrast to her first two records) and she’s tried to do something different that has evolved as she has as a person. So I must applaud that.
A couple of the ballads such as “Stupid In Love” and “Photographs” (which benefits from will.i.am’s synthed beats that kick in midway) are perfectly solid, but pale in comparison to the best tracks. These are, in a nutshell, first single “Russian Roulette”, “Fire Bomb”, “G4L”, “Cold Case Love” and “The Last Song”. These all work because Rihanna is putting herself out there vocally and emotionally. The producers do a fantastic job (praise must go in particular to Justin Timberlake and The Ys’ work on “Cold Case Love”, which shows a gradual building of beatboxing, standard beats, guitars and strings to an epic climax that fades out by itself and underline Rihanna’s pain at a love misfired – “Release me now ’cause I did my time”) more or less throughout, but Rihanna herself carries the songs. “Fire Bomb” has been compared to something by Kelly Clarkson, but in my opinion it knocks much harder and is a compelling contrast to expectations – most people would expect a club banger from the title, when in fact it’s a slow pop/rock ballad which essentially says “if I’m going down in flames, you’re coming with me”. “G4L” is one of the darkest songs which shows Rihanna pledging to be “down 4 life”, ride or die until the end. The off-key tweaks at the beginning signal something mysterious, and the lyric “I lick the gun when I’m done ’cause I know that revenge is sweet” is one of the best opening salvos I can remember. The track brings to mind the tiny gun tattoos on the sides of Rihanna’s breasts, demonstrating that even if she may be a sweet person on the surface, she’s also a strong and determined one – her attitude is reflected in her music as much as her body art.
“The Last Song” was the track that stood out to me most from listening to the 30-second snippets, and it doesn’t disappoint – it’s a perfect closer to the album, not only in name but in texture also. It employs a soaring guitar and heartwrenching lyrics, chronicling the realisation of a breakup. “The sad song ends up being the last song you’ll ever hear.” Rihanna’s spare vocals almost seem to cry the lyrics throughout the track, and the buildup throughout the song until near the end where all the instruments fade out is done perfectly. Rihanna said that she wanted Lil’ Wayne and Kings Of Leon to like her album, demonstrating her desired blend of urban and rock. The album is definitely a mélange of styles, but apart from “Hard”, I don’t see enough hip-hop for Weezy to connect with, and the rock elements are nowhere near as indie-pop as Kings Of Leon. However, the soaring guitars provide something edgier and deeper within the context of a pop album, and the hard-hitting beats and synths knock plenty – the combination of which provide something quite extraordinary and special within itself. Rihanna should be proud of this record.
Rated R has a focused aggression to it that rings truer than it did on Good Girl Gone Bad. Despite the lack of uptempo smashes, it’s a fantastic record that hopefully will have as much repeat-play value as her previous record. Whether it’s because of her personal struggles, maturity as a young woman or desire to experiment musically (probably a combination of all three), Rated R shows growth. I pray that her label doesn’t re-release the album, since it’s perfect as it is and comes across as something sincere, rather than designed to make money as a light pop confection. Why I’m impressed with Rated R, beyond the simple fact that most of the songs are solid or better, is because it’s cohesive. All the songs work together to make the album more than the sum of its parts. It has a big emotional impact, and it sets a musical mood (dark, edgy and yet heartfelt) that doesn’t let up throughout – in her own words, from “Hard”, “that Rihanna rain/reign”. I didn’t know if she had it in her to best Good Girl Gone Bad, but even if it doesn’t have as many number 1 smashes and addictive beats, Rated R is a musical step forward that I personally value that little bit more.
Thankyou to everyone for reading my review of Rihanna’s first single “Russian Roulette”, from her forthcoming album Rated R. Together, you guys have made it the most popular post out of all of the posts on my blog! So I really appreciate that. If you get a moment, please also take a look and a listen to my new album, Quiet Storm, available on this post here.
So since my review of “Russian Roulette” seems to have gone down well, I thought that I would review the other songs that we now have from Rated R, which are: “Wait Your Turn”, “Te Amo” and the recently-leaked “Hard”.
Wait Your Turn
Before “Russian Roulette” was officially released on Rihanna’s website, there was a metallic “R” (her new logo, as you can see in her album cover above) and a countdown timer bearing the message “The Wait Is Ova”; that message is this song’s main refrain. Although the production of the song is suitably dark and the lyrics are tough, the song takes a while to stick in the listener’s mind, especially as the chorus seems somewhat weak. Out of all the songs we’ve heard from Rated R so far, this is the weakest track, despite the fact it is the first one we have a video for:
The plus sides to this song: Rihanna embodies swagger, which comes across in both the dark, grainy video with her strutting through various shadowy landscapes in fashionable outfits, and in the thick island accent she employs on the verses: “I pitch wit a grenaaayaaaade”! The electric guitar in the background amplifies the song’s confidence. Overall, it’s not awful, but still far from Rihanna’s best, and falls short as a declaration that she is ‘back’ – if anything, it plays more like a buzz single than a confident statement of intent.
Te Amo
This song was the first track to be leaked from Rated R, though nobody knew this at the time; it only became apparent when the album’s tracklisting included this title. Of course, it’s possible that the song may have been remixed or improved with additional production / vocals, but the song as we have it currently is an undulating, mid-tempo ballad (if there can be such a thing). Rihanna sings about a female friend who tries to express her love for her while they dance together; however, Rihanna is happy to have a friendship but wants nothing more. Nevertheless, their dance is depicted with a sense of romance and longing, and the sadness in her voice when she sings “‘Te amo’, somebody tell me what she said, don’t it mean ‘I love you’?” is palpable.
The setting of a dancefloor “underneath the candelabra”, followed by seemingly walking along the beach gives the song an exotic setting to match with its use of Spanish phrasing. Production wise, this track could have easily fit within Good Girl Gone Bad, but nevertheless it carries itself well and along with “Russian Roulette”, displays Rihanna’s more vulnerable side, which contrasts with…
Hard
The most recently-leaked of the Rated R tracks, this song really does go hard! The most urban of the Rated R tracks (and it features a rap from Young Jeezy), it once again embodies swagger and non-stick confidence. “Meet me at the top top top, it’s gettin’ lonely”… Rihanna sees herself as a “lion”, a fierce defender of her crown as a survivor (hmm, of what? Chris Brown and domestic violence? Bloggers and haters (who are picked up on in the lyrics)? General negativity and envy?) and as a superstar. The clashing drums and sinister trumpets give the song a menacing, dense backbeat over which Rihanna yells what sounds like a call to arms. It’s a very confrontational song in its production, vocal delivery (none of the light fluff of “Shut Up And Drive” here!) and lyrics: the opening lyric in one way says it all: “They can say whatever, I can do whatever, no pain is forever, yep, you know this”.
Out of the three songs, “Hard” is probably the best of the bunch, and I’ve heard some people saying that it should have been the first single. I think that a video for this track has to happen, as Rihanna’s dark fashionista style and haughty pout would suit the message of the song perfectly; it’s easy for me to imagine the video for “Wait Your Turn” suiting this track much better.
Nevertheless, both “Hard” and “Te Amo”, like “Russian Roulette”, are promising indicators of an album which shows not only a growing maturity but also a hardening and darkening of Rihanna’s persona and style (only “Wait Your Turn” is a bit of a disappointment). Whether this is a result of just being older and more experienced in the music industry, having survived her turbulent relationship and subsequent media hoopla in the past year, or worshipping Satan (!!!!!!!!!!! I had to LOL when I read that story! But you never know…), it seems like Rated R will be a cohesive work and an evolution from Good Girl Gone Bad. Whether the new album has the hit factor that its predecessor contained is debatable – Good Girl Gone Bad was an album chock full of production-savvy uptempos and attitude-laced bangers that might prove hard to top – but what’s evident is that Rihanna’s not afraid to do something different from the other big females in the game, and she’s not afraid to take it to a darker place, as evidenced by the “Wait Your Turn” video. I eagerly await the album, and when it leaks, you know that you’ll be able to catch my review of it right here soon after! Thanks for your support, keep it locked kids 🙂