Posts Tagged ‘struggle’

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Lady Gaga – Yoü And I (video review).

August 21, 2011

After the extremely disappointing clip for “The Edge Of Glory”, Lady Gaga is well and truly back on her video A-game with “Yoü And I”. In fact, one might say that there is a little too much going on, what with the appearance of both Joe Calderone (Lady Gaga’s male Italian alter ego), and Yuyi the mermaid. Lady Gaga strolls towards a barn, plays the piano, dances with a horde of clones, is making out with an extremely attractive tattooed man (played by Taylor Kinney from The Vampire Diaries) who is then seen torturing her and performing some sort of scientific experiment on her, is getting married to this same man, is a mermaid, is making out with herself as Joe Calderone, is running through a plantation… Huh? It takes a couple of views to even start sorting out what is going here, and I have no idea how it all pieces together – if you do, please enlighten me. But here are my two cents…

The Gaga that we see playing the piano seems to be the purest incarnation of Gaga in the video… perhaps this is reflective of her innocence? Compared to the bionic Gaga we see returning to Nebraska at the start of the video, Piano Gaga is very stripped down. However, Bionic Gaga is evidently returning to this place to rediscover the love interest she left behind (according to the lyrical content). It’s been a long journey both literally and figuratively – hence her bloody heels. And this area in Nebraska is not a nice place – a creepy ice-cream man, torture scenes and a snapshot of a barn that looks straight out of Texas Chainsaw Massacre do enough to suggest this. Bionic Gaga looks almost funereal… is she back for some sort of revenge on the sexy torturer? The first verse and chorus juxtapose innocent Gaga and Joe Calderone (smoking and drinking up a storm) with Bionic Gaga, to drive home how much must have happened in the interim.

Taylor Kinney’s character appears to be responsible for this. We see a wedding scene, and then snapshots of the experiments (with a struggling Gaga strapped to a bench). Cut to Gaga in a teal wig, dancing with a horde of clones (to a ballad, which in itself is fairly impressive). In trying to improve / redefine Gaga, her lover has diluted her originality and turned her into ‘everyone else’… perhaps some parallels for the state of the music industry and the identikit expectations of female pop artists? Again, I don’t know, but that’s what I’m getting from it. Gaga was innocent and naïve – she found love, but then love tried to change her under the guise of “improvement”. Love is pain, and love is struggle – but the more Gaga struggles, the more she is restrained, to the sound of “Sit back down where you belong…” Love is thus also linked to subjugation (again, apt for the music industry and the roles of managers and labels, perhaps?).

Yuyi appears, sat in a bath and bathed tenderly by the same tattooed torturer. This presumably took place prior to the experiments (as Gaga has a tail here and later, it’s gone). Yuyi, who is reportedly “the reincarnation of Gaga’s birth and artistic spirit”, couldn’t look more blissful to be with the man she loves. (Am I the only one who thinks that the name “Yuyi” is subtle way of saying “You (Yu) & (“y” is Spanish for “and”) I”?) Somewhere along the line, something went wrong, and as Lady Gaga has said in reference to the video, “Sometimes love doesn’t work”. Taylor Kinney tries to have sex with Yuyi, but clearly that’s not going to be successful – although he is quite attractive and I love his tattoo, so I am happy that scene is left in there! Is sexual frustration and sexual gratification the prime motive for trying to change Gaga’s character into a bionic superwoman? Could this apply to both the torturer and the music industry? Does Gaga need sex to sell? (Fast forward to the shot of a post-mermaid Gaga thrusting mechanically on the operating table.) And wasn’t she happier when things were simpler? The kiss she shares with Joe Calderone is much less angst-ridden… I guess that at first, Yuyi and her lover were happy, but as he wanted more that Yuyi couldn’t provide, he ended up ruining her body, their love affair, and Gaga’s individuality. To this end, I suppose that the wedding scene could have been the couple’s original dream (which appears as Yuyi cradles her lover at the end of the video) that never came to fruition – another symbol of this love not working out the way the lovers intended.

Gaga and her dancers in the plantation seem to have much more fun and more free reign over their movements than the Gaga clones in the factory – while the latter are all doing the same routine, whipping their hair and being sexually provocative, the former are just being weird and are not in sync. Perhaps this also represents something… through trying to make someone be the way we want / expect them to be, we homogenise them to a point where they lose their identity and purity? I think that that theory does hold a lot of weight, but I also felt a bit silly / pompous typing that last sentence… after all, this is a music video!

The proliferation of guises that Gaga presents in the video for “Yoü And I” suggests that she has many complex and differing aspects to her personality as a whole, and each of these aspects has its own story and perspective. I guess that as people, we are all multi-faceted, and some parts of each person’s story is beyond anyone else’s comprehension. The Bionic Gaga who has returned to Nebraska doesn’t seem vengeful after all; as she sings to the camera at the end, she seems to have accepted everything that happened to her to make her who she is – after all, there’s no going back now, and we just have to experience everything that happens to us, be strong and independent, and keep walking. And if a music video can be that much of a ride and make one think that much, then it’s got to be a good one.

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successful.

October 28, 2010

Today I took my driving test for the first time in over 6 years, and I didn’t pass. I am a bit gutted, but at the same time I knew that in my heart of hearts, I was capable of passing, but I was unlikely to do it this time. I did better than I thought I would and it’s a nagging annoyance that I only made one big mistake – my approach speed to junctions, which was too fast because of my nerves – and the rest was good. Knowing that I’m capable of passing my driving test and I can drive pretty well makes it infuriating that my nerves get the better of me in an examined situation, but I am nearly there and next time I will do it – this test was the nearest I’ve come to passing. As long as I don’t rush myself, I’ll be fine! I’m a bit nervous about how I’m going to be travelling to work for the next 6 weeks, but I have a work colleague who lives around the corner from me and has already kindly offered her services. I just don’t like to impose.

 

I am disappointed that I couldn’t tie in a driving success to the other high points of this year (although if I get a cancellation, it might still be possible!), but I guess that’s the way the cookie crumbles. I do put a lot of pressure on myself to achieve, and I fervently wish that I had not stopped taking tests when I was 18. Hindsight is a wonderful thing! But I just have to keep my head to the sky and live up to my stubborn / determined nature. I won’t give up! The positive is that I now have more time to save up for a car, and I made myself feel better by paying off some money from my credit card and from my student bank account. Doing sensible things with my money seemed like the best way to make light of an unfortunate situation. I thought I would indulge in some retail therapy, but I arrived in the centre of town and the urge had left me; which is a good thing for my bank account! I am seeing Toby for his birthday tomorrow (wish him a happy birthday here!) and I knew that whatever the outcome of today’s test, I would have that to look forward to. We are going to Thorpe Park this weekend for Fright Night, and I’m looking forward to seeing the Saw maze and going on the rides; I haven’t been to a theme park since I visited Alton Towers when I was 18. So I’m determined to put this little failure behind me (which I will redress – I have come too far now to give up again! If I’m not meant to drive – and this has occurred to me in low moments, including today – then a big sign is literally going to have to come down from the sky and smack me upside the head) and enjoy the rest of my week off before I return to work on Monday.

 

I guess this is what people mean when they say that you sometimes have to fight hard for what you believe in. I have fought hard and worked hard, but hard work comes easy to me in a way; I was raised with an intense work ethic. I have been blessed with a good brain for achieving academically, and I put in the work to back it up; it was never really difficult for me, but I took no prisoners just so that I could be lucky enough to have an educational career that puts most to shame. I learned to sing from Mariah Carey albums (and a variety of others, but she will always be the ultimate for me) and I never questioned that I would be able to have a voice like that; lo and behold, my whistle register is not as good as hers (owing to my Y chromosome) but other than that I’m pretty much there. I have always loved singing, playing the piano and guitar, and writing and producing my own songs – I have an innate musicality, I suppose, and although mastering software and songwriting structures alike has required perseverance, I’ve never found it particularly difficult to make progress. Once I found the right man (and he is truly amazing!), the troubles I had in my previous dating life more or less melted away and now I find it easy to be in love. The aspects of relationships that I found challenging, I have worked to resolve and they are mainly down to my own insecurities and upbringing. I have many good friends (communicating and social skills have been a strong point of my personality, hence my current vocation working with young people in a college), and I learned some hard lessons during my school life which has enabled me to judge someone’s character and thus gather a tight circle of very good people to whom I am indebted for my sanity, among other things! (I appreciate y’all and I enjoy y’all – never forget it! 😉 ) I am often complimented on my sense of fashion and style, and that has always come effortlessly to me (because, in part, I am a potent combination of vain and fussy); I observe the latest trends and fashions, and then cast aside 90% of it, retain the things I like and add them to a style I hope is elegant, classic, timeless and most importantly, me.

 

The two things in my life that I have found most difficult are: losing weight in order to attain a body that I am happy with; and learning to drive. I am more or less happy with the way that I look now, although it’s always a work in progress, and I could do more exercise than I currently do! I will work on it. But I have taken 20 years to get to a point where I am not repulsed by what I see in the mirror, and that is a very positive thing. Passing my driving test will hopefully not take me 20 years! But I have to take pride in the fact that I have a good work ethic and am willing to put in the work to achieve my goals. Success is an uphill struggle but I need to learn to appreciate the things that have come easily to me, because there are a hell of a lot of them and I should be thankful for them. I’m a lucky person, and I’m not a complacent person. I just have to keep going a little bit longer, and never give up.

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Christina Aguilera – Bionic. (album review)

June 14, 2010

As you can tell from my current blog layout, I am very much feeling the imagery of Christina Aguilera’s current Bionic era.  It’s fierce, severe and pushes the envelope.  Artwork such as the front cover (above) and other graffiti-inspired cyborg manipulations handled by D*Face push the envelope and also serve to symbolise Christina as human machine which creates fine music hence “Bionic”.  Various analyses of this robotic imagery could be and have been made: on the one hand, Christina Aguilera in her superhuman form triumphs over all her competitors and makes superior , near-perfect music because she has this bionic element to her; on the other hand, as part-robot, Christina can only ever produce a facsimile of what music is supposed to be, while never quite getting close enough to the organic, human qualities in music that elevate it beyond the calculable – qualities which cannot be quantified or mechanised.  In Bionic, as in life, the truth lies somewhere between these two opinions.

Bionic the album is a long listen – 18 tracks in its standard version, 23 in its deluxe (with iTunes bonus track “Little Dreamer”, a likeable but throwaway confection, making a grand total of 24).  I’ll dispense with the additional 5 bonus tracks first: they are, by and large, bonus tracks for a reason: either they are not strong enough to be considered for the main album (“Monday Morning” is pleasant but lackadaisical; “Birds Of Prey” is lyrically mysterious and interesting, but musically and vocally it’s too much mainstream dance that Kelis would do a lot better with on her current Flesh Tone project), or they don’t fit thematically with the empowering / sexual / carefree / mature feel of the album.  “Bobblehead” is a thrilling production that stutters and races to its climax with the wonderful lyric: “I never play dumb to get what I want / and always come out the one that’s on top”; however, its main hook is a nonsensical mumble that may be the point of the lyrics, dissing idiot girls who dumb themselves down and preferring to deploy her own intelligence, but it’s still a nonsensical mumble which fails to use Christina’s vocals to much effect.  “Stronger Than Ever” is a ballad that is lyrically strong (and embodies my current struggle with my parents) and vocally able, but it just lacks that something.  “I Am (Stripped)” is a lovely album closer but is a more acoustic version of one of the main album tracks, and so it’s understandable why it’s relegated to bonus status.

So, to the main event. To my ear, Bionic moves in three arcs.  In its first, it goes for the jugular with relentless, futuristic uptempos; it then cools down into a sensuous, emotionally vulnerable, mature ballad section; finally, it picks up again for a closing triad of uptempo songs that epitomise fun.  While it’s possible that the album could be trimmed down to make a more concise, compelling listen, it flows very nicely throughout and only has a couple of stumbling points.  Christina Aguilera said that she wanted something which sounded futuristic, but with elements of the organic; something which integrated her new emotional maturity as a mother with her desire to remain playful and sexy.  On this point, she has succeeded: Bionic has elements of all of this.  Tracks such as “Bionic” and “Elastic Love” incorporate computerised effects to distort Christina’s voice, along with buzzing, whirring productions that sonically embody the bionic cyborg face of her album cover. However, on tracks such as standout “You Lost Me” and “All I Need”, Christina is stripped of the musical gloss of the faster tracks to be backed by little more than a piano.  “All I Need” is also a touching, mature tribute to her son, which nicely avoids being mawkish or saccharine like Britney Spears’ unlistenable “My Baby” from Circus.  Finally, sex is all over this album, and from the enticing “Woohoo” to the seductive “Sex For Breakfast” (which I have yet to play for my boyfriend, but when I next see him in July, I am using this song on him!), it’s explicit without being pornographic, edgy without crossing that line.  In this respect, the Christina Aguilera of “Dirrty” is still present, knowing how to be provocative while still being musically relevant.

However, in the video for “Not Myself Tonight”, Xtina makes her return and perhaps pushes the envelope a little too far.  S&M get-ups, Madonna tributes aplenty, and bisexual flirtations are almost par for the course at this point, and Christina Aguilera is more than entitled to use them considering her influence on current female artists in the mainstream over the past 10 years.*  However, although “Not Myself Tonight” is an understandable choice as Bionic‘s lead single considering its radio-friendly sound, it’s not futuristic and it’s not exciting enough to merit the edgy, sex-fuelled imagery.  Rather than hookless, it sounds like a bunch of hooks jostling together for attention over a dance beat (which has a couple of exciting tribal flourishes), the result of which means that sometimes the song sticks, on other listens it doesn’t quite get there.  A better first single might have been the thrilling, soaring title track, or uptempo album standout and follow-up single “Woohoo”, on which Xtina extols the virtues of good oral sex, recruits Nicki Minaj for a fine rap segment, uses her vagina (the titular “Woohoo!”) for a cowbell, and tops it off with a throbbing, buzzing dance break coda for good measure.  Along with “You Lost Me”, “Lift Me Up” and album closer “Vanity”, “Woohoo” is an album standout where all of Christina’s chemical ambitions for Bionic come together perfectly to produce some exemplary pop.

Bionic itself has no bad songs, but there is some filler: “Prima Donna” comes at the end of the first album arc of jugular-ripping uptempos, and is the weakest of them, with little lyrical know-how or production excitement to give it its own identity after the tracks preceding it.  “My Girls” is a ‘riding in the car with your top down’ sort of song, but comes off as fluffy compared to the album’s meatier offerings: although Christina proves (responding to criticisms that she oversings) that she can vocally restrain herself on songs such as “Elastic Love” with its amusing and witty stationery metaphors, and the tender “All I Need”, “My Girls” needs the vocal melisma to give it some spark; as it stands, it’s a little too laid back.  Nevertheless, 2 out of 18 songs (or 15, excluding interludes) is not bad and perhaps a better result than I was expecting.  Sure, several songs on the album are not immediate: “Glam” takes a few listens to hit its stride with its subtle, fibrillating beats and “Vogue”-esque spoken-word verses, while “Vanity” initially startles the listener with its unbridled use of the word “bitch”, references to Christina making herself “wetter” before marrying herself as her “lawfully wedded bitch” and effectively giving the finger to everyone who doesn’t have such bravado.  Only by the song’s end (and possibly a couple of repeat listens) does it sink in that the track is a storming highlight, a perfect album closer, utterly hilarious and ridiculous (and knowingly so), with a vocal flourish that knocks all competition to the floor before her son’s voice confirms all suspicions: his mother really is the shit.

At the end of the day, it’s this kind of confidence that makes Bionic a great success – Christina Aguilera believes that she rules the world, and this kind of ambition almost single-handedly propels her music to heady heights.  It’s a new page for Christina, and she’s secure enough in her ability to try different things: the mélange of styles is a little disorientating until repeated listens expose the subtleties and intricacies in her vocals, lyrics and the songs themselves.  “Lift Me Up” is another beautiful, soaring track that was slightly superior in its stripped down live version performed on the Haiti telethon, but still thrills within the album.  “I Am” is a declaration of humanity, imperfection and adulthood that lends substance to the polished sheen of Bionic‘s robotic side, deployed confidently, efficiently and effectively for example on clubsong “Desnúdate” (which neatly remembers and includes Christina’s Spanish-speaking audience and heritage).  If Christina experiments with textures in her voice, sometimes preferring subdued rumbles to soaring melismas, she still shows that she can do both better than most other female artists.  At the end of the day, Christina Aguilera is an musical artist with a personal and professional vision that she fulfils 85% of the time.  Her misfires are excusable and never in poor taste so much as merely a little bland or inconsistent – in time, Christina will learn to totally excise these from her projects.  Most importantly, while some of Bionic indeed caters to current mainstream tastes and is hardly an obscure sonic revelation, the majority of it is interesting and thrilling, and rings true as Christina Aguilera’s own personality and intention which doesn’t give a fuck about current radio trends (in my opinion, less than half of Bionic would get spins on mainstream radio).  For this, her sales might suffer, but her artistic integrity remains intact and hopefully the mainstream radio audiences and buying public one day will catch up.

* I’ll address this once and only once: anyone who thinks that Christina Aguilera is copying Lady GaGa is a) suffering from memory loss and should go back to Christina Aguilera’s last two album eras which were mired with controversy and blazed with exciting fashions and imagery, b) suffering from hearing loss as Christina can sing GaGa – and pretty much anyone else – under the table, c) has no respect for what Aguilera has achieved over the past 10 years – while GaGa has had a fantastic 2-year run and displays much potential (her music and videos are definitely getting more intriguing), she’s still only been around 2 years and more respect should be shown to anyone who successfully completes a decade in the music industry, and d) completely overlooking Gwen Stefani, whose hairstyle Christina mimics in her “Not Myself Tonight” video, and whose image, sound and career Lady GaGa has borrowed liberally from, mixed with a bunch of fashion designers, and passed off as her own to those too young, too unaware or too amnesiac to know any better.

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speechless.

February 25, 2010

So I’m sat in Starbucks in Cabot Circus having finally gained access to the internet (BT Openzone has a lot to answer for… hijacking my browser and not letting me get to the Starbucks page however hard I try – I do have better things to do than sit here and refresh the page!… probably.) and I have felt determined to blog since I got here.  I’m consuming far too much coffee lately and I generally need to cut down on food – not that it’s showing; I appreciate my new metabolism every day and I pray it never leaves! – so I thought I would take the time to write something to you all and write about things that are on my mind.  Usually this isn’t a problem for me, but now I’m at my keyboard and I don’t really know what to say.  I have my book (The Girl With The Dragon Tattoo – I’m only 100 pages through so far but I’m enjoying it, more than I expected to in fact!) and Sade’s fantastic new album Soldier Of Love is playing on my iPod, so I’m feeling chilled.  My fingertips are typing away but is any of this of substance?  I don’t think so.  So let me try and write something of value.

Yesterday I got a bit irritated with a couple of bossy people in uni, but it wasn’t really a big deal.  However, my mood lingered and wouldn’t quite lift. I went to WHSmiths (after a tour of central Bristol shops) and bought Mike and Caroline the first season of True Blood on DVD as a thankyou gift for everything they mean to me, and all that they’ve done for me in the past six months.  And then I went to Starbucks, sat and read my book, and decided to continue on my strategy of letting people know how much I appreciate them.  I spoke to Hannah and we conversed about love, life and self-esteem, and then I met up with Toby and decided to tell my boyfriend that although sometimes I’m a bit emotionally wary or quiet, I appreciate him so much and the reason I get nervous is because nobody ever really treated me, as a boyfriend, the way that he does.  He’s a good man and I’m going to hold onto him, and although I don’t always say it, I appreciate what he’s done for me and what he means to me too.  It was nothing to do with why I was a bit grumpy before, but it made me feel better, because generally we don’t tell people close to us enough how much we appreciate them.  So I’m going to try and do that a little bit more, rather than everyone just taking their friendships and relationships for granted.  I am good at speaking confidently, so while I’m doing that I might as well say things that are worth saying!

Today I finished my essay at uni with Mike, tried and failed to find Ness in the café, and now I’m here in Starbucks again.  Although I mainly come here because I don’t really want to go home before I have to (my parents have the week off this week and although we are getting on ok at the moment, I don’t want to prolong my contact with them.  Small doses!  I like my independence, as you know), I do enjoy having time to myself in a relaxing environment, and I can just turn my iPod on and type or read without any disruptions.  I do pay for the privilege, and I should be a little more careful with what I spend at the moment, but part of my philosophy is that as long as it’s not massively negligent of the bigger picture, we should treat others and ourselves the best we can, because tomorrow you could be dead.  It’s a bit blunt, but not wrong.  What have we got to lose?  I tell and show people how much they mean to me today (or at least I’m going to resolve to do that a bit more); I reward myself today (well, sorta quite often but hey!); I try and live in the moment, while being aware of my past and my future.  If I died tomorrow, I’m sure I would have some regrets, but I can’t think of anything major that I really see as a huge mistake in my life.  There are things that I would have done differently, but now that I’m in a pretty good space in my life I don’t really care because the mistakes I’ve made and avenues I’ve taken have led me to this point, and probably contributed to my character and the person that I am in some way.  Watching Keeping Up With The Kardashians at Toby’s last night, Kim Kardashian has money, looks, family and a decent career.  But listening to her speaking, there’s a tiny something missing… some sort of spark or soul.  I’m not saying that because she’s a celebrity heiress – I find Paris Hilton terrifically fun and I will always (well, almost always) stick up for her in a conversation – but with Kim there seemed to be little appreciation or conception of battling hard for the things she wants.  As much as I would love to have things fall easily into my lap, I’ve fought and struggled more than some people realise, and now that things are going my way I appreciate it every day.  I hope that it continues and I’m going to do my best to ensure that it does (although life is such that sometimes no matter how much you do, things go against you).  If I won the lottery tomorrow, if my heart felt like a glittering diamond and everything in my life were suddenly fulfilled, that would be nice, but I hope that through the course my life I can get to a state where I’m fulfilled by the things that I have, even if I’m not 100% satisfied and always striving for more (which I almost hope to be).  Appreciating what I have is something I try to do as much as I can, but I could still do it much more.

So I guess I found something to talk about.  It wasn’t anything momentous, it wasn’t anything groundbreaking, but I reread what I’ve just typed over the past 20 minutes and I stand by it.  Too often we are speechless, or afraid to speak for fear of the value judgments others place on what we say.  And sometimes what goes unsaid is the most valuable thing of all.  So to this end, I want to thank you all once again for reading, for following this little blog of mine, and I hope that you all stay wonderful and wish you all the best.  Until next time kids x