Posts Tagged ‘weakness’

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stay in bed day.

February 20, 2012

I am at home off work today. My voice has dropped an octave (I have the sexy Barry White thing going on) and my throat glands are swollen; I need to be 100% tomorrow as work is full of appointments, so I am hoping today will do the trick. I have bought Warrior off iTunes and it is currently downloading, so Tom Hardy can soothe me this afternoon!

I said in my previous entry that I have lately been on a bit of an emotional rollercoaster. I’ve gone from being irritable to being insecure and I think that I have been suffering from hypersensitivity again, but it just feels like I can’t seem to do anything right. At work I still keep making minor mistakes that people seem to delight in pointing out; I am trying my best and I feel that I have learned a lot and that I do a good job, but apparently it just isn’t enough. I don’t know if my contract will get renewed in September at this rate… I really hope so, but I am just having a crisis of confidence. I guess that in March, I have my 6-month review and I can ask my boss frankly whether she already knows anything about the future of my role, and when I will find out whether I am staying on. I should be reassured by the fact that my boss seems keen for me to go to curriculum training events and for me to learn things that will serve me well in the future of the job; but I also seem to be living in the shadow of the person that I have replaced, and it’s been a hard job to get people to be genuinely nice to me. Some are just determined not to be; others have slowly begun to smile at me and get to know me a little. But it’s just so wearing, and I wonder what is wrong with me that I can’t be poised and charismatic as I usually am. I’ve never really had trouble making friends in the workplace. But my nerves are getting to me – we had a party on Friday night in Camden and I was trying to be friendly and introduce myself to some people I didn’t recognise, but because I felt like a deer caught in headlights, my opening salvo ended up being “Um, do you know who I am?” Now as soon as the words tumbled out of my mouth, I knew that it sounded conceited – and I laughed and followed it with “Oh, that sounds awful!” – but it was too late because it is likely that every single thing that I say and do is monitored, recorded and gossiped about. If I sound paranoid, it’s only because I know that it happens with other people there… These people were staring at me like I was an alien, and it made me uncharacteristically nervous and clumsy.

And then, at Toby’s flat I managed to put the washing machine on a really long cycle by accident, and I inconvenienced other people in the flat. Now, the atmosphere there is already fraught with tension, but I didn’t want to be responsible for adding to that – especially as I don’t live there. I pay to do my laundry there, but I don’t want to cause any problems or become a burden to anyone. Again, making such basic mistakes is not like me. I apologised and explained it was a mistake, and I think everything ended up fine; but I know once again that this mistake can be stored up and can be used as ammunition later on. I just don’t understand why I’m feeling so awkward lately, and my awkwardness is compounded by my awareness that other people are constantly searching for a weakness, for something to use against me, and for something to boost their own egos. Now normally I wouldn’t care, but I need to keep this job and I need to be able to go and visit Toby’s flat to spend time with him.

This sense of malaise even made me misjudge the most basic of social situations; I was introduced to a couple of Toby’s family’s neighbours on Saturday evening. I went to shake hands, and it didn’t happen – a point was made and eventually my gesture was reciprocated, but it was kind of embarrassing by that point. My timing is off and my judgement is off, and however much Toby reassures me that I am fixating on miniscule details and that I shouldn’t worry, I just want to get away from everything, rest and recharge. I am not surprised that I have come down with a chest cold and sore throat, as it seems to be a physical manifestation of all the stress I have been under at the moment (although I was also admittedly ill-prepared for the cold Peterborough wind this weekend). Hopefully staying in bed today and taking it easy, my trip to Paris with Toby on Friday, and my week at home in Bristol next week will give me the relaxation I so desperately need (a big issue for me is learning exactly how to relax) and the positivity I need to snap out of this funk.

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Christina Aguilera – Bionic. (album review)

June 14, 2010

As you can tell from my current blog layout, I am very much feeling the imagery of Christina Aguilera’s current Bionic era.  It’s fierce, severe and pushes the envelope.  Artwork such as the front cover (above) and other graffiti-inspired cyborg manipulations handled by D*Face push the envelope and also serve to symbolise Christina as human machine which creates fine music hence “Bionic”.  Various analyses of this robotic imagery could be and have been made: on the one hand, Christina Aguilera in her superhuman form triumphs over all her competitors and makes superior , near-perfect music because she has this bionic element to her; on the other hand, as part-robot, Christina can only ever produce a facsimile of what music is supposed to be, while never quite getting close enough to the organic, human qualities in music that elevate it beyond the calculable – qualities which cannot be quantified or mechanised.  In Bionic, as in life, the truth lies somewhere between these two opinions.

Bionic the album is a long listen – 18 tracks in its standard version, 23 in its deluxe (with iTunes bonus track “Little Dreamer”, a likeable but throwaway confection, making a grand total of 24).  I’ll dispense with the additional 5 bonus tracks first: they are, by and large, bonus tracks for a reason: either they are not strong enough to be considered for the main album (“Monday Morning” is pleasant but lackadaisical; “Birds Of Prey” is lyrically mysterious and interesting, but musically and vocally it’s too much mainstream dance that Kelis would do a lot better with on her current Flesh Tone project), or they don’t fit thematically with the empowering / sexual / carefree / mature feel of the album.  “Bobblehead” is a thrilling production that stutters and races to its climax with the wonderful lyric: “I never play dumb to get what I want / and always come out the one that’s on top”; however, its main hook is a nonsensical mumble that may be the point of the lyrics, dissing idiot girls who dumb themselves down and preferring to deploy her own intelligence, but it’s still a nonsensical mumble which fails to use Christina’s vocals to much effect.  “Stronger Than Ever” is a ballad that is lyrically strong (and embodies my current struggle with my parents) and vocally able, but it just lacks that something.  “I Am (Stripped)” is a lovely album closer but is a more acoustic version of one of the main album tracks, and so it’s understandable why it’s relegated to bonus status.

So, to the main event. To my ear, Bionic moves in three arcs.  In its first, it goes for the jugular with relentless, futuristic uptempos; it then cools down into a sensuous, emotionally vulnerable, mature ballad section; finally, it picks up again for a closing triad of uptempo songs that epitomise fun.  While it’s possible that the album could be trimmed down to make a more concise, compelling listen, it flows very nicely throughout and only has a couple of stumbling points.  Christina Aguilera said that she wanted something which sounded futuristic, but with elements of the organic; something which integrated her new emotional maturity as a mother with her desire to remain playful and sexy.  On this point, she has succeeded: Bionic has elements of all of this.  Tracks such as “Bionic” and “Elastic Love” incorporate computerised effects to distort Christina’s voice, along with buzzing, whirring productions that sonically embody the bionic cyborg face of her album cover. However, on tracks such as standout “You Lost Me” and “All I Need”, Christina is stripped of the musical gloss of the faster tracks to be backed by little more than a piano.  “All I Need” is also a touching, mature tribute to her son, which nicely avoids being mawkish or saccharine like Britney Spears’ unlistenable “My Baby” from Circus.  Finally, sex is all over this album, and from the enticing “Woohoo” to the seductive “Sex For Breakfast” (which I have yet to play for my boyfriend, but when I next see him in July, I am using this song on him!), it’s explicit without being pornographic, edgy without crossing that line.  In this respect, the Christina Aguilera of “Dirrty” is still present, knowing how to be provocative while still being musically relevant.

However, in the video for “Not Myself Tonight”, Xtina makes her return and perhaps pushes the envelope a little too far.  S&M get-ups, Madonna tributes aplenty, and bisexual flirtations are almost par for the course at this point, and Christina Aguilera is more than entitled to use them considering her influence on current female artists in the mainstream over the past 10 years.*  However, although “Not Myself Tonight” is an understandable choice as Bionic‘s lead single considering its radio-friendly sound, it’s not futuristic and it’s not exciting enough to merit the edgy, sex-fuelled imagery.  Rather than hookless, it sounds like a bunch of hooks jostling together for attention over a dance beat (which has a couple of exciting tribal flourishes), the result of which means that sometimes the song sticks, on other listens it doesn’t quite get there.  A better first single might have been the thrilling, soaring title track, or uptempo album standout and follow-up single “Woohoo”, on which Xtina extols the virtues of good oral sex, recruits Nicki Minaj for a fine rap segment, uses her vagina (the titular “Woohoo!”) for a cowbell, and tops it off with a throbbing, buzzing dance break coda for good measure.  Along with “You Lost Me”, “Lift Me Up” and album closer “Vanity”, “Woohoo” is an album standout where all of Christina’s chemical ambitions for Bionic come together perfectly to produce some exemplary pop.

Bionic itself has no bad songs, but there is some filler: “Prima Donna” comes at the end of the first album arc of jugular-ripping uptempos, and is the weakest of them, with little lyrical know-how or production excitement to give it its own identity after the tracks preceding it.  “My Girls” is a ‘riding in the car with your top down’ sort of song, but comes off as fluffy compared to the album’s meatier offerings: although Christina proves (responding to criticisms that she oversings) that she can vocally restrain herself on songs such as “Elastic Love” with its amusing and witty stationery metaphors, and the tender “All I Need”, “My Girls” needs the vocal melisma to give it some spark; as it stands, it’s a little too laid back.  Nevertheless, 2 out of 18 songs (or 15, excluding interludes) is not bad and perhaps a better result than I was expecting.  Sure, several songs on the album are not immediate: “Glam” takes a few listens to hit its stride with its subtle, fibrillating beats and “Vogue”-esque spoken-word verses, while “Vanity” initially startles the listener with its unbridled use of the word “bitch”, references to Christina making herself “wetter” before marrying herself as her “lawfully wedded bitch” and effectively giving the finger to everyone who doesn’t have such bravado.  Only by the song’s end (and possibly a couple of repeat listens) does it sink in that the track is a storming highlight, a perfect album closer, utterly hilarious and ridiculous (and knowingly so), with a vocal flourish that knocks all competition to the floor before her son’s voice confirms all suspicions: his mother really is the shit.

At the end of the day, it’s this kind of confidence that makes Bionic a great success – Christina Aguilera believes that she rules the world, and this kind of ambition almost single-handedly propels her music to heady heights.  It’s a new page for Christina, and she’s secure enough in her ability to try different things: the mélange of styles is a little disorientating until repeated listens expose the subtleties and intricacies in her vocals, lyrics and the songs themselves.  “Lift Me Up” is another beautiful, soaring track that was slightly superior in its stripped down live version performed on the Haiti telethon, but still thrills within the album.  “I Am” is a declaration of humanity, imperfection and adulthood that lends substance to the polished sheen of Bionic‘s robotic side, deployed confidently, efficiently and effectively for example on clubsong “Desnúdate” (which neatly remembers and includes Christina’s Spanish-speaking audience and heritage).  If Christina experiments with textures in her voice, sometimes preferring subdued rumbles to soaring melismas, she still shows that she can do both better than most other female artists.  At the end of the day, Christina Aguilera is an musical artist with a personal and professional vision that she fulfils 85% of the time.  Her misfires are excusable and never in poor taste so much as merely a little bland or inconsistent – in time, Christina will learn to totally excise these from her projects.  Most importantly, while some of Bionic indeed caters to current mainstream tastes and is hardly an obscure sonic revelation, the majority of it is interesting and thrilling, and rings true as Christina Aguilera’s own personality and intention which doesn’t give a fuck about current radio trends (in my opinion, less than half of Bionic would get spins on mainstream radio).  For this, her sales might suffer, but her artistic integrity remains intact and hopefully the mainstream radio audiences and buying public one day will catch up.

* I’ll address this once and only once: anyone who thinks that Christina Aguilera is copying Lady GaGa is a) suffering from memory loss and should go back to Christina Aguilera’s last two album eras which were mired with controversy and blazed with exciting fashions and imagery, b) suffering from hearing loss as Christina can sing GaGa – and pretty much anyone else – under the table, c) has no respect for what Aguilera has achieved over the past 10 years – while GaGa has had a fantastic 2-year run and displays much potential (her music and videos are definitely getting more intriguing), she’s still only been around 2 years and more respect should be shown to anyone who successfully completes a decade in the music industry, and d) completely overlooking Gwen Stefani, whose hairstyle Christina mimics in her “Not Myself Tonight” video, and whose image, sound and career Lady GaGa has borrowed liberally from, mixed with a bunch of fashion designers, and passed off as her own to those too young, too unaware or too amnesiac to know any better.

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run(a)way.

June 9, 2010

Monday night, after one more argument with my mother over the dinner table where I should really know better than to voice an opinion contrary to that of my parents’, even if that opinion is backed up by fact and knowledge from my university studies rather than jaded cynicism and hearsay, I decided it was all too much and left home for 2 days.  My father was ambivalent during the whole row, my mother decided I had a “problem” with her and refused to listen to her (despite the fact I expressed my opinions in a calm manner, balancing positives with negatives; these opinions were talked over or dismissed at each turn); that I had suddenly “flipped out” despite the fact that she, not I, was the one raising their voice; that how could my feelings be hurt by her, if she’d had her feelings hurt by me? As if only one person can feel wounded by another at any one time.  I said that over the course of the year, I had learned that the only time I ever argued or was in a toxic atmosphere was at home with my parents, that I have the ability to make friends time and again and therefore there can’t be anything wrong with me, that I would no longer let my parents make me feel ugly.  I left to give myself some space, and I am more than grateful to Toby and Mike for providing me refuge, and to all of my friends for understanding and for saying that I was right, and not crazy.

People say that “friends are the family you can choose”. Others say that “blood is thicker than water”.  It is true that I will never not love my family: my mother and I were inseparable during my early years and we got each other through the dictatorship, misery and abuse (verbal, mental, very rarely physical) my father wreaked on our lives.  I won’t forget that.  Neither do I hate my father, although he doesn’t love me: he’s never known how to be a father, but at the age of 16 I finally realised that hating him still meant that he had some power over me.  I saw him weakened after one too many accidents on his bicycle – watching my father crippled, being wheeled in a wheelchair, having to help him go to the toilet in hospital made me realise that his power was all an illusion, and that if I didn’t submit to his subjugation, there was little he could do to truly hurt me.  Since those epiphanies, I’ve been able to forgive him for my childhood, and at times I know that his lack of attachment to me makes him almost an objective source, and occasionally a better source of advice or confidant than my fiercely feisty but heavily biased mother (if I have issues and neuroses, I most certainly learned them from her).  He’s not a bad person and I don’t think he ever meant to be, he’s just imperfect.  My mother is imperfect too, and just as I rebelled against my father, I’m now fighting a battle to establish myself as an intelligent human being against and apart from my mother, who unwittingly (unlike my father’s deliberate past sabotage) threatens my intellect and independence fairly often.  Her timing is off however: I’m 24 and after university not once but twice, and a gradually-formed but steadfast collection of true friends, I’m stronger than ever.  So I won’t take shit from either of them. I don’t need to.

I came home this afternoon with some trepidation: as much as I am strong now, I’m not invincible, and if I had been kicked out I don’t know how I would afford to live elsewhere until my job at Cirencester kicked in (my first salary payment won’t come through until mid-September, and my bursary won’t keep me going until then, especially if I’m juggling rent with driving lessons and tests, which are indispensable at this point).  Financially, I just can’t afford to be out of this house; emotionally, if they said goodbye, I’d walk out and never come back because my pride would not let me do otherwise.  I’d be shooting myself in the foot, but I’d do it with resilience in my eye.  However, I’d rather not have to shoot myself in the foot 😉 My mother is giving me the silent treatment: even though I don’t think I was in the wrong, before leaving on Monday night I apologised for “getting heated”. My mother did not, does not apologise unless hell has frozen over or unless she’s actually not done anything wrong.  My father is pretending like nothing ever happened, and is playing piggy in the middle of our fury; because there are 3 of us in our family, one of us is usually stuck in the middle / left outside alone (delete as appropriate) while the other two bait and infuriate.  Usually, I’m the third wheel to my parents’ storms.  So I can understand my father feeling relieved that he’s off the hook for a little while.  My stubbornness, identical to my mother’s (I won’t lie: we have a lot of similarities and I have had to reprogramme myself to eliminate some of her neuroses and pessimism ingrained in my psyche at a young age – they’re not all gone yet), means that our arctic silence will persist at least a week or two.  I don’t want this, I don’t want to be locked in war, and yet as a child I always surrendered to the silent treatment.  Not only am I not in the wrong, but I have apologised for my foibles in the argument.  I have nothing else to say: my mother evidently feels she is impeccable.  So what else is there to say or do, other than go on and wait for everything to subside?

Once everything is financially stabilised, I will be gone from here.  It’ll take only a few months I believe: my life is slotting into place and in my mid-20s, it’s been long overdue for me to be out of home.  Returning from my undergraduate degree, it was really difficult getting used to living under my parents again; over the past year when I’ve been going to UWE, their relationship seems to have destabilised to the point that I prefer to be alone or out than endure the atmosphere.  Perhaps it’s partly just natural for me, as an adult, to want my own independence too.  It is within reach now, I just have to bide my time a little longer and keep looking to the sky. Hopefully, when I achieve my goals, with some perspective and space my parents will be happy for me.  And if not, then that’s okay too, because I will be happy for myself and I have enough people who care about me that I feel healthy.  I can do this 🙂

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stupid lucky.

May 14, 2010

I haven’t written in a week, and that’s because I don’t really know what to say.  I don’t just want to write album reviews because that’s just one facet of this site.  I just don’t know how to word how stupid, how complacent I have been, and yet how much I have overthought things and let my overthinking nearly ruin my relationships (both friendships and romantic).  And yet, I’ve been so lucky, because I’ve realised in time, and I managed to put aside my pride, my severe need for independence, and let someone else in.  I’m so lucky because I am with somebody who realises my problems without me necessarily saying anything, and he is willing to stand by me while I work on myself and work it out.

Nobody is perfect, and I’m pretty hard on myself.  Everyone says that, and I suppose that it’s true.  But I think it’s so illogical, so backwards that I can love other people and yet I can’t love myself? How does that work?  I do love aspects of myself, but I also hate things about me.  I guess that’s normal, but the things that I hate seem to throb, vibrate and I constantly am aware of them.  I guess that as I get older, I’ll learn to accept these things and feel them less vividly, but I don’t understand how someone can love me with all of these faults that I have.  So on the one hand, I cover up any weaknesses and portray myself as sociable, confident and outgoing, so that nobody will know that I have these weaknesses.  Sometimes I can even trick myself into believing that I am this way. And yet on the other hand, I find it so hard to let anyone get truly close to me, lest they see who I really am and go running a mile.  Pushing people away has been easier for me, and I finally realised that I have someone so precious that I don’t want to push away.  So I am learning to let him in, because I do love him.  I just feel so stupid that it got to the point where I could nearly have lost him to really wake me up and finally allow him to see me for who I am.

That’s why I feel so stupid and yet so lucky.  Looking at my family, thinking of my past, I shock people when I tell little stories about the emotional abuse I endured growing up.  Things that are nothing compared to the atrocious things some people suffer, but which niggle my brain and fold into my subconscious until they are a part of me.  I shudder when I recognise parts of my mother’s personality becoming more blatant within me.  Mike and Toby both laugh, but I know that they are surprised… adding up why I am the way I am, impressed that I seem to have made it out more or less ok, confused as to how it all happened to me.  And when they tell me things about them, I guess that I go through the same process. Getting to know someone, not just the good but the bad too, is a cautious evaluation that involves trust on both sides.  And I’ve finally learned enough to know that if I chose to be alone this time and forsake someone who seems to offer me everything I could need for the sake of independence and security, then I truly would be stupid.  I’m glad to say that I’m not that stupid anymore. 🙂

Love is risk.  Misery can be like a pillow, so comfortable and familiar.  If Toby is brave enough to reach out his hand to me and offer me a way to happiness (and this whole year has taught me that I can be happy, that I deserve to be), then all I have to do is push my way up through my own fears and insecurities and take it.  That was really scary, but I did it.  I am with him now, and it feels really good to open myself up to that feeling.  I think I can make it, and I think that life will be good.  Looking at my family again, I don’t want to have a relationship where there’s constantly drama and sadness and questioning.  I know that a certain element of that is inevitable, but when it takes over the joy of being with somebody… I don’t need that.  I don’t want to end up like that.  After all, like I said in a previous entry, not everyone gets the chance for love.  I have that chance, and all I have to do is take it.  So I’m taking it.  Deep breath, here we go.  I am truly, truly lucky.

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i cry real tears.

August 4, 2009

On my way home on the bus after a lovely day spent with Hannah and Nick, I suddenly felt tired and wanted nothing more than to be instantly wrapped up on the sofa.  With the rain flooding down the windows as I gazed out at the grey, overcast cityscape passing me by, I couldn’t help but feel that the weather echoed my inner sentiments.  As if, for all the nice chats and coffees and perfume I enjoyed today, I couldn’t escape my own sorrow, loneliness, fear and ennui – I could only subdue it and try to ignore it.  But with the rain coming down all around me, I could have started crying – not bursting into tears, but silently letting them fall from my eyes.

Why? I have a pretty good life, and I had had a nice day.  But I guess that being on my own, in the middle of a crowded bus (the windows steamed up by our collective body heat) with nobody to talk to and my ipod drowning out everything, surrounded by anonymous faces and anonymous rain, the solitude just got to me.  I’ve fallen for somebody real bad, and it’s crazy because right now, I can’t think of anything better than escaping my life and running away to another country, learning another language and living a completely different life.  Obviously I’m not going to do this, but I can’t help but imagine what it would be like, and how happy I could be if we really did fall in love with one another.  I’m wrapped up in a fantasy and it’s so sweet, it makes reality all the more bitter in comparison.  And I’m wrapped in his cologne (Opium Pour Homme) so that I always feel it on me, and it’s torture because it smells so good and yet he’s not there.  I’ve met the guy once (though we talk most days) and I’ve gone utterly crazy.  Rationale literally out of the window.

I have a ridiculous amount of music on my iPod, and at times like this I can’t help but pick songs that echo my mood, or lyrics that echo my situation.  My current choices range between optimistic and heartrending: Blu Cantrell – “I Can’t Believe“, Mariah Carey – “The Beautiful Ones“, Shontelle – “T-Shirt“, Toni Braxton – “Spanish Guitar” & “I Don’t Want To“, The-Dream, “H.A.T.E. U” are the examples which come to mind.  Of course, tugging at my heartstrings doesn’t make me feel any better or enable me to forget my situation, but instead keeps me moping, though at least I am moping to a good soundtrack!

Anyway, I didn’t cry.  I am not the kind of person who would break down in public (I don’t like looking imperfect, even sweating in public, so tears are out of the question – I do my utmost to keep my façade weakness-free), and I’m not the kind of person who breaks down even in private.  Ever since I was a kid, I was taught to keep my emotions inside so that nobody can see your weaknesses (particularly when my dad would try to upset me with the goal of making me cry, my mother taught me not to give him the satisfaction).  So even during trying times, I try to suppress any extremity of emotion in public, and take deep breaths and clench my fists and just get on with things.  After all, the quicker it’s over, the quicker it’s done.

But that doesn’t mean I don’t want to cry.  I believe in the cathartic power of tears, and once you’ve cried your eyes and your heart out, there’s nowhere left to go but to start healing yourself and picking yourself back up.  Although they make your eyes puffy and swollen, and seem to bring out dark red freckles around my cheekbones (lucky me), tears do serve a purpose – they let you acknowledge your sadness and express it and move on.  Sometimes, my restraint from expressing my sadness even privately means that it festers, whereas if I could just let myself go and cry, maybe I’d move on a little quicker.  Who knows – that’s just the kind of person I have come to be, it’s probably to late to do anything about it now.

Yet I disagree with the widely-held belief that “boys don’t cry”.  They just don’t let anyone know that they cry.  There are a lot of secrets kept between the sexes that I think stop us from understanding one another and feeling close to one another.  Of course people are going to think that men and women are from different planets; that’s the way we live our lives.  The machismo the boys don’t cry does stem from the fact that crying supposedly signals weakness, and men must never appear weak.  But why is it ok for women to be weak, in that case?  Everybody gets weak sometimes (even though nobody talks about it, we all know it’s true) and in that weakness, the best thing we can do is to seek strength from others.  But (and I am particularly guilty of this), seeking strength and asking for help once again points out our weaknesses to other people and we are too proud / afraid to bare ourselves in this way.  So we cover it up.  But I think that to make it a gender thing (Fergie made things no better with her song “Big Girls Don’t Cry” – boys cry, men cry, big girls cry, petite girls cry, grown women cry, transexuals cry.  Everybody cries.) is just stupid – tears are universal.

Babies cry for attention.  Adults rebel against this because when we cry, we don’t want anyone to know – bringing attention to ourselves is the last thing on our minds.  Crying is a secret rebellion against maintaining that all-important appearance of teflon perfection.  I don’t cry (films never get to me – the right music is usually the closest thing to bring me to the brink) very often at all, but sometimes – like today – there is an evocative feeling in my heart, and I don’t know what to do with it.  And though, despite everything, I am not comfortable with letting my tears fall in public, it’s as pure an expression of hurt and longing as you’re gonna get.  And wrapped in this cologne, my longing aches just that little bit sweeter.

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balance of power.

July 28, 2009

Growing up with my parents and their perennially “stormy” relationship (that is one of the most accurate and yet most polite adjectives to describe it), I have always been acutely aware of the balance of power that exists in relationships, friendships and even day-to-day interactions.  For example, many a time have I apologised to my mother after doing something wrong.  But I can count on one hand the amount of times my mother has ever apologised to me after upsetting me.  The reasons for this are simple: although generally, being man enough to apologise when you have done something wrong makes you “the bigger person”, it also means that you cede a massive amount of ground in the balance of power that exists between you and that other person.  Acknowledging your fault equates to acknowledging their lack of fault and thus their superiority (obviously not in reality, but in power-struggle talks, this is fairly accurate).  That is why “sorry seems to be the hardest word” – because it involves swallowing your pride and giving away a small part of it to your opponent.  And when you have to apologise just to clear the air, because you don’t want to fight anymore but you don’t feel you are to blame… well, I don’t bother with that anymore, because I have done enough of that already in my short 23 years of life, and another thing that my mother has taught me is how to hold onto anger.  The silent treatment is a fantastic invention for testing the balance of power, and me and my mother have gone 4 weeks without speaking.  Of course, I am not recommending not apologising, or refusing to speak to somebody for weeks on end, because it is childish and it’s better just to get on with your life.  I am merely explaining the logic that exists in my family of how important it is to maintain a position of strength in the balance of power that exists between you and everyone else.  The moment you are seen as weak or a pushover, that’s the end of you (until you find a devious way to turn the tables.  But no ground lost = no scheming necessary).

So I move onto the situation I have been experiencing recently.  My father has become pathetically obsessed with this online game called Evony (if you want to look it up, more fool you, but you can find info on it on youtube and all the usual places) where you build your own medieval town and then defend it from other people’s armies while trying to make your town more powerful and take over other towns.  And when I say obsessed, I mean it – he spends every waking moment of his time at home on his laptop playing the game, which doesn’t seem to consist of much more than staring at the screen and occasionally clicking on a little house, while reading inane commentary between other users in a chat box in the corner.  He is back at work now (he was off for 3 weeks on holiday) and still stays up until midnight playing the stupid game, despite having to get up at 5:45am the following morning. He drinks cider and shovels crisps in his mouth and does not allow me to sit on the sofa nor watch the tv.  And I am 30 years his junior, so I am DAMNED if I am going to go to bed before him without enjoying even 5 minutes of peace and quiet downstairs in the lounge, watching what I want on tv (the only chance I get to watch what I want is when my parents are not present, which is usually once they have gone to bed) and having a cigarette outside on the patio and listening to my music undisturbed.

This is where the balance of power comes into play.  I don’t know if my father has decided on purpose to stay up until stupidly late to try and annoy me, but it certainly does the trick.  I of course refuse to go to bed, and my advantage is that I do not have to get up stupidly early for work the next day (though I am, as of today, employed again!!! The hospital came through, yayyyy 😀 😀 😀 )… Whether this is, in his view, a struggle for power and supremacy by despatching me from the lounge or whether he is just single-mindedly playing his pathetic little game, I now view it as a competition for control of the television at least 1% of the day, and establishing myself as more than just another piece of furniture around the house who disappears without causing any trouble.  I will not be ousted from my own house by my own father who is 30 years older than me and playing an idiotic little game.  I will not be sent to my room before I am ready to go, and I will not cede control of my bedtime nor of my right to enjoy myself in my home.  I will stay up until he goes to work if necessary… I don’t care.  This is a battle of wills now, and I promise you one thing: Like Rocawear, I will not lose.