Posts Tagged ‘singing’

h1

New music: Climax (One Take Vocal) (Usher Cover)

August 2, 2012

Hurrah, some new music! I have been slowly but surely getting into Usher’s new album Looking 4 Myself, and I realised that “Climax” suits my voice and falsetto well. So I had a go at singing it – recorded this vocal in one take! I am very pleased with it – 5 minutes’ work, not a flawless vocal but certainly decent enough!  I hope you enjoy, and I hope that this tides over those of you who are waiting for new music from me… It’s coming! xx

Advertisements
h1

Madonna – MDNA (album review.)

March 28, 2012

MDNA is Madonna’s 12th studio album (depending on what you include / exclude) and it’s an improvement on her last effort, Hard Candy, simply because there’s a higher strike rate of really good tracks. It’s no Ray of Light, Bedtime Stories or American Life (her most introspective albums and not coincidentally, her best – let the debate begin!), but we get more of an insight into Madonna the Human Being than we have in possibly 10 years.

Not that you’d know it from the two singles that have been released: “Give Me All Your Luvin'” is a straightforward ‘fun’ track which has had a lot of the fun ironed out of it. Madonna’s vocal sounds flat, the production sounds a little lacklustre, and while Nicki Minaj and M.I.A. acquit themselves well during their verses, their presence is unnecessary. The melody is perky but calculated, the cheerleader chants are hooky but calculated – the whole thing is a perfectly acceptable pop song, but it sounds so desperate to be joyful that it ends up losing a lot of charm. “Girl Gone Wild” serves well as an album opener, but again it sounds dated for Madonna – which means bang-on-trend with what’s in the charts – and unimaginative. The lyrics are uninspired, the melody is catchy and you will be humming it after a couple of listens. In this sense, the singles both do their job, but there’s much more exciting stuff on the album.

Which, take my advice, should be sequenced thus:

01. Girl Gone Wild
02. Gang Bang
03. I’m Addicted
04. Some Girls
05. Turn Up The Radio
06. I Don’t Give A (Feat. Nicki Minaj)
07. Give Me All Your Luvin’ (Feat. Nicki Minaj & M.I.A.)
08. B-Day Song (Feat. M.I.A.)
09. Superstar
10. I’m A Sinner
11. Love Spent
12. Beautiful Killer
13. Best Friend
14. I Fucked Up
15. Masterpiece
16. Falling Free

I am never usually one to mess with how an artist envisions their album by cherry-picking individual songse, or by listening to things on shuffle. I am very in favour of the idea of an album being treated and listened to as a body of work. However, I gave this track list (which I found on the Popjustice forums) a go and it seems to flow so much better. It stacks the harder-edged songs at the front of the album, followed by a sunny middle section and winding down towards the slower songs at the end.

“Gang Bang” is my favourite song on the album. A revenge anthem featuring menacingly-spoken vocals (reminiscent of Dita from Erotica) atop a minimal beat, a dubstep breakdown (again, bang on trend / a little passé, but it works well in this instance) and screams of “DRIVE BITCH! AND WHILE YOU’RE AT IT DIE BITCH!”, it’s irresistible, edgy, a little silly (Madonna does not need to prove she is edgy and ‘down with the kids’ by swearing, but never mind), and it totally works. I can’t help but think of The Bride from Kill Bill when I listen to this song. Even though it would be an extremely weird choice for a single, this song is so cinematic that it deserves a video. “I’m Addicted” is the “Impressive Instant” of the album – swirling synths and insistent beats piling on top of each other to provide a climactic finish, while Madonna abandons insightful lyrics such as “all of the letters push to the front of my mouth, and saying your name is somewhere between a prayer and a shout” in favour of hedonistically chanting “M D N A M D N A” over and over.

And so we come to the album title. It’s a cool way of writing “Madonna”. Madonna has also said that the songs on this album display her musical DNA, so that also makes sense. And then, it also sounds like MDMA – which is a drug (hence the aforementioned refrain) and implies that Madonna’s new music is addictive. It’s a well-chosen title that has layers of meaning – well done to all concerned! The album cover (I am talking about the deluxe cover, above – the standard is pretty but doesn’t really go beyond that) shows Madonna posing behind a ridged glass screen which slices up the picture into discordant segments and perhaps represents an impenetrable layer between us, the listeners, and her, the performer / musical icon. The super-bright colours then pack a punch to the eye, and also reference a psychedelic, drugged-up state. Drugs like MDMA! I am spelling this out. The most intense colour comes from Madonna’s lips however, which is also important – she always takes centre stage. And her lips are where her voice comes from (sort of – you know what I mean) and Madonna is a Singer. Yes.

Back to the music then. “I Don’t Give A” is another standout track which has an urban quality to the beat. It discusses the hectic schedule of a star on Madonna’s level, and how she does ten things at once without feeling the pressure, because she doesn’t give a. It’s a defiant moment that’s further strengthened by another strong rap from Nicki Minaj, and tops out with an operatic choir repeating “I don’t give a”. As we’ll learn later on in the album however, Madonna does give a. “Love Spent”, “Best Friend” and “I Fucked Up” are introspection done right (unlike “Falling Free”, which is an epic ballad marred by Madonna’s incredibly mannered delivery and too little momentum too late). “Love Spent” switches up halfway through from practically one song to another with little more than a hook in common, but the same theme pervades throughout – if love were money, would you spend it on me? Would you care about me as much as your money? It sounds ironic for Madonna (who is not poor) to be discussing this, but then again, why can’t she? Everyone can relate to the feeling of coming second best in a relationship, regardless of whether either member of the couple is wealthy or not. It’s an emotional moment that is buoyed by a strong melody and interesting musical touches (such as the opening guitar and the Nintendo bleeps). “Best Friend” and “I Fucked Up” are apparently about her divorce from Guy Ritchie, and the demise of their relationship. Now, I know that it is easy to attribute these lyrics to that experience which the whole public knows about- and Madonna has had a couple of relationships since then (one of which was with Jesus!) – but it sounds pretty convincingly like Guy was on her mind when she wrote these tracks.  “Best Friend” talks about losing someone Madonna was very close to, and reflecting upon the time they shared together – “It wasn’t always good but it wasn’t always bad”. The fact that time has passed between the divorce and the album has allowed Madonna to apportion the blame where it lies on both sides – as well as Guy being the subject of her vitriol on other tracks, “I Fucked Up” sees her take some responsibility for the relationship’s demise. “I blamed you when things didn’t go my way… In front of you, I was cold.” Listing a number of the things that the couple could have done makes for some heart-wrenching listening, even as the production picks up speed. Although parts of the album sound manufactured for radio (like the singles) and others see her aim blindly for the craziest dancefloors, these tracks are where Madonna is open and sounds honest, rather than pre-meditated.

Other songs that deserve a mention are “Some Girls” and its basic but essential proclamation: “Some girls are not like me”; “Superstar” and its sugar-sweet hook of “Ooh la la, you’re my superstar”  (I imagine this song as being great for driving along to); the romantic “Masterpiece” which is somewhat cliché but manages to remain elegant and understated. On the other hand, weaker points of the album include “I’m A Sinner” which sounds like “Beautiful Stranger” (and I didn’t like that song either), and the ridiculous “B-Day Song” which wastes M.I.A.’s talents and doesn’t match up to the quality of the rest of the album. However, it’s relaxed nature reveals that Madonna probably had genuine fun recording this track, and it’s nice to hear a song that’s so unguarded. Perhaps it should have remained a b-side.

Overall, MDNA is a good album. It’s not outstanding as a whole, but it contains a fair few excellent moments. The songs are cohesive enough to feel like they belong (with a couple of exceptions), while varied enough to retain interest. There’s genuine introspection, braggadocio and hedonism – which is what we want from Madonna. It’s a shame that some of the album feels so calculated that it detracts from our enjoyment of the material. But once you can look past that, MDNA provides a trip well worth taking.

h1

Proust questionnaire.

January 18, 2012

The principal aspect of my personality.

I already knew that this questionnaire was going to be difficult because it is going to force me to look at myself as other people see me, while also considering myself from the point of view of the person who knows me best. I guess that therefore, the principal aspect of my personality is passion – my heart loves fiercely, and my brain works constantly.

The quality that I desire in a man.

Just one? Well, in that case, it has to be integrity. Or possibly, to be secure enough in himself to allow himself to be openly vulnerable and not get caught up in machismo bullshit. Perhaps the principal aspect of my personality should have been verbal diarrhoea…

The quality that I desire in a woman.

To be an independent thinker and not follow the crowd – in life just as in fashion.

What I appreciate most about my friends.

Their intelligence, their honesty, and their loyalty.

My main fault.

Overthinking things, second-guessing people and situations until it drives me quite mad.

Faults for which I have the most indulgence.

I can’t resist a mischievous streak.

My favorite occupation.

Singing and all that is music-related. Or otherwise, shopping with friends and sitting in a café, talking openly and honestly about love and life.

My dream of happiness.

To be with my partner forever, in a nice house in the city near the beach, and to have enough money to not have any real worries and to be able to provide for my family. I know it is predictable but I can’t think of anything that would make me happier. Oh, and throw in also having a killer body and a wardrobe that would be the envy of Tom Ford.

What would be my greatest misfortune?

To have not been raised by a mother who gave me her all (even when it was sometimes too much) and taught me important human values far more insightful than what is commonly and unintelligently accepted as “intelligence”.

What I should like to be.

Inspirational, successful on my own terms, genuinely original, and in love for the rest of my life.

The country where I should like to live.

This is quite an impossible question – I can choose 5 or 6 cities I am enamoured with from countries around the world. And I want to live in them all!

My favourite colour.

Red. Or black for clothes. I also like silver for jewellery, because it goes well with my black clothes. But then why choose silver when you could have gold?! So I will stick with red.

The flower that I like.

It’s a cliché, but I like roses – they are romantic and intricate. But when I was young, my favourite flowers were white trumpet lilies, and I still think they are beautiful.

My favorite bird.

The phoenix.

My favorite prose authors.

I am currently enjoying the Nordic crime novel trend (although I did feel somewhat embarrassed when I saw that Waterstones had a special section for this kind of book – I don’t like to feel so easily categorised) so Jo Nesbo and Stieg Larsson are up there. I have also always enjoyed Stephen King’s books, as well as Sapphire and Virginia Euwer Wolff. My favourite author that I studied at university was Faulkner, because the way he manipulated language and made the reader work to decipher and put together his images and plotlines was genius.

My favorite poets.

I don’t like traditional poetry that adheres rigidly to a form or standard verse / rhyme structure, because I feel that this often comes at the expense of true meaning and emotion. I enjoyed Ntozake Shange’s choreopoem for colored girls who have considered suicide/when the rainbow is enuf. And Herb Ritts was a poet with the camera.

My heroes in fiction.

I thought that Precious from Sapphire’s Push was inspiring and heroic. Other than that, I don’t really have a good memory for any literary heroes I have.

My favorite composers.

Classically, my favourite is Tchaikovsky. Speaking in modern terms, I adore Mariah Carey, and she is an accomplished artist in every sense of the word.

My heroes in real life.

My mother is beyond amazing. Inspirational in the way that she raised me, the ethics and conscience she instilled in me, and also the way that she has stuck by my father through all of his foolishness (I’m being deliberately vague because this is my private life) when most wouldn’t have, and ensured that their marriage lasted nearly 30 years.

My favorite names.

Toby and I discuss the names that we would like for our children. I love the name “Summer” for a girl. It just conjures up carefree beauty to me. For a boy, I really don’t know…

What I hate most of all.

Liars, people who are fundamentally inconsiderate, wasps, budgeting, and the fact that things which are bad for you are so much more enticing and delicious than those which are good for you.

The gift of nature that I would like to have.

I would love to be able to fly. I think that is what this question is aiming for? Either that, or have a body that does not store fat on its midsection.

How I want to die.

Youthful in spirit, if not in body. Part of me still has the childish hope that I may never die – I would like to live forever! But at the age that I am now.

My present state of mind.

Thankful that after so many years of thinking it would never happen to me, I have found happiness and true love.

My motto.

If you don’t feel good, then you might as well look great.

h1

aRt.

December 3, 2011

This week I have been inspired by two people in particular. Listening to Rihanna’s new album and watching her performance on the X Factor, I am aware that she isn’t the best singer or dancer, and that she is well aware of what music will sell well. But nevertheless, I feel such attitude from her new album, from her songs and performances – they are so energetic, so vivacious and really transmit an emotion and a lust for life that I admire. When some of her songs are quite explicit or controversial; when she wears outfits that catch the eye and make people talk; there is a gutsy and carefree aspect that is uncompromising and refreshing. This is one of the things I love about Rihanna, and in particular her more recent music.

On Tuesday night, I was lucky enough to go to Les Senteurs in Marble Arch and see Romano Ricci give a talk about his perfume range, Juliette Has a Gun. Some of the fragrances were stunning, while others were striking if not necessarily my cup of tea. But listening to him speak honestly and forthrightly about what drives him to create perfumes; what thought process and inspirations he has when he is beginning that creative process made me think about my own creative instincts and my music in particular. Sometimes a particular song will inspire me (immediately, “I Miss You” by Beyoncé comes to mind as something that has influenced my recent music); sometimes I will try to achieve a particular mood or aspire to a particular mental image or scenario. This has made me consider that the music for my upcoming album needs to be fearless and uncompromising; for in that way it will connect with a wider audience (regardless of the lyrical topic) and be more satisfying for me as an artist.

h1

creative instincts.

November 2, 2011

So I have been a busy bee and I haven’t had much time to write on this blog. But moreover, I haven’t really had anything that has come to mind as really worth posting… I have been too busy living life and not insightful enough to be reflecting along the way. But through talking and thinking about things in interesting conversations with Toby and Nick, I have decided that now that I am settled in London (I have been here nearly 2 months, which I can’t believe – it’s flown by!!!), I am going to pursue some projects. Here is a list:

  • Music. I have recorded precisely one verse since I moved to London. I love the new music I have been making, but it has trailed off. Partly because in my current flat, the only place I really feel comfortable singing is in the kitchen, as it’s the only space that isn’t close to the corridor, or to my neighbour’s room. (I don’t want to deafen them, or get a bad rep!) But I realise I need to really get myself back in motion and finish this new album!!!! In addition, Nick has been telling me about the fabulous Open Mic nights at the Cellar Door near Covent Garden. So in order to prove to myself that I can still sing, perhaps I shall slowly gather courage to perform something. I am aware that the sheet music for the Burlesque soundtrack, and for Lady Gaga’s Born This Way are both available. So what do we reckon? “Something’s Got A Hold On Me”? “Yoü and I”? “Bound To You?” “Marry The Night / Americano / Judas” medley?!?! I have to do something to keep my musical proclivities going, and to keep my performance and vocal skills alive.
  • Swimming. I have been fairly good (if not exactly excellent) with my walking to work. But obviously, winter is fast approaching and I will be less inclined to walk in bad / ridiculously cold weather, in warm clothes. So Les Senteurs (where Nick works) is opening a new branch in Marble Arch (you should go and check it out – fabulous perfumes!) and there is reportedly a swimming pool nearby. I have swimshorts from when Toby and I went on holiday to Seville, so Nick and I are planning to do some exercise at the pool there after work. It sounds like a good plan – I want to slim down a little bit.
  • Drawing. Once upon a time, I used to be fairly good at drawing. And watching Toby knit and create things, I know that I am not really a very crafty person and into handicrafts and the like. However, I am an artistic and creative person, and I am not bad at Photoshop and digital designing (my fashionista and styling instincts are ever useful in this regard). But recently I have been tempted to take it back to basics and get back into drawing. I think I will start out slowly and simply, and get myself a sketch book and a nice pencil or two, and start off by drawing what is outside my window. And as I gain my skills back and become more confident, I will hopefully be able to draw more elaborate, complex and inspired/imaginative pieces.
  • Cooking. Again, Toby is a fabulous cook. I am not a bad cook, but I have never ever had remotely enough patience to be bothered with it, unless I am cooking for someone else (which happens literally once in a blue moon). I admire the way that Toby instinctively knows what flavours go together, when a meal is ready, how to improvise with ingredients and flavours. I have never ever had an instinct like that as far as food is concerned. To be quite truthful, food has been an enemy of mine ever since I can remember – even though I am now no longer going through the weight loss issues I did as a child. I don’t enjoy food the way that a lot of people seem to – I can appreciate when something tastes nice or is artfully made, but I don’t derive pleasure from every meal the way that some do. To illustrate this, I have exactly the same thing for lunch every day at work. And it doesn’t bother me, because I don’t cherish the meal or the food. All I cherish is the fact that I have conditioned myself to be satisfied with a small lunch, and that this is good because it’s not going to add weight to me. (Sadly, by the evenings I am often ravenous and therefore often overeat – putting me back to square one!) But, back on topic after that brief digression, I feel that while the balance that Toby and I have of “he cooks, I clean” is totally satisfactory for both of us, I would still like to cook a little bit more. Because a real man knows how to cook, right?
  • London underground photo project. This is the big one that I have been contemplating for a few weeks now. Toby took me on a couple of photo walks around London, but I didn’t particularly enjoy them beyond the fact that I went to places I wouldn’t normally go. I wasn’t doing any photographing – Toby has a super-duper camera and so took lots of pictures, but I can’t be bothered to lug that around! Plus, a lot of the other people on the photo walk were basically being offensively touristy and taking pictures of everything and everyone (often in swarms like paparazzi!!), swarming upon the landscape without any respect for the world and public around them. It’s hard to explain, but that sort of behaviour basically appears to me as a little undignified. But each to their own. However, I have had the idea of documenting my life in London by taking pictures outside the tube stations I end up near, and expanding this to collect them all. A bit like Pokémon – gotta catch ’em all! But it will also be a fun project and spur me to explore the city a bit more. So perhaps that is something I will start doing very soon! What do you reckon?
So there you have it – my personal and artistic aims for the next few months. Let’s see how I do! xx
h1

Joss Stone – LP1 (album review)

August 11, 2011

LP1 is Joss Stone’s 5th album and her third consecutive attempt to reboot her career (after the stellar Introducing… Joss Stone and the defiant Colour Me Free!). This time, Joss is free of her previous record label EMI and is on her own imprint, Stone’d. So, if she is finally truly in control, why is this album so lifeless?
The good: Joss’ voice is richer, more textured and more soulful than ever. “Last One To Know” is starkly emotional, and compliments this voice with dramatic string crescendoes. On “Landlord”, a raw number which could have been recorded alongside Bruce Springsteen’s Nebraska, Joss takes centre stage backed by nothing but an acoustic guitar.
The bad: There is little else positive to say about the album. Its major crime is that it is dull. Hook-free songs plod along with nondescript drums and guitars blending into an MOR blur. The lyrics are frequently awful: take “Newborn”‘s anticlimactic “What happened to this morning when I woke up and the world was… bruised”, or acoustic closer “Take Good Care”‘s “Take… good… care… / Don’t… push… the button.” Um, what? Joss tries to inject some life into proceedings by cussing to prove how ‘badass’ she is: “I’m a girl that don’t give a shit!” This swearing becomes tiresome, as it’s unnecessary bravado rather than genuine emotion.
If the songwriting on this album matched the quality of Joss’ voice, LP1 would be a much more satisfying affair. As it is, it’s going to take more than this inert stab at independence to revitalise her career. Perhaps Stone should consider working with a soul singer-songwriter like Jazmine Sullivan, whose vocal range and depth is similarly impressive but who has songs which thrill and impress, rather than bore. Joss is one of the UK’s best singers but this material is largely deplorable – and it’s a crying shame.

h1

phoenix rising (new song!).

May 18, 2011

My good friend Koodzi (as well as his twitter, visit his blog here!) is an amazing singer/songwriter who found me on Soundcloud – he is also part of Citizens of the World, a dope songwriting team who are currently running a 30 Song Challenge on their website. They create instrumentals (including the beautiful instrumental which inspired the above song, “Phoenix Rising”) and then the members of Citizens of the World (and anyone else who wants to join in!) craft songs to the instrumentals. There will be 30 instrumentals in total, hence “30 Song Challenge”. Koodzi invited me to take part, and so this is the song I made out of the 3rd instrumental. I am hoping to do more songs with the future instrumentals that comprise the challenge – it is so good to stimulate one’s creativity in this way! So I hope you like “Phoenix Rising”, I hope you enjoy seeing what Koodzi and co. have to offer and listening to their compositions, and I think that this is really getting my creative juices flowing – nearly 5 of my own songs complete for my forthcoming album! It’s coming y’all… 🙂