Posts Tagged ‘Shakira’

h1

top 15 albums of 2010.

January 2, 2011

It’s that time again! Last year my list had 20 albums on it; this year, due I think to the generally deteriorating quality of popular / mainstream music, I have chopped the list down to 15 – if I had 20 albums on it, there were inevitably a couple of albums on the list which had but a handful of good tracks. This does not necessarily make a good album – so for the sake of quality over quantity, this year my list is shorter and sweeter.  Enjoy and comment if you like / dislike / agree / disagree!

15. MonicaStill Standing (check my review here!)

Highlights: Still Standing, Stay Or Go, Love All Over Me, Believing In Me

Skip: If You Were My Man

14. Diddy – Dirty MoneyLast Train To Paris

Highlights: Yeah Yeah You Would, Angels, Hello Good Morning, Coming Home

Skip: Someone To Love Me, Shades, Loving You No More

13. The-DreamLove King

Highlights: F.I.L.A., Abyss, February Love, Florida University, Take Care Of Me, All Black Everything

Skip: Make Up Bag, Sex Intelligent (Remix), Yamaha, Veteran

12. Toni Braxton Pulse (check my review here!)

Highlights: Yesterday, Make My Heart, Hands Tied, Lookin’ At Me, Wardrobe, Why Won’t You Love Me

Skip: If I Have To Wait, Hero

11. Teairra MaríPoint Of No Return mixtape

Highlights: Detroit, Body, Girl Power, Coins, My Lovin’, Holla, Over

Skip: Super High

10. Jazmine SullivanLove Me Back

Highlights: Holding You Down (Goin’ In Circles), Good Enough, Stuttering, Famous, Luv Back

Skip: Don’t Make Me Wait, Redemption

9. Nicki MinajPink Friday

Highlights: I’m The Best, Roman’s Revenge, Save Me, Check It Out, Your Love, Girls Fall Like Dominoes

Skip: Did It On’Em, Fly, Last Chance

8. Janelle Monáe The ArchAndroid (check my review here!)

Highlights: Dance Or Die, Cold War, Tightrope, Oh Maker, Say You’ll Go, BabopbyeYa

Skip: Mushrooms & Roses, Neon Valley Street, Wondaland

7. ShakiraSale el Sol

Highlights: Loca, Antes De Las Seis, Gordita, Lo Que Más, Islands, Tu Boca

Skip: Sale El Sol, Addicted To You, Mariposas

6. CiaraBasic Instinct

Highlights: Ride, Gimmie Dat, Heavy Rotation, You Can Get It

Skip: nothing!

5. Kanye WestMy Beautiful Dark Twisted Fantasy

Highlights: Dark Fantasy, Power, All Of The Lights, Monster, Runaway

Skip: Gorgeous, So Appalled, Hell Of A Life

4. DrakeThank Me Later

Highlights: Fireworks, Over, Up All Night, Fancy, Shut It Down, Unforgettable, Find Your Love

Skip: Show Me A Good Time, Thank Me Now

3. SadeSoldier Of Love

Highlights: Soldier Of Love, Babyfather, In Another Time, Skin, The Safest Place

Skip: Morning Bird, Bring Me Home

2. M.I.A. /\/\ /\ Y /\

Highlights: Steppin’ Up, XXXO, Lovalot, It Takes A Muscle, Tell Me Why, Illygirl

Skip: Teqkilla, Story To Be Told

1. Christina AguileraBionic (check my review here!)

Highlights: Bionic, Woohoo, Elastic Love, Lift Me Up, You Lost Me, Vanity, Bobblehead

Skip: Prima Donna, My Girls, Birds Of Prey

h1

Christmas list.

December 10, 2010

Since my birthday list was so popular and appreciated, here is a list for a few of the things that I would like for Christmas. Enjoy, and if you’re planning on spoiling me, thankyou in advance and I hope that you find this helpful!

Rihanna – Loud (Deluxe edition with DVD) – ***NANA GOT THIS FOR ME 😀 ***

Rihanna’s new album Loud was a disappointment to me, particularly compared to the excellent Good Girl Gone Bad and the stellar Rated R. However, although I haven’t bought it myself, I like enough of the songs to still want the CD, and I would appreciate it were someone to purchase it for me. The version with DVD would be particularly cool. 😉

Rihanna – Rated R Remixed

I would love this CD, as I can’t find it anywhere! The dance remixes all blend seamlessly, and every song is excellent and the dark lyrics and thematics of the songs work perfectly atop the crunchy hard beats. 🙂

Jay-Z – Greatest Hits (Deluxe edition)


P!nk – Greatest Hits (Deluxe edition with DVD)

P!nk is a fantastic artist who has amassed a scary amount of hit singles!  I want the deluxe package because although I have nearly all of the songs, it comes with a DVD which has all her videos on it, which would be particularly cool. 🙂

Snowball Microphone

Because of having to spend money on lovely but expensive new things (iPhone, new Macbook) to replace old possessions that broke, my aim to get a new microphone never happened, and so my recording of new material has had to wait! This would remedy the situation, and I could then get going on stuff for a new album! 😀

Lady Gaga Heartbeats headphones (red, to match my Ronaldo trainers 😉 ) – *** TOBY GOT THESE FOR ME 😀 ***

I think that Toby is buying me these – I wanted the red ones to match my trainers, and I thought it was about time I upgrade my audio experience, especially as these have recently been reduced to a semi-acceptable price. Plus, I have been feeling that I would like to add more splashes of red to my wardrobe, and these would be a perfect way to do that.

Stanley Kubrick Collection

I would love to possess Kubrick’s films, as his vision as a film-maker is profound and he tells stories so vividly and inimitably. Eyes Wide Shut is sexy, intriguing and eerie, while The Shining is chilling and an adept retelling of Stephen King’s novel, despite it veering away considerably from the book. A Clockwork Orange has a weird atmosphere that puts me on edge, Full Metal Jacket fascinated me in the 15 minutes that I saw, and I’ve always wanted to experience A Space Odyssey. I would see possessing this collection as furthering my cinematic education.

Shakira calendar

I only deal in official calendars, as the photography on unofficial ones is just shoddy and appalling. Despite the fact that this Shakira calendar boasts pictures that are a year old (from her She Wolf album photoshoot), she still looks smokin’ hot! And after two years, Ronaldo needs a rest. 😉 This is the best 2011 calendar that I have seen.

Shakira – Sale el Sol – ***NANA GOT THIS FOR ME 😀 ***

Talking of Shakira, her new Spanish album is stellar, but I haven’t gotten round to picking it up. So if someone wants to pick it up for me, they’d be more than welcome! 🙂

Trey Songz – Passion Pain and Pleasure


Disney DVDs

All the classic 2D animations!!! I have Bambi on DVD already (naturally!), but I would be thrilled to have Sleeping Beauty, Aladdin, Beauty and the Beast, The Little Mermaid, The Rescuers, Lady and the Tramp, Cinderella, The Jungle Book, Mulan… reliving my childhood and providing escapism whenever I need!

Dior Homme Deodorant Stick – *** I HAVE BOUGHT THIS NOW – couldn’t wait! ***

Dior Homme is probably my overall favourite fragrance. I have recently, finally decided to remove Lynx from my life, and so I have been using a deodorant stick of Jennifer Lopez Deseo for Men. This has finally nearly run out, and I can’t think of a better fragrance with which to mask my perspiration and start my day 🙂

h1

Top 20 albums of 2009.

December 25, 2009

Hello everyone, and Merry Christmas!  I have compiled (and it was startlingly easy) my top 20 albums of 2009 (if you know me, you know it’ll be an R&B female-dominated affair as usual!).  Unlike last year, when I listed 10 and did mini reviews, this time I’ve got 20 (since my shortlist came to 20 albums, I thought it would just be easier to rank 11-20, than pick out some for Honourable Mentions).  No mini-reviews, or I would be here forever, and I think my blog posts are long enough without breaking the 5000 word barrier!  So I’ve just put the best and worst tracks from each album with the album cover, and hopefully you’ll be intrigued to download my favourite songs of 2009.  And while you’re at it, you can download my own album, Quiet Storm, here too! So without further ado…

20. Utada HikaruThis Is The One (read my full review here!)

Highlights = Come Back To Me, Apple And Cinnamon, This One (Crying Like A Child), On And On

Skip = Automatic Part II, Poppin’

19. Electrik RedHow To Be A Lady Volume 1

Highlights = Muah, P Is For Power, W.F.Y., Drink In My Cup, Kill Bill

Skip = So Good, Friend Lover, On Point

18. Lady GaGaThe Fame Monster

Highlights = Bad Romance, Alejandro, Monster, Teeth

Skip = Speechless, So Happy I Could Die

17. Joss StoneColour Me Free!

Highlights = Could Have Been You, Stalemate, Girlfriend On Demand

Skip = Incredible, Parallel Lines, Governmentalist

16. Cheryl Cole3 Words

Highlights = 3 Words, Parachute, Heaven, Fight For This Love, Boy Like You

Skip = everything else!

15. Chrisette MicheleEpiphany

Highlights = Blame It On Me, Epiphany (I’m Leaving), Notebook, On My Own

Skip = What You Do, Another One, Mr. Right

14. Nicki Minaj – Beam Me Up Scotty

Highlights = I Get Crazy, Kill Da DJ, Mind On My Money, Keys Under Palm Trees, Beam Me Up Scotty

Skip = Best I Ever Had, Easy

13. MýaBeauty & The Streets Vol. 1

Highlights = About My B.I., Show Me Something, Boss, Club Go Crazy, Work It Out, Black Out

Skip = Go Hard Or Go Home, The Only One, Full Service

12. Robin ThickeSex Therapy

Highlights = Sex Therapy, Meiplé, Shakin’ It For Daddy, Elevatas, Make U Love Me

Skip = Million Dolla Baby, I Got U, Mona Lisa

11. Alicia KeysThe Element Of Freedom (read my full review here!)

Highlights = Doesn’t Mean Anything, Try Sleeping With A Broken Heart, Love Is My Disease, Distance And Time, Empire State Of Mind (Part II)

Skip = Love Is Blind, Wait Til You See My Smile, Like The Sea, This Bed

10. The-DreamLove vs Money

Highlights = My Love, Take U Home 2 My Mama, Fancy, Right Side Of My Brain

Skip = Walkin’ On The Moon, Sweat It Out, Love vs Money, Let Me See The Booty

9. Keri HilsonIn A Perfect World…

Highlights = Turnin’ Me On, Get Your Money Up, Knock You Down, Make Love, Energy, Where Did He Go

Skip = Intuition, Slow Dance, How Does it Feel

8. Black Eyed Peas The E.N.D.

Highlights = Boom Boom Pow, Rock That Body, Imma Be, Electric City, Mare

Skip = Alive, Missing You, Rockin To The Beat

7. ShakiraShe Wolf (read my full review here!)

Highlights = Did It Again, Why Wait, Men In This Town, Mon Amour

Skip = Gypsy, Spy

6. Trey SongzReady

Highlights = I Invented Sex, I Need A Girl, LOL :-), Black Roses, Yo Side Of The Bed

Skip = Jupiter Love, Does He Do It, Be Where You Are

5. AmerieIn Love & War

Highlights = Heard ‘Em All, Higher, Swag Back, Different People, Dear John

Skip = Tell Me You Love Me, Red Eye, Pretty Brown

4. LeToyaLady Love (read my full review here!)

Highlights = She Ain’t Got…, Not Anymore, Good To Me, Regret, I Need A U, Don’t Need You

Skip = Take Away Love, After Party, Tears

3. CiaraFantasy Ride (read my full review here!)

Highlights = High Price, Like A Surgeon, Never Ever, Work, Keep Dancin’ On Me, I Don’t Remember

Skip = Ciara To The Stage, Love Sex Magic, Lover’s Thing

2. RihannaRated R (read my full review here!)

Highlights = Hard, Russian Roulette (check out my single review here!), Fire Bomb, Rude Boy, G4L, The Last Song

Skip = Rockstar 101

1. Mariah CareyMemoirs Of An Imperfect Angel (read my full review here!)

Highlights = H.A.T.E.U., Ribbon, Angels Cry, I Want To Know What Love Is, Candy Bling

Skip = It’s A Wrap

h1

power couples.

November 17, 2009

Looking at the current music industry, I find it interesting how a lot of the biggest stars have attached themselves to one another.  Beyoncé and Jay-Z are considered the golden couple of R&B / hip-hop, and although they are both megastars and extremely talented in their own right (and have lots of independent ventures, and carved out their own careers independently before getting together), it’s the fact that they are together which makes them seem almost invincible.  When you listen to some of Beyoncé’s love songs, you can imagine her singing about Jay-Z; when she has a song like “Diva” which exudes confidence in a hip-hop style, you assume that Jay-Z had something to do with that attitude.  Even if it’s not the case.  Likewise, on Robin Thicke’s new song “Meiplé”, Jay-Z raps about Beyoncé being the “black Brigitte Bardot”.

Running with the Beyoncé example, she teams up with artists such as Shakira and Lady Gaga (whoever’s hot, basically) to cement her status as one of music’s elite.  Just like Timbaland and Justin Timberlake, or Timbaland and Nelly Furtado.  Relationships-wise, remember the furore over Britney Spears and Justin back in the day?  Their relationship elevated them to supernova-level megastardom, and was a massive element in their fame and success.  Interestingly, when they broke up, things just weren’t the same.  I think as members of the public, we like a couple who are balanced musically and seem to fit each other personally – it seems like fairytales can happen.  And when they self-destruct and we’re forced to admit that the fairytale was something created by the public and the media that the celebrities could never live up to, it’s just not the same.  I’m sure that there are some people who would attribute Britney’s entire marriage to Kevin Federline and her subsequent meltdown to the fact that her and Justin broke up, regardless of the reasons behind that breakup or the other factors in Britney’s life that added to her downward spiral (and subsequent resurgence).  I think that the same is happening with Rihanna and Chris Brown at the moment – however good their music / dancing / fashion might be, the fact that they were part of a couple – however much they would deny it to the paparazzi – made them seem that little bit more gilded in superstardom.  Now that they’ve split up, regardless of who beat who, they’re both experiencing some backlash (despite the fact that in both cases, their new material is certainly up to par, if not better, than their previous work).  What’s up with that?

I was thinking about this not because I ruminate daily on Beyoncé and Rihanna’s love lives, but because the same kind of thing has happened at uni.  Consciously or not, several of us within our course have paired off – not in a romantic sense, but just attached ourselves to one best friend.  There’s Pete and Emma, Penny and Daisy, Julie and Clare, among others – and of course me and Mike.  Talking about Mike and me, we’re the unofficial ‘leaders’ of our group – everyone seems to look to us whenever we speak in class, whenever someone needs to volunteer to do something in the group, organising social events.  I dread to think what would have happened if one of us didn’t smoke – we wouldn’t have had the chance to gel so instantly (on the first morning, Mike came up to me and said “Do you smoke?” “Yes.” “I thought it was you outside.  THANK GOD.  I smoke too!” and that was it!).  But I still think that because of the people we are, we would have found each other before too long.  It’s interesting how we seem to attract others around us, be they members of the aforementioned pairs, or others.  At first, there was a pair of the two youngest girls, Jenny and Sian, but as time’s gone on, Jenny has started to explore life on the dark side (i.e. she’s hanging out with me, Mike and Vikki) and loosened up to have some fun.  There’s a sense of charisma and magnetism that pairs who get on well exude without even much effort.  I wonder if those in our group who don’t come out for social drinks, who turn up to uni alone and go home alone, are enjoying it quite as much?  I know that the point of the course is not to have fun and socialise, but I like to work hard and play hard, and I think it’s a good balance for getting the most from this experience.

The funny thing was one night recently when Mike couldn’t come out.  I was still the social ringleader, but I did have a couple of comments such as “So what is Mike doing tonight?”  “How is Mike?” “You won’t smoke as much tonight since your smoking partner isn’t here.”  Me and Mike texted during the evening (he was sad he couldn’t be there, I was updating him on the scandal and gossip as the night progressed), but I thought it was interesting how people still kinda saw me as the ringleader, but thought that he and me were inseparable to the point of knowing each other’s business inside out.  I told Mike about it on Sunday when I saw him, and we laughed at the fact people seem to have the conception that we cannot exist without one another (I’ve heard one person say “Mike loves you, he follows you everywhere!” when I don’t see it as following, I just see it as a natural gravitation towards one another) – last time I checked, I managed 23.8 years of my life without Mike, and he managed even more without me.

Once you become a part of a “power couple” in whatever sense, does that make you inferior when you act on your own?  As much as I enjoy being part of the “Mike & I” leadership party, I’m still my own person.  Me and Mike have a lot in common, but we’re different in a lot of ways too, and I don’t need him to function.  And vice versa!  I think that having a companion or partner in crime makes you feel stronger, bolder and more confident, but it doesn’t mean that without the other person, you’re nothing.  I wonder what Jay-Z thinks about his position in hip-hop’s elite, and whether this position would be compromised were he to divorce Beyoncé tomorrow.  Sometimes a friendship or relationship brings along with it a certain amount of social bank or clout, but that’s not the sole reason why we should be friends with anyone – we just gel with people and connect from there.  Because at the end of the day, people may see a certain facet of us in the public eye – whether we’re celebrities or just day-to-day people – but behind closed doors or in the privacy of our own relationship, we have that connection for reasons people don’t understand unless they’re willing to plumb the depths below the surface.

h1

Shakira – She Wolf. (album review)

October 11, 2009

Shakira’s new album She Wolf is her first album in four years (since 2005’s Oral Fixation volumes 1 & 2, which represented her best work to date, especially on the Spanish-language vol. 1) and represents a similar transformation to Jewel’s 0304 – Shakira has made an almost-purely danceable, modern album.  Unlike Jewel’s efforts prior to 0304, Shakira has made addictive up-tempo music before: see “Whenever, Wherever”, “Objection (Tango)”, “La Tortura”, “Hips Don’t Lie”.  But never before has she devoted an entire album to the stuff; gone are the tender, thoughtful ballads such as “Underneath Your Clothes” or “Illegal”.  The question nevertheless remains – is Shakira, whose image is now more sexually potent than ever (straight blonde hair, dancing in a half-catsuit in her “She Wolf” video), cashing in, or does she still remain herself?

Mainly, I argue for the latter.  Once the initial shock of the dense production and pounding bass subsides, the melding of cultures and instruments that has always been evident in Shakira’s work is here too.  Listen to “Long Time”, and its reggae beat which gives way to an instrumental bridge that prominently features what sounds like a gypsy saxophone; “Mon Amour” employs a rocky half-time clap that is reminscent of Shakira’s spunkier moments such as Fijación Oral vol. 1‘s “Escondite Inglés”; the only semi-slow moment on the album is to be found in “Gypsy”, where Shakira employs an island feel with a plucked guitar, Caribbean-esque drums and Eastern-European string accents on the chorus.  Not to forget “Why Wait”, which is 2009’s update of “Ojos Así / Eyes Like Yours” with its Middle-East-meets-West instrumentation and production over a storming 4/4 bassline (which becomes positively incendiary in the bridge).  Musically, although it’s a little bit of a readjustment to our expectations of what Shakira’s music sounds like, it is still definitely her, and her claims of wanting to make a “bassy, beat-driven record that maintains experimentation with sounds from other parts of the world” ring true.

Shakira’s lyrics have always been put under a microscope – a fact that has irritated me immensely through the years.  Not only is Shakira an incredibly intelligent woman, but her lyrics are far and away of a much higher quality than those of the majority of traditional pop made by native-English-speaking artists.  The criticism she has gained from reviewers and comedy sketches alike (see MADTV’s parodies of “Whenever, Wherever” and “Objection (Tango)” on youtube – they’re funny, but they’re also unwarranted) is totally unfair and disrespectful of an artist who has mastered a complex language (once you get past the basics, English is a complicated language to speak fluently – I should know, since I have taught it) when I wager that the majority of these critics can’t speak more than a few basic sentences of phrase-book Spanish.  Because Shakira dared to say “Lucky that my breasts are small and humble” in her first English hit does not make her nonsensical.  Listen to “Octavo Día” and “Timor”, songs in both Spanish and English that express criticism with the way that the world is run and our own media-obsessed culture, and you’ll understand that Shakira is very well-aware of what she sings and what she has written.  On She Wolf, there is nothing as incisive as “Timor” or “How Do You Do” (both from Oral Fixation vol. 2) but its opening salvo of “A domesticated girl, that’s all you ask of me / Darling it is no joke, this is lycanthropy” is certainly more sophisticated than “I think you wanna come over, yeah I heard it through the grapevine / Are you drunk, are you sober? Think about it, doesn’t matter” from Madonna’s current hit “Celebration”.  “Mon Amour” delivers a fantastic kiss-off to a boyfriend who has gone to Paris with another woman, while “Men In This Town” ruminates on where are all the good men who can appreciate what Shakira has to offer?  (I feel her on that one.)

I suppose that a certain amount of lyrical straightforwardness is to be expected on an album which is almost purely uptempo and flirts specifically with the electro-pop genre – I can’t get too mad that some of Shakira’s more insightful and wittier metaphors have been sacrificed.  But the three Spanish tracks that round out the album – “Lo Hecho Está Hecho” (“Did It Again”), “Años Luz” (“Why Wait”) and “Loba” (“She Wolf”) – are lyrically superior to any of the album’s English tracks.  For example, “Años Luz”‘s “Esperar es un mar que aún no sé navegar / No te quedes años luz, ya estoy decidida y quiero saber si lo estás tú” translates as “Waiting is a sea that I don’t know how to navigate / You haven’t got light years, I’ve already made my mind up and I want to know whether you have too”.  The English version, “Why Wait”, says “One more night with you, I won’t think it through / Time’s money, but you knew / There’s nothing in the world you can think of that I won’t do to you”.  It’s the same thought, but in Spanish it just comes across as much more elegant and sophisticated.  Not to mention that “Loba” in particular seems to flow much more naturally in Spanish than in English, and the lyrics are perhaps more comprehensible.  In any case, the Spanish tracks add to the album, even though they are retakes of English songs from its first half – it serves to reinforce the fact that Shakira is a bilingual artist who refuses to neglect either her Spanish or English audiences, but instead (as on the Oral Fixation era) seeks to satisfy them both.  This is laudable, and I hope that Shakira comes out with a full Spanish album next year (as has been rumoured).

So it all sounds good so far.  Well, the album is a consistent listen, and its brevity means that each song gets you moving but doesn’t outstay its welcome.  The dense production, in the main courtesy of Pharrell and John Hill, flows throughout (except for the break provided by the relatively lightweight “Gypsy”).  Because of this, there are no really weak tracks, although surprisingly, the Wyclef Jean collaboration “Spy” seems the most rote and uninspired song on the set – its straightforward 4/4 beat has nothing extra to catch the listener’s ear, and sounds lazy compared to Pharrell’s musically adventurous soundscapes in “Why Wait” and “Long Time”.  “Gypsy” sounds like nothing else on the album, but its dip in tempo serves as a break which can sometimes be appreciated by the listener, but at other times seem like an interruption of the party, so depending on your mood, it could be a help or a hindrance.  Other than that, all the tracks are solid, but none of them are immediate standouts save the last track, “Mon Amour”.  With its decidedly rocky, guitar-led music and handclap-driven beat that intensify into a crunchy, heady chorus, it’s the kind of track that you can’t help but get wrapped up in.  Shakira’s vitriolic lyrics, snarling vocals and cutesy airline announcement closing out the song are the icing on the cake, and perfectly embody a girl’s anger with her straying lover’s neglect of her (perhaps similar to 2005’s “Don’t Bother”).  With repeated plays, the appeal of “Did It Again”, “Why Wait” and “Men In This Town” reveals itself, but the songs are certainly not immediate hits like “Hips Don’t Lie”, “La Tortura” or “Objection (Tango)”.

I therefore think that this is a solid Shakira album, and definitely stronger than her breakthrough Laundry Service which contained some fantastic songs but also some uninspired, pedestrian ones (here, the only track I recommend skipping is “Spy”).  However, for me it falls just short of Oral Fixation Vol. 2, because She Wolf is a tiny bit too one-note in its electro-pop approach, and slightly diminishes Shakira’s lyrical mastery in the process.  In terms of her entire catalogue, Dónde Están Los Ladrones? and particularly Fijación Oral Vol. 1 (the Freudian / Eve in the garden of Eden / Madonna and child symbolism were inspired and have yet to be matched in this album’s artwork and photography) are still Shakira’s crowning glories, but the Spanish-language tracks on She Wolf are lyrically more adept than their English counterparts and a worthy addition to both the album itself and to Shakira’s Spanish-music legacy as a whole.  In short, Shakira has far from sold out, and has made a pop album that other artists should be humbled by, such as it melds other cultures and quirky wordplay more than most radio-oriented pop.  And perhaps it is a compliment to Shakira herself that this album still falls somewhat short of her best work, and what I know she is capable of.