Posts Tagged ‘youtube’

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fear.

November 12, 2009

“I’m scared to look cuz I’m scared to see
I’m scared of you cuz I’m scared of me”

“Fear” – Jazmine Sullivan

I could have quoted the whole damn song for this post, to be honest – the lyrics are so well-written and true. (Give it a listen sometime – I’m sure it’s on youtube.) The last few days, I’ve been thinking that I sorta scare myself in some ways.  The intensity of the feelings I have for the man I want, whom I can never have.  But it’s not really about that.

He’s not single.  If we ever did get together, it would be the destruction of a family, the trust and love and everything that’s been built into that.  I’ve been privileged enough, even after us only knowing each other for 2 months, to witness that first hand when I’ve been invited round to his house.  When I was a child, I used to resent my father for never being there, and I used to be somewhat scared of him when he was.  To see the kind of man, husband and father that my friend is, really tells me that that he is who I want to be in 10 years.  He’s an inspiration.  And yet, why can’t I stop these feelings?  Why am I so selfish as to even consider risking destroying the family he’s built, and depriving a young son (3 years old) of the very same things I didn’t have, when I know first-hand how miserable it is to grow up with a father who is only physically there a small amount of the time, and emotionally absent during even those times?  That’s what scares me about myself.

He’s in my dreams near enough every night. We text each other a lot when we’re not physically together. I haven’t felt this way about anyone since the teenage crushes I went through (you know what it’s like – we’ve all been there), and it scares me that rather than having grown up and gotten past these kinds of feelings, I can still get wrapped up in them.  Most of the time, to have such a close bond with someone and to share the same sense of humour and emotional insights (despite our different lives) brings me such joy and security. In my current desolate home situation (and the lengthy boredom that is my placement at the moment!), it’s a light in the darkness.  But occasionally, when I’m alone I miss him so much.  When he texts me, it lights up my morning or evening. It feels like we are linked, even across the distance. And when he doesn’t text me, I’m almost devastated and I start getting paranoid that I’ve done something to harm our friendship.  Yep, it’s textbook infatuation. So what do I do with it?

It scares me that I don’t know.  Feelings aren’t something you can just make go away with the click of a finger.  And I don’t want to change anything about our relationship – it’s precious and rare! Although I guess I’m quite a popular person, I still consider myself to have but a handful of truly close friends, and I don’t want to stop him from becoming one of them. So I am not willing to be apart from him, and I don’t know if that is necessarily the answer. I’m never going to reveal my feelings for fear of alienating him – not that we don’t flirt! Our relationship can be quite suggestive and flirtatious. But I try and monitor myself so it’s not OTT – and he reciprocates plenty!  So there’s an innocence and a fun to it, which is enjoyable. I don’t want to jeopardise that either by being too honest and full-on, nor by suddenly becoming aloof. It would hurt him and it would not be genuine.  So I guess I have to continue and wait for my feelings to fade and rationale to win out… and try not to do anything stupid. And while I may be scared at the fantasies in my head possibly coming true, I know that I can hold back.  Most of the time. Hopefully my fears are unfounded.

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quiet storm track walkthrough (part ii).

October 31, 2009

(clicky) Quiet Storm (album download) (clicky)

Without further ado, let’s go on with the show!  Here’s part i of the walkthrough, covering tracks 1-6 of the album, if you need to read.  Once again, please enjoy and you can download my album at the link above / at the bottom of the page if you haven’t already! 🙂

7. Touch Me

This was the first single off the album, and it samples “Nobody But You” by Cassie and The-Dream.  I added some more drums and extra instruments (like the piano line) to give it a little extra kick.  Sonically and lyrically, it’s a little bit lighter than the songs which have come prior, because I didn’t want the album to be too heavy all the way through.  Life isn’t like that, and we all need to have some fun and not be so serious sometimes.  The theme of this one is about liking somebody  and having a crush on them, and just being flirtatious and wanting to have a good time with them – letting whatever happens, happen!  After a comment from my friend Emma who heard the song today, it’s interesting that none of the songs on the album have any relation to anything that’s happened in the last couple of months (I finished writing and recording the album at the beginning of September), because this song lyrically is more than a little appropriate right now. 😉 It’s also an unofficial part 2 to one of the very first songs I did, called “Reach Out”.

8. High Fashion

With “Touch Me”, this portion of the album is the ‘uptempo / club ready’ section, the part of the night when you just want to dance, have a good time and feel fierce.  I was inspired a lot by working at the Perfume Shop and being surrounded by a lot of luxury or designer brands like Prada, Gucci, Dior, and how tempting and intoxicating that whole world is.  For me, designer is increasingly a natural fit, though I try not to be snobby with it – I want my jewellery and accessories to feel special to me, not a normality.  But I like the authenticity of real designer, real luxury items – “I’m a real boy / I like real things”.  Originally, I envisioned the song being a midtempo like “Hook Boy”, but the lyrics have a bit of swag and confidence and I fell in love with a Garageband sample which was very poppy and uptempo – this is the poppiest song on the record, in my opinion.  I also enjoyed shouting out my half-Italian heritage, because my favourite designers are almost all Italian (Christian Dior is the exception) houses.  In short, the song’s message is that fashion is more than just what you wear, it’s a part of who you are and inherent in your attitude, outlook and all sorts of things.  And I honestly believe that.

9. Theory (Interlude)

This one’s a spoken interlude just explaining why I enjoy wearing designer items, and what things like that mean to me.  I do feel special with the right necklace on, I won’t deny it.  But I also think that looking put together is both a savvy self-promotion, and a convenient barricade between the outside world and the vulnerability I keep inside.  This interlude just explains that.

10. Armani Earrings

Can you say “SWAG”?!? I love this song, the lyrics were so much fun to write (and I challenged myself to include lots of polysyllabic words, because I’m a literate boy!), and this is my rap song!  Rapping is something I’m seeking to improve at, and I liked my flow on this song a lot.  I wanted to honour my Armani studs (my signature look), which have paid for themselves in compliments alone! Originally, the whole thing was rapped, but I’m a singer and not a rapper, so I made the bridge and final chorus more melodic, which ended up adding to the force of the song, rather than detracting away from it.  I love the bassline, which was inspired by a HOT track I saw on youtube, by Tila Tequila called “I Fucked The DJ” – it goes hard!!  I also shout out one of my favourite CDs back from when I was a teenager, which was Tatyana Ali’s Kiss The Sky.  Originally, “Armani Earrings” was supposed to be slightly slower, with a more gangsta beat, but once I heard that song, I knew that I wanted that kind of sound to make my song really club-ready – it took a little while to get it right, but I love this song now.  Although I don’t really believe that my boyfriend is more expendable than my bracelet, it’s fun to sing!  And it depends on the boyfriend 😉

11. Quiet Storm

There’s a reason why this song is the title track of the album, and why it’s slap bang in the middle – for me, this is the centrepiece of the whole record.  Production-wise, I’m so proud of it – the stuttering beat and the mysterious piano really embodies a night-time jam. I was inspired on this track by Danity Kane’s “Right Now”, Jennifer Lopez’s Hex Hector remix of “Waiting For Tonight”, and Lil’ Wayne’s “Got Money” – that’s the “tick tick boom” lyric explained for you!  The guitar solo in the middle (and the heavy breathing shots) emphasises sensuality and sexuality, and the song is just about being in this perfect moment surrounded by a pounding bass in the middle of the club, just seeing somebody and being irresistibly attracted to them to the point where everything melts away.  So it’s very sexy, very captivating, very seductive, but also very mysterious and nocturnal.  It’s about love and attraction being a force of nature that is literally more powerful than music – and if you know me, you’ll know just how powerfully I feel music.  I wanted a song that I could dance to in a club, that I could chill to and feel the lyrics, that I could wind to on my patio at night.  And this song ticks all those boxes for me, so I wanted this song to be the album’s signature track and indicative of all that I wanted to achieve with this project.

Part iii coming soon! Hold tight 😉

(clicky) Quiet Storm (album download) (clicky)

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Mariah Carey – Memoirs Of An Imperfect Angel review.

September 27, 2009

Finally, it’s here (unless, like me you live in the UK in which case you are expected to wait until NOVEMBER 16TH!!!!  I will be buying the import collector’s version on Amazon, which drops on Tuesday.) – Mariah Carey’s new album, Memoirs Of An Imperfect Angel.  Preceded by the lead single “Obsessed”, which has done very well but not shot to number one (leading certain people to brand it a ‘flop’ all the same), several questions were being asked of this CD: “Is Mariah’s voice really shot?” (No.) “Is it better than Whitney’s album?” (Yes.) “Does the fact that The-Dream and Tricky Stewart produced the whole album make it a bit monotonous?” (No… not really.  A couple of the songs are somewhat repetitive and reminiscent of other The-Dream tracks, but Mariah’s input and The-Dream’s variety are pleasantly surprising.) “Why did Mariah push her CD back? Was she running scared?” (No; she was making a cohesive R&B album and taking the time to make it perfect.)  Listening to the finished product makes this clear – where The Emancipation of Mimi (Mariah’s “comeback” “classic” album, which is possibly her least cohesive effort and contains some fantastic tracks surrounded by the most filler in any of her albums this decade) and E=MC² were literally a collection of songs, Memoirs Of An Imperfect Angel takes you on a unified journey the way that Mariah’s best 90s efforts, the seminal Butterfly and Rainbow, and yes, even 2002’s Charmbracelet did.

Mariah’s vocals are stronger now than they were on Charmbracelet, though she often employs her whisper voice in place of full belting.  As it did on Butterfly, this gives the songs an intimate feel which brings out the intricate emotions inherent in her lyrics.  Standout “H.A.T.E.U.”, which means “Having A Typical Emotional Upset”, at first sounds like an angry-woman-scorned missive thematically similar to other songs on the album, but it is emotionally vulnerable as Mariah finds herself in a place where she misses her lover, but doesn’t know what to do with herself other than “change her number” and “move away” in an attempt to get over him and begin to move on.  The emotional limbo echoes in the production, which employs a hard-hitting slow beat and a baby’s cries along with Mariah’s whistle register.  Her high-pitched wails are a massive feature of this album, and are present on many of the songs – according to various tweets, Mariah wanted to explore using her upper range as a texture in homage to Minnie Riperton.  Just as on Rainbow‘s “Bliss”, on tracks such as “H.A.T.E.U.”, “Ribbon” and “Angel (Prelude)”, Mariah’s stratospheric notes come across less as an opportunity to showboat than as a genuine part of the song’s instrumentation and setting the mood.  At the album’s climax, a tasteful cover of Foreigner’s “I Want To Know What Love Is”, Mariah lets loose with gospel melisma and ecstatic squeaking to emphasise her joy and rapture in finally finding true love and encountering happiness after the ups and downs and broken relationships explored throughout the course of the album.  The only criticism of this song is that it ends far too quickly, robbing the listener of the climax – as soon as the vocal and musical apex is reached, the track is fading out!!! Here’s hoping that a longer edit of the song will surface.  But the point is that Mariah Carey is using all the ranges of her impressive voice for legitimate reasons – to serve the song and its mood, musical instrumentation, lyrical punctuation and emotional expression.  If there is any proof required that Mariah has grown as a singer, this album is it – even if she doesn’t belt as happily as she used to, her voice serves the songs more.

Having said that, Mariah also embraces radio trends on some of the more uptempo numbers.  Lead single “Obsessed” is one of a few tracks to use auto-tune.  Another question: “Why does someone with Mariah Carey’s voice need to use auto-tune?”  This is a somewhat valid question, but I think that Mariah is just trying to stay current and have fun.  Although some of the album’s slower material is more weighty and emotionally deep, songs like “Obsessed”, “Up Out My Face” and “More Than Just Friends” (which contains some fantastic lyrics such as “Secretly I know you wanna hit it like the lotto / And after that we can ketchup like tomato / We can make love in Italy in the grotto / Fresh off the jet at the Met they screamin’ bravo”) are designed to keep the BPMs up, keep things light and moving briskly, and create songs which have sharper lyrics and fun, bouncy melodies.  The marching band “reprise” of “Up Out My Face” is a fantastic, creative interlude that really knocks, and would have been great as an extended song – it harks back to one of Mariah’s performances of “Shake It Off” (perhaps the Thanksgiving Parade performance? I don’t remember… if anyone knows, feel free to comment!).  “Standing O” is another hard-hitting uptempo track that gathers its intensity as Mariah applauds an ex-lover for breaking her heart – “All you did was pound on it”.  The beats accumulate towards the end of the song, as Mariah’s voice gets more insistent and an almost operatic soprano punctuates her despair.  Although it had to grow on me somewhat, I am really enjoying the track.

There are a couple of tracks where I differ from what I understand to be the general consensus, according to other forum and blog comments, as well as video reviews of the album I’ve seen on Youtube.  “Ribbon” has been garnering comments such as being ‘overproduced’ with its distorted hooks forming part of the music, and more of a crunk beat than other tracks, really hitting hard.  From what I understand, people are saying the track is a bit overcooked and Mariah gets lost in it – I disagree! I love the song, its music is dark and percussive, but Mariah’s syrupy vocals and lyrics “Wrapped up, wrapped up, ribbon with a bow on it” sit on top of all that like the icing on a cake.  It’s actually one of my favourite tracks on the album, and although it is a typical The-Dream track that could have easily fit on his Love vs. Money album, I don’t think that it suffers for that – there’s not another track like it on the album, so it stands out.

Whereas my only weak track, which other people seem to love, is “It’s A Wrap”.  Mariah pours wine at the beginning of the track, so I guess we are supposed to relax into it, but the doo-wop beat and sparse piano forces the song to melt away and become unmemorable.  The lyrics are somewhat lackluster compared to the zingers on other songs such as “Up Out My Face” (“If we were two Lego blocks, even the Harvard University Graduating Class of 2010 couldn’t put us back together again” !!!!!!) and “More Than Just Friends”, or to the emotional heft of ballads such as “H.A.T.E.U.”, “The Impossible” and “Angels Cry”.  The only line that “It’s A Wrap” has going for it, IMO, is “It’s going down like a denominator” – and you have to wait for the end of the song to get to that bit.  Just a bit lackluster for me – but other people love it, so you may love it too and we’ll agree to disagree.

Earlier I compared Memoirs Of An Imperfect Angel to classic Mariah albums Butterfly and Rainbow.  This becomes apparent during the album’s closing stretch – though on “Candy Bling” and “Inseparable” Mariah offers a relaxed yet absorbing throwback vibe (to former Mariah tracks “Yours” and “We Belong Together”, respectively), and on opening ‘prologue’ “Betcha Gon’ Know” Mariah masterfully weaves an absorbing tale of heartbreak and infidelity just as she wrote spellbinding descriptive lyrics on classic “The Roof” – it’s not until “The Impossible” that we really seem to penetrate into Mariah’s heart.  The sexy R&B feel gives nods to Jodeci and provides a classic texture that once more exemplifies just how much is missing from 2009-typical R&B. Hopefully this is a sign that older R&B values are coming back around – although Mariah popularised the trend of female singers working with rappers, Memoirs does not boast a single collaboration and is all the better for it.  “Angels Cry” is a heartfelt ode to love lost that sounds like classic Mariah, and of course there is the closer “I Want To Know What Love Is”.  These last two tracks really ratchet up the emotional impact of Mariah’s album, where other tracks are lighter and more fun, or restrained slower material – and make sure that it goes out on a high.

Okay, so I am a big Mariah Carey fan, and I am bound to say that I love the album.  For me, it’s a real album that flows (hence the various reprises and little flourishes that help the songs segue together sonically as well as thematically) rather than just a collection of songs.  The lyrics and vocals work together to compliment each song’s mood, content and impact.  And apart from “It’s A Wrap”, I really enjoy every track on the album.  So for me, taking the songs individually, they are winners, but the album as a whole is elevated beyond the sum of its parts to something quite special.  In my opinion, this is why it stands head and shoulders above Whitney Houston’s I Look To You (certainly not an album which has a cohesive feel, and I only like half of the songs anyway) as well as nearly every other album I’ve heard released in 2009.  This is where Mariah Carey is not only a gifted singer and vocalist, but an artist who keeps working at and developing her craft as a writer, producer and someone who envisions how her project should sound from start to finish.  Check the credits: Mariah Carey is Executive Producer, Album Producer, and a producer and writer on every single song (apart from the cover version).  As a singer, a songwriter and an artist, she is what I aspire to be, and Memoirs Of An Imperfect Angel is, like Butterfly and Rainbow, an example of her at her very best.

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break the ice.

September 21, 2009

So today was my first day of my Careers Guidance course at uni!  It went well, there was a lot of information to take in and my head is still spinning a tiny bit, but it was good, everyone seems nice and I made a couple of friends already!  It seems a bit daunting and also a very fast-moving course, but I am ready for the challenge (I think!) and I know that it’s only natural to be nervous and I am capable of it.  I can do this.  Let’s go!

So as it was our first day in the classroom, and we only knew a couple of people (whom we’d gone to interview with) very barely, so it was natural that we had to do some icebreaker games.  I had feared this, but I had expected this too.  We had to each write down something “unusual” about ourselves, and although thinking about it now, I could have written that when I was 18, I met Janet Jackson at an album release party for Damita Jo (I won a radio competition with Star FM) and talked to her very briefly.  I could have also written some other stuff that I can’t recall right now, but in the end, I came out with the fact that I sing, write and produce my own music, and I promote it here online (on this blog, on myspace and on youtube, as well as through my twitter account).

There were several people who had done musical things, like me, and it was very interesting.  However, everyone seemed to take an interest in me to the point that I almost felt a little embarrassed about mentioning it, because although I am very proud of my material (and listening to some of the songs from Quiet Storm again last night, I really did some bangers on this album!!!! I can’t wait for y’all to hear it 😀 ), it was strange for people to be so interested in it.  Especially for people who a) didn’t know me from Adam, and b) people who have done their own music things (with varying degrees of success but some certainly more successful than me) in a variety of genres and settings.  I was touched that they took such an interest and gave me respect, but I did feel the glare of attention on me and I wished I had chosen something else to reveal about myself.

Especially because out of the 22 of us, only me and one other guy (Mike) smokes.  Though it seems not to have crossed anyone’s mind yet, I am anticipating someone’s eventual question “why do you smoke if you sing?” I know that I shouldn’t, but luckily up until now I have gotten away with it with barely a scratch on my vocals, so to speak.  I can still sing, I can still belt, I can still whisper, I can still whistle (sort of… I can do a pretty good whistle for a guy).  I am learning to belt less and to sing powerfully with my head voice more, which sounds less straining and also allows me to control myself more and emote slightly more.  So my technique is changing, but improving; not declining.  My father said the other night that although I am apparently “still too loud”, I “sing more and howl less”.  It was supposed to be a compliment and I took it as such – although I don’t deny that I am loud when I sing at home against the stereo (poor neighbours), I was touched that my dad can hear the improvement in my technique.  Power is important, but also I value transmitting the emotion when I sing and trying to carry the impact of the tune and the lyrics and the emotions all at once.  That’s what I feel is the true task and true skill of a singer – to really feel the story / mood that a song tells, and to transmit that to your audience so that the song becomes special / significant to them and they feel a little bit of what you feel.  Singing may be a technical thing, but it’s also a primal and emotional thing.

I guess it did break the ice, and I guess I do feel more comfortable within the group.  I certainly don’t dread tomorrow!  But I hope that the music thing becomes a footnote in my year on the course, unless I decide to make it otherwise.  I want to have the control and power over what I sing and when I do it.  That’s what I’ve always enjoyed up to now, and that’s something I hope to maintain throughout my life. 🙂