Posts Tagged ‘thankyou’

h1

the one.

January 28, 2010

The most honest and one of the most difficult things that I have come to realise about the whole Mike situation (read back if you don’t know, although this entry will no doubt catch you up more or less anyway) is that he is The One.  Not that I actually believe in the concept of “the One”: I find it extremely improbable that out of the billions of everyone on earth, there is only one single person with whom you are meant to be happy.  I don’t believe in God, so I don’t believe in that sort of destiny or pre-determined fate.  I don’t find it logical in the sense of considering issues like gender, sexuality, race, religion, culture, even people of different languages?  I mean, what if my one meant-to-be person happened to be a female homophobic person from a tribe with their own language, living in the middle of the African desert?  I’d be more than a bit screwed, and it’s an unlikely match to start with.  So I don’t believe that there is one soulmate.

So let me clarify: when I say that Mike is “the One”, I mean that in my 24 years of living, he is the most important and closest thing to a soulmate with whom I could imagine spending my life with, that I’ve ever met.  Of course, he’s straight, he’s 11 years older than me, he’s married, he’s a father – so again, it’s not going to happen.  Last week we were discussing our feelings, the situation and so forth, and he said “I truly wish I could reciprocate your feelings.”  That meant a lot to me, and what else could I say but be honest and reply “I wish you could too”? I know that if things were different and he could be with me somehow, we would do it and that would be it, end of story, happily ever after thankyou very much.  But things aren’t different, and I ended the conversation with “In another life, maybe.” and left it at that, and proceeded to talk about other, less serious things (and I later got very drunk, vomited over a bridge near a swan and then stayed at T’s place).  Nevertheless, that discussion will be one of the many things that I never forget about Mike – there are so many even after just 5 months of knowing each other.  And before you say it, I don’t know if I believe in reincarnation either, but my mind is a little more open to that than the “one sole soulmate in the world” concept.

After starting the week with some insecurities over my friendship with the third member of our little love triangle (which were proven unfounded – I overthink things, misinterpret little subtle gestures and take them far too personally), I’ve made a real effort to be the best friend I can be to both Mike and V, and to focus on my burgeoning friendship with T.  Things look good, and although I’m not really comfortable at letting someone get close to me in a more-than-friends way, I’m starting to feel a little more at ease with it.  I’d still like to slow down the pace somewhat, but I enjoy spending time with him and I feel so flattered that he appears to think so much of me.  I’d be a fool to just throw that away, and I’m glad (most of the time) that I haven’t.  He’s a really good guy, so why not see if it leads somewhere?  My feelings for Mike are there and I acknowledge that, but there’s no need for T to know about them because that would just cause needless questions and possible hurt.  I am glad to say that I consider Mike one of my closest, best friends, and everything I’ve been through and we’ve been through has ultimately contributed to that rather than broken it down, which I think is testament to the both of us.

I spent the day with Mike today as we walked his son up and down Bristol docks on the train tracks (he educated me about trains, I taught him about raspberries), got Mike’s first tattoo (it looks fantastic, and watching him get inked up was a tiny bit sexy but mainly really interesting – as well as enthusing to play off his jubilation when he saw it in the mirror and was so happy – just like my reaction!), booked my second tattoo – the revolver – for next week (arrrrgh here we go AGAIN! No doubt I’ll post up the picture just like with the first one 😉 ), spent time with his family, had chilli and smoked lots, and watched Snow White with his son.  I was so privileged that they wanted to spend time with me – not just Mike, but his whole family – and that really means a lot to me.  He is one of my very best friends, and I hope to death that that is something that never changes, because losing him would be a catastrophe.  I feel close to his son, his wife is absolutely lovely, and although sometimes I feel that it might be weird considering the way that I feel about Mike, I adore watching his family interact (especially considering my own family’s ups and downs in terms of emotional push and pull) and feeling as if I am part of them.  Knowing his wife so well, rather than infuriating me in terms of “damn, you got my man first!” (I occasionally feel that, but really very rarely), seems to normalise me and I don’t think of Mike romantically so much when I’m in his family’s presence – it’s just not appropriate and doesn’t enter my head.  He’ll always be a sexy man, he’ll always have a sexual magnetism for me, but in that kind of situation the pull is less.  And considering my possible relationship with T, my close friendship with Mike which I don’t want to jeopardise, and the many ways in which my romantic feelings are inappropriate, whatever minimises my attraction to him is welcome.

So I hope that T and me work well, I hope that Mike and me are best friends for many years to come (as well as tattoo buddies!), I hope that I can always feel comfortable with his family and that they can always feel comfortable with me.  Within one month of 2010, I’ve got one tattoo, one on the way, a possible new boyfriend, and I’m working on passing my driving test – all with strengthening my bond with Mike.  I sense a lot of positive accomplishments to come, and that makes me really happy. 🙂

Advertisements
h1

secrecy.

January 14, 2010

For the moment, I’ve taken off the link to this blog from my twitter, and I’m going to be deleting the twitterfeeds as well.  I don’t anticipate doing this for long and they’ll be back up in a few days or so, for a couple of reasons which I will explain, but firstly I’ll explain why I’ve done it.  I’ve started seeing a wonderful guy called T, and he’s so nice.  He cooked me dinner last night, we talk on msn all the time, and we have great coffee sessions.  I’ve also stayed over at his place a couple of times and everything seems good so far.  I appreciate that all the time that I’ve been whining about being single and various foibles with guys, unrequited attractions etc., I’ve wanted someone solid, stable, interesting and nice, and now I appear to be finding that.  So why am I so fucking scared?

I know that part of it is that I don’t want to end up hurting T the way that I hurt Lukas in the past.  Although Lukas was way too clingy, and turned out to be a bit of a nutcase, he didn’t deserve to be hurt the way he was – even though it was an honest accident, being dumped by text is not the way that I operate (I think it’s a pretty shitty thing to do) and I will always regret that that was how things went down.  T, although we’ve only known each other for a few weeks, appears to be better in every way.  So the thought of accidentally hurting T and really upsetting him (I’m confident he likes me a lot) really scares me.  I’ve always been the kind of person who feels nervous but manages to override his fear, but I won’t lie and I’ll say that being single is so much easier – you’re not responsible for anyone else’s feelings and you don’t have to worry about what makes them happy or what makes them sad.  If I, in some way, hurt T through no fault of his own, I think it would make me feel really awful. So that’s part of my fear.

Thus getting to the reason why I’ve temporarily hidden the link to this blog.  If you’ve read some of my entries over the past 4 months, you’ll know that I’ve developed pretty serious feelings for someone.  Someone whom I can never have, but who has redefined what it is to be a man, and has shown me what I want to aim for as a man myself.  He’s one of my best friends, he’s really important to me, and I’m a total masochist for allowing my feelings to grow to this point.  But I know (whether I like it or not) that I can never have him as anything more than a best friend (!!!) and that is enough to treasure.  I don’t die inside very often, and when I am dying, I just grin and bear it until I come out the other side.  I’m very lucky to have such a friend who’s been more of a role model for me than my father ever was, than any male figure has ever been.  If you’ve been reading, you know all of this and more, and I don’t need to recap.  But because I’ve been so honest and open about this on here, I don’t want to risk any of T’s feelings being hurt if he reads it – surely he couldn’t help but wonder?  Nothing inappropriate’s ever happened, but the fact that the desire is there, and it’s stronger than I care to admit most of the time, makes me feel like it would be something that could hurt his feelings, or at least question my sincerity towards him.  And I do like him.  Things have gone quite fast, and I think I want to slow down a little bit and just enjoy the moment and be easy with having someone there for me – because I’m scared of rushing myself, I’m scared of rushing our emotions and burning out too quickly, I’m scared of accidentally hurting him but I also want to give myself time to get a grip on my heart.  That makes sense, right?  I don’t want to mess anything up so early on, but I also don’t want to push things too fast without really knowing what we’re getting into.  I deserve a good, stable relationship with a good, stable man, and I’m not going to run away from T – that would be totally counter-productive and I’d be back at square one.  But I’m going to take my time – I have to do this for the sanity of my head and the security of my heart.

I guess that’s the crux of the matter.  I don’t really know how to just be in a relationship with someone.  I definitely overthink things (as Mike has said and as I’m well aware), and I can’t stop my mind and heart running away with me.  How do you do that?  How do you turn your brain off, dial your emotions down?  The longest relationship I’ve had has barely touched two months, and even then I felt somewhat claustrophobic, like I somehow couldn’t let a person get too close to me for fear of getting hurt, for fear of too much responsibility over their emotions and heart, and for fear of showing them all of me only for them to be disgusted, find a host of imperfections, or plain run away.  I don’t know why I feel this as it’s totally irrational, and all my close friends know me for who I am and seem to be perfectly happy with it.  There’s nothing wrong with me.  And yet I’m not confident in believing myself when I say that there’s nothing wrong with me.

And if there’s nothing wrong with me, why am I hiding this blog from him?  Over the last 6 months (has it been that long?!??!) of writing, I’ve really enjoyed it, I’ve made a handful of new friends whom I’ve really appreciated, and I have relished the ability to be so honest and frank.  Unwittingly, by adding T to my twitter (but how could I refuse? And why should I refuse?) I’ve compromised my ability to be candid, to be frank with him, and with all of you.  Shouldn’t he be able to like me for who I am?  My heart is who I am, writing this blog has become a part of who I am, and as well as the main concern of not being able to be totally honest with him, it’s gonna affect my hits 😛 (although ironically, since I took this off twitter on Monday, my views have gone up?!?!? where’s the logic?) But I’m not going to delete my posts about Mike, I’m not willing to censor myself and write differently, so I’m not going to change the way I express myself on this blog because I know that some readers appreciate my candour and can relate.  Plus it’s cathartic for me.  But I really, really don’t want to raise questions in T’s mind about my affection for Mike nor about my sincerity towards him.  I want to see where this relationship leads, I deserve a nice boyfriend (and so does he!) and I want to enjoy spending time with him (albeit relaxing a little bit now after our quite intense, fast beginnings).  I just hope that eventually, he will understand that Mike will always be in my heart, but nothing can ever happen and if things go right in the future, I could hold him in my heart too.  And that’s the best way I can express myself and it still doesn’t quite express my feelings how I want to – but hopefully you understand what I mean, because it’s the best I can do.  Thankyou for reading, and I hope you understand.

h1

lessons learned.

December 30, 2009

For my final blog post of the year, like I said, I’m not going to attempt to give a run down of my 2009.  I’m never very good at that and I either misfocus and weigh certain events too heavily, or completely miss stuff out.  However, in trying to cast my mind back, I’ve learned a lot this year.  Here are some of my lessons learned:

Just because they’re related to you by blood doesn’t mean your family will always love you or care about you.  Love is not the same as obligation.

Trusting your own motivation can lead you to places people never thought you could go.  That’s their limited imagination, not yours.

People whom you thought were your friends can turn around and stab you in the back.  It’s not your fault and sometimes you can’t see it coming.

Someone who might initially appear to come from a different walk of life could become your best friend.

There’s nothing wrong with spending money on yourself, as long as you have the money!

People should focus less on telling you what you shouldn’t do and more on accepting you for who you are.  Chances are, you already know better than them what is good/bad for you, and being reminded is both condescending and unhelpful.

Life is open plan, and there’s no ‘right’ or ‘wrong’ path; all we can do is follow our hearts and intuition as much as possible, and do what is ‘right’ for us.  That way, at least we have total ownership of our mistakes and our successes.

Marriage doesn’t change who you are, your sex drive nor whom you find attractive.

You’re never too old to fall crazy in love.  You can’t help your feelings, and there’s nothing wrong with having those feelings.

Usually, if you want to do something on a computer and you can’t work out how, there is some technician who has wanted to do it before you and subsequently invented a solution to your problem.  Google is your friend.

Don’t decide to up and learn a new language and consider emigrating on a whim.

Never give up hope.

Thankyou all for your support of this blog, my music and everything else this year! I really appreciate it and I wish you all a fantastic New Year’s Eve (let’s go party!) and a fulfilling 2010.  Here’s to the future!
Much love, Alan x
h1

quiet storm track walkthrough (part iv).

November 20, 2009

(clicky) Quiet Storm (album download) (clicky)

Okay, this is the final part of the stories behind the tracks on my album Quiet Storm.  Parts 1, 2 and 3 can be viewed if you click on those little numbers, and I want to thank everyone once and again for supporting my album and my blog.  I really appreciate it, and I hope that these behind-the-music notes have added a little to your enjoyment of my music.  On with the show!

18. Role Model (Interlude)

This was originally an entire song which was a rap song with a sung chorus. You can hear the original full version on my High Fashion mixtape but although the lyrics were kinda cool, I wasn’t too keen on my flow in places and I thought that I would rather not have the raps as part of my album.  Nevertheless, I appreciated the idea of the chorus and feeling misrepresented in society as a young person, a gay man, a singer, my music tastes, where I come from, my heritage… all those things are categorised and yet how many of us actually fit the stereotypes for those categories?  I felt that it led into the next song well, as it is about exposing who I am as a person, and not letting anyone’s pigeon holes or preconceived notions dictate who I am.  This is me, and this is…

19. The Truth

This song is probably the most heartfelt I’ve been in any of my songs recorded to date.  It discusses my relationship with my family, life and death, my emotional state and insecurities, my childhood, my education, and music.  It is the truth of who I am – sometimes we feel sad or hard done by, and other times we remember how happy we have been and whatever happens, we just have to keep going and get on with it anyway.  This song is a bit scratchy due to the fact that I have recorded myself playing acoustic guitar on the track (yes, that is me!) and it didn’t work perfectly, though I think it did the job.  I liked the guitar and the piano and the beat – it combined together well to be a midtempo R&B joint that was musically quite stable and almost sunny, yet anchored in place by some really heavy lyrics.  I thought it would originally have been the album closer, but then you’ll see I changed my mind about that.

20. Last Chance

I wanted the last song proper on the album to be a dance song – something that really went out with a bang! I decided this because sometimes (in keeping with the nocturnal theme of the album) you’re not ready to go home at the end of a night, until the DJ has played one final song that really gets you to annihilate the dancefloor and you can just let yourself go with the music before calling it a wrap.  This song is that song – I was inspired by “Work” by Ciara (sampled on the track!), “Get Me Bodied” by Beyoncé, “Boom Boom Pow” by the Black Eyed Peas and just any song that really makes me want to move.  Other songs sampled in this are Paulina Rubio’s “Sexi Dance” (at the very end when the track fades out) which gives the song a late-night / early morning sensuous hue, and Beethoven’s “Für Elise” – just because it worked! I was crafting this track for a really long time, and between utilising the beat at the end of “All Night Long” to give the album a sense of circularity and closure, and trying to really fire up the beats and make them incendiary, I just tried to be as crazy as possible.  The rap, the off-kilter song structure with multiple hooks and instrumental at the beginning, the extended coda – it’s really going for broke! And that was what I wanted for the last song.

21. Close

To once again fit with the theme of closure and circularity, this is the “outro” of the album, to pair with the “Open” intro – again, I wanted to use the word “Close” in two different ways, both signifying the end of the album and also bringing in the idea of just wanting someone to hold you close, and desiring that intimacy (not necessarily sexually) at the end of the night, just before the sun rises and you’re feeling contemplative.

22. Lucky To Have You (Bonus Track)

My grandfather passed away during the creation of this album, and I remember being at Oxford and hearing on the telephone from my mother and grandmother that his health was really deteriorating. I wrote this song to comfort him (though he never heard it, and neither has anyone else in my family) as he passed away – I wasn’t allowed to go home and see him because it was in the middle of my finals, and he died and the funeral was held all while I was stuck in Oxford and expressly forbidden to come home.  I don’t know if I’ll ever be able to forget that – feeling so helpless far away and yet just glad his suffering was over (his illness was long and protracted).  This song is really personal and dedicated to him; it doesn’t fit with the rest of the album, but I nevertheless wanted to include it somewhere so I thought a bonus track was the best opportunity.

That’s it!  Once again, please download my album if you haven’t already, and check out my blog! Thanks for all the support – I really appreciate it and I’ll keep the posts coming! 🙂

(clicky) Quiet Storm (album download) (clicky)

h1

Rihanna – Rated R. (album review)

November 14, 2009

Here is the album review I promised on my twitter yesterday!  Before I start, once again I want to thank you all for supporting my blog, both my music reviews and my personal entries.  I really appreciate all the views and I hope that you’ll keep it locked here because I ain’t stoppin’! 🙂 Thankyou.

You already know what I think of Russian Roulette, and the other 3 songs we’ve heard already from Rated R.  Generally, they portray a darker, edgier side to Rihanna, both in the production (deeper, more menacing beats) and lyrical content that includes a bit of cursing, a lot of swagger and references to pain, trials and tribulations.  “Russian Roulette”, “Wait Your Turn” and “Hard” are more or less indicative of the album as a whole.  In contrast to her previous smash Good Girl Gone Bad, it’s a lot less uptempo.  The songs are mainly midtempos and ballads, which may alienate a lot of fans who want her faster, danceable material (though “Hard” and “Rude Boy” cater to these needs, and do so well with swagger lyrics – the latter seeing Rihanna come on to a ‘rude boy’ as if she were the guy who is gonna “put it on you”).  However, the slower material allows for two major things: one, to prove that Rihanna can actually sing.  Okay, she’s no Beyoncé, but she holds her own a lot better than many people might expect.  “Russian Roulette” and closing standout “The Last Song” don’t employ lots of vocal runs, but they emphasise strong, clear vocals that prove Rihanna’s got a voice as well as a body – btw. the artwork for this era is immense! – and also go well with the more emotionally searching and vulnerable material.  Two, it allows for Rihanna to delve into her pain, and although it’s never made explicit that she’s referencing her love, abuse and love lost with Chris Brown, songs such as “Stupid In Love” and the epic “Cold Case Love” immediately bring that whole affair to mind.

Not every song is concerned with love lost.  “Te Amo” is about a girl who’s infatuated with Rihanna, and its undulating beats have been beefed up slightly on the album version to make it more hypnotic and possibly (along with “Rude Boy”) the song that would have slotted in nicely on Good Girl Gone Bad.  “Rockstar 101” is backed up by Slash’s guitar work and like “Hard” and “Wait Your Turn”, it demonstrates Rihanna’s confidence in herself – something she perhaps wants to emphasise.  She is fierce!  However, compared to some of the other tracks, “Rockstar 101” falls somewhat flat, as it doesn’t have as much depth as the emotionally-charged midtempos, nor does it ring as true as the harder-knocking songs.  It does demonstrate that Rihanna is not an urban artist – she’s a pop singer who encompasses a range of music. On this album, she combines elements of rock, pop, R&B and melds them together to create a dark album that works for the most part.  And credit goes to her for trying to improve on each album – like Good Girl Gone Bad, the amount of filler on the disc is fairly minimal (in contrast to her first two records) and she’s tried to do something different that has evolved as she has as a person.  So I must applaud that.

A couple of the ballads such as “Stupid In Love” and “Photographs” (which benefits from will.i.am’s synthed beats that kick in midway) are perfectly solid, but pale in comparison to the best tracks.  These are, in a nutshell, first single “Russian Roulette”, “Fire Bomb”, “G4L”, “Cold Case Love” and “The Last Song”.  These all work because Rihanna is putting herself out there vocally and emotionally.  The producers do a fantastic job (praise must go in particular to Justin Timberlake and The Ys’ work on “Cold Case Love”, which shows a gradual building of beatboxing, standard beats, guitars and strings to an epic climax that fades out by itself and underline Rihanna’s pain at a love misfired – “Release me now ’cause I did my time”) more or less throughout, but Rihanna herself carries the songs.  “Fire Bomb” has been compared to something by Kelly Clarkson, but in my opinion it knocks much harder and is a compelling contrast to expectations – most people would expect a club banger from the title, when in fact it’s a slow pop/rock ballad which essentially says “if I’m going down in flames, you’re coming with me”.  “G4L” is one of the darkest songs which shows Rihanna pledging to be “down 4 life”, ride or die until the end.  The off-key tweaks at the beginning signal something mysterious, and the lyric “I lick the gun when I’m done ’cause I know that revenge is sweet” is one of the best opening salvos I can remember.  The track brings to mind the tiny gun tattoos on the sides of Rihanna’s breasts, demonstrating that even if she may be a sweet person on the surface, she’s also a strong and determined one – her attitude is reflected in her music as much as her body art.

“The Last Song” was the track that stood out to me most from listening to the 30-second snippets, and it doesn’t disappoint – it’s a perfect closer to the album, not only in name but in texture also.  It employs a soaring guitar and heartwrenching lyrics, chronicling the realisation of a breakup.  “The sad song ends up being the last song you’ll ever hear.”  Rihanna’s spare vocals almost seem to cry the lyrics throughout the track, and the buildup throughout the song until near the end where all the instruments fade out is done perfectly.  Rihanna said that she wanted Lil’ Wayne and Kings Of Leon to like her album, demonstrating her desired blend of urban and rock. The album is definitely a mélange of styles, but apart from “Hard”, I don’t see enough hip-hop for Weezy to connect with, and the rock elements are nowhere near as indie-pop as Kings Of Leon.  However, the soaring guitars provide something edgier and deeper within the context of a pop album, and the hard-hitting beats and synths knock plenty – the combination of which provide something quite extraordinary and special within itself.  Rihanna should be proud of this record.

Rated R has a focused aggression to it that rings truer than it did on Good Girl Gone Bad. Despite the lack of uptempo smashes, it’s a fantastic record that hopefully will have as much repeat-play value as her previous record.  Whether it’s because of her personal struggles, maturity as a young woman or desire to experiment musically (probably a combination of all three), Rated R shows growth.  I pray that her label doesn’t re-release the album, since it’s perfect as it is and comes across as something sincere, rather than designed to make money as a light pop confection.  Why I’m impressed with Rated R, beyond the simple fact that most of the songs are solid or better, is because it’s cohesive.  All the songs work together to make the album more than the sum of its parts.  It has a big emotional impact, and it sets a musical mood (dark, edgy and yet heartfelt) that doesn’t let up throughout – in her own words, from “Hard”, “that Rihanna rain/reign”.  I didn’t know if she had it in her to best Good Girl Gone Bad, but even if it doesn’t have as many number 1 smashes and addictive beats, Rated R is a musical step forward that I personally value that little bit more.

h1

quiet storm track walkthrough (part i).

October 27, 2009

Hi there everyone! Thanks for the love you’ve shown my new album Quiet Storm.  I really appreciate it, from the bottom of my heart. ♥ If you have yet to download it, then you can get it here… –

(clicky) Quiet Storm (album download) (clicky)

This is gonna be the first instalment of a track-by-track rundown, so you can learn a little bit about each of the songs!  I’ll cover the first ‘arc’ of the album today, which are tracks 1-6! 🙂

1. Open

This is the album intro!  I wanted the title to have two meanings, one which was obviously the album intro being the ‘opening’ of the story / journey, but also for it to encourage listeners to enter the album with an open mind, open attitude and open heart.  The idea of “open your body / open your mind” was to combine the physical and mental, as some of the album songs are very much about physical sentiments such as sex, money and fashion; others are more to do with thoughts, emotions and relationships and our feelings and beliefs surrounding those situations.  It was also meant to have a somewhat mysterious feel, which is why my voice stutters and distorts at various parts. “I’m coming in” is your sign to get ready!…

2. All Night Long

…as I ask at the beginning of this song, “Are you ready?” The journey is beginning!  I wanted the album’s opening track (i.e. this is the first song proper) to be a slow, sexy song for two reasons: I thought it would be striking to open the album with a slower song, as all too often the temptation is to go in boom! bang! bang! with your uptempo.  I wanted the album to rise and fall in a more genuine way, and not to be front-loaded with club numbers.  I think that interspersing the album with uptempos, midtempos and slower songs throughout makes it more genuine and ultimately more engaging and cohesive.  This song was inspired by two songs: “Discipline” by Janet Jackson – but I hadn’t actually heard the song at this point! I’d read that there was an S&M theme, that it was a dark, slow song and I was inspired by those thoughts to make a song that I thought sounded like the essence of ‘discipline’ (hence its namecheck in the lyrics – “I exhibit discipline”); and “Mary Jane” by Mary J. Blige, from her seminal My Life album.  The hook of the song is a resung version of that song’s hook (which I’m aware is not the original use of that hook anyway, but it’s the version I’m most familiar with), but I slowed down the tempo and tried to do something a little bit different with it.  I also was tempted by the idea of putting this song first as it’s the most explicit, sexual song on the album – it’s the perfect start to the night-time, as Quiet Storm was largely inspired by the nocturnal, both in its soundscape and artwork.  And by getting the sex out of the way, we can focus on deeper things!  This actually being one of the very first songs I completed for the album, I don’t 100% remember how the beat breakdown came about now, but I love it and I felt that it was a really striking way to end the song… The breakdown is picked up by one of the songs at the album’s close, which also makes the album come full circle.

3. If I

Another one of the first songs I wrote for the album, this is probably the most dance-based song on the record, and it has a very nocturnal, dark feel again, as emphasised by the harmonies at the beginning which are nearly-but-not-quite off-key! It gives the song a mysterious introduction, which combined with the dance beat, makes it sound almost menacing.  The subject matter explores the fact that we all go to such lengths to please other people, and what would happen if we were just who we naturally are, rather than striving to meet others’ expectations?  At the end of the day, I’m just a young guy who wants to have fun and be happy and enjoy life!  Isn’t that what everyone wants?  Why should I put myself out for you?  What would happen if I did to you the things you do to me?  How would you feel about that?  That’s the main thematic of the song, and it’s one of the songs main uptempos.  The repetitive hook is actually quite en vogue now, but at the time of writing it, I really thought I was onto something and I felt that it was a little bit fun and kooky (as well as quite hot)!  But I generally liked the combination of the pulsing beats and the quite revealing lyrics: we all feel like a prisoner of other people’s “unrealistic expectations” and pressures at times, and although by living up to them we keep the peace and excel, to what extent do we sacrifice ourselves?  We all need to cut loose sometimes.

4. Hook Boy

I love this song!  It was a song I wrote lyrics to quite early on, but I just could not get right for ages!!!!! Ultimately, it was one of the last songs I completed for the album, as it was in work-in-progress stage for possibly a year!  This song is about swag, and also about songwriting prowess – I am still learning and honing my craft when it comes to singing, writing and producing, and I appreciate that on Garageband there’s only so much I can do. But at least I have total control of my music, and I’m pretty pleased with what I produce at this stage.  I can say, hand on heart, that this album is something I am very proud of!  And to be in charge of all these aspects of my music is very important to me, as it pisses me off to see certain stars who’ve made it big without much talent to speak of.  So I’m bigging myself up on this song, and although you could read it in terms of sexual prowess or swagger, to me, it’s really about being the best singer and songwriter I can be, and trying to offer something fresh.  Being a “hook boy” refers to being able to write a decent, catchy hook!  But as the coda of the song says (where the beat changes and becomes a little more complex – another end-of-song development I love!), sometimes people take your ability for granted, and at the same time as we may be skilled and have swag and talent, we have to make sure that people don’t take us for a ride without appreciating who we are and what we do.  We need to be proud and confident in ourselves, and it’s nice for others to recognise that, but we also need to make sure that people don’t take advantage of us.  So there’s an extra layer in there.

5. Focused (Interlude)

This interlude is thrilling to me because I finally got some harmonies exactly how I wanted them – there are about six layers of vocals in this!  It’s short and sweet, and essentially segues between the three beat-driven songs we’ve had so far (slow, deep sexual beat; mysterious, menacing dance beat; midtempo, stuttering beat) and the next song which will be the album’s first proper ballad.  “I’m too focused on the beat, gotta focus on the melody!”

6. Secret

This song is one where I wanted my voice to stand out, and that’s why it starts off acapella – I wanted it to be a stark contrast to the songs which came before, and to really be melody- and vocal-focused.  A good melody can make or break a song, and I wanted the heartfelt nature of this song, the album’s first romantic track, to really come through in the melody.  I also wanted a song which was vocally-driven, as I want to reinforce that I am a singer and confident vocalist first and foremost.  I was inspired by Delta Goodrem’s “Believe Again” – although that song has a more electronic, dance undertone than this track, I loved how the beats and effects built up through the song, so that was something I sought to replicate here.  After the second verse, the beat chips in, and it’s sorta off-kilter (not a straightforward 2/4 or 4/4).  It drops out again completely for the bridge, leaving my voice to carry the song to its finale.  I wanted to emphasise the vocals and the vocal melody line as the spine of the song, especially as the lyrics are so romantic and heartfelt.  It’s quite possibly the most purely optimistic song on the record – it’s a very positively romantic song not coloured by heartache, and brings the first arc of the album to a satisfying close, while seguing into the next songs…

… which I’ll cover in part 2!  Enjoy and keep it locked, and download Quiet Storm if you haven’t already! 🙂 Thankyou xxx

(clicky) Quiet Storm (album download) (clicky)

h1

quiet storm. (THE ALBUM! + download.)

October 25, 2009

AS PROMISED…

Quiet Storm coverMy album is here!  I sincerely hope you like it – I’ve already been showing you some of the artwork in the past week, and you get all the m4a files + an album booklet with all the lyrics and a few photos in it.  I do you right! 🙂  I’ll be uploading more links during the next day or so, but for the moment you can download it HERE!  Songs for preview are available on my myspace if you wanna have a listen to some of the songs. 😉  Enjoy!!!  I’ll run through the various songs in a post soon so you’ll learn a bit more about them, but some of them are very fun, while others are quite personal to me.  Thanks for the support, and I really hope you like the music and feel it.  Here’s the tracklisting once more:

tracklist