Posts Tagged ‘sensuality’

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summer kick.

July 5, 2012

When I was little, summer was my least favourite season of the year – and this is despite 8-week long summer holidays! There were two main reasons for this – 1) I had a major phobia of wasps. Nowadays I still don’t like them, but I have learned to control my fear; back then however, I used to go crazy if they even came near me. It got to the point where I would never open my bedroom window, even in summer; I was afraid that if I did, the wasps would come in. I went through a phase of sleeping with a can of bug spray within arm’s reach. At about the age of 11, one of my worst nightmares came true – I would wake up every morning to find a handful of dead / dying wasps on my floor and even lying on my clothes (which I would hang up on the rocking chair in the corner). It was traumatic (eventually the summer ended and the wasp deluge with it), but in a way it helped me, because it forced me to deal with my fear.

2) The heat, and the sweating. In the winter, you can always wrap up warm, and there are few things that are more lovely than snuggling up in front of the fire with a blanket. However, in the summer, when it’s stifling, it feels like there’s nothing you can do to combat the oppressive heat.  As I’ve grown older, I have learned how to deal with sweating (mostly – see my post on how to dress for a British summer) and I have grown out of the really bad phases I used to have. During the year that I lived in Spain, I realised that it wasn’t the heat that I hated, but the humidity that comes with it (or even comes alone) in England. Living in Spain, I developed a healthy, natural tan, and although the temperatures would rise up to 30 degrees and beyond, it was a dry heat so it was totally comfortable.

Just as I learned to conquer my fear of wasps, I learned to love the summer. I love the sunshine and the way that it can kickstart a day and give one an optimistic outlook on life. I love the freedom that a nice day gives you – it opens up your opportunities to go out and about, wherever you please. I love that there’s less traffic on the roads, and so getting out and about is easier and more pleasant. My musical tastes become bouncier, more exuberant and more worldly in the summer. I love going out for a leisurely walk through the park – even simple, unplanned or mundane trips can become pleasant experiences. The fact that I can do this while getting a tan is icing on the cake!

Just as our clothing gets lighter and often less restrictive, so does my taste in fragrance. In the winter I like to wear fragrances that give me a sense of comfort, sophistication and warmth – they tend to be heavier, a little spicier and more opaque. However, although I may still wear this kind of fragrance on a summer evening, generally my summer perfume choices involve something a bit more exuberant – bold fruity combinations, floral bouquets with a splash of green freshness, and sweet scents. Although I am a believer that fragrance has no gender, I tend to wear more women’s fragrances in summer as they are genuinely fresher, sweeter and freer than decent men’s fragrances (obviously this is a massive generalisation and I also own exceptions to this rule; but I’m not a fan of men’s “fresh”/”cool”/”sport” fragrances, and ozonic perfumes bore me). Just as in fragrance, I change what I drink to reflect more fruits – I always love orange juice all day every day, but in summer I mix it up more with pineapple juice, mixed fruits and my new favourite: coconut water. Although it was initially an acquired taste, the freshness and hint of Caribbean sensuality makes me feel healthy, happy and sunny. This is my summer kick – I just wanted to share a little bit of my seasonal happiness and feelings of freedom with you all 🙂

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hypersex.

July 27, 2010

I’ve spent the last 4 weekends away from home with my boyfriend Toby: the first weekend in Peterborough, and the latter three in his new flat in London.  I’ve had a terrific time each time, and it’s a marker of how far I’ve come that now when I am at home in Bristol during the week, life feels empty and, well, a bit lifeless.  I’m finally feeling the love I so desperately longed to feel in the first few months, and I am truly lucky to have found him: I now only fear some unforeseen circumstance or twist of fate breaking us apart and taking this amazing man away from me. But there’s nothing I can do about that, so I just enjoy the times we share together and watch our relationship grow: I have let down my hard-to-get, impenetrable guard and now he sees me as someone who is often vulnerable, sweet and soppy.  During my last two visits, we went to the cinema to watch Eclipse and Inception, and as well as enjoying the films, I cherished the fact that going to the cinema with my boyfriend and cuddling up on the seats, arms linked & heads on each others’ shoulders, was something I thought I’d never get to experience.  It made me feel young, carefree and happy, like the teenager I no longer am but always longed to be.

However, as well as displaying and embracing my softer, romantic side, we also enjoy having sex and often joke that we must be nymphomaniacs.  The sex is the best I’ve ever had, and I am not going to go into specifics because y’all don’t wanna read that and I want to keep that between me and Toby.  But I feel like I finally get to unfurl the wings of my sexuality without embarrassment or shyness.  I have always been a sexual person, and I remember my body being a constant source of fascination as a child (and I mean way before puberty, which I hit early anyway).  As a boy and now a man, I’ve occasionally felt slightly ridiculous for being in touch with myself in a non-macho, non-“I want to fuck everything that moves” way.  I mean, I definitely get horny, but for me my sexuality is less about posturing, racking up notches on a bedpost to prove my virility to others and allay my own insecurities and more about feeling intangibly good in my own skin, exploring what feels / tastes / good and what my body can do to synchronise with my soul and feelings and heighten my experiences as much as possible, and then also sharing that with another person and trying to heighten their experience, someone who knows you and is always uncovering new things about you as you grow together, is a privilege.

As I’ve gotten older, my sense of fashion has grown and evolved as well, and my having tattoos is not only an embodiment of my darker, more dangerous side with personal emblems for me, but also an expression of sexuality. I believe that tattoos are very sensual things (I’m not interested in getting them as a fashion statement per se, and I will never be seen with a tattoo that is “on trend” because it’s “on trend”), and having someone firstly pierce your skin with a needle shows an immense display of trust; to leave a symbol or picture or message on you that has meaning is exhilarating; then to display tattoos, to let someone in on their meaning, to allow someone to touch that part of your body, is a thrill that for me is part of sexuality.  For me, I don’t need or want everyone to see my tattoos all the time (partly because for work I need to exercise some common sense and be able to cover them), but they are for me first and then for my friends and finally for my boyfriend (who likes them nearly as much as I do!).  Just as wearing sexy outfits, fitted clothes (both of which are again decidedly un-macho), certain colours and styles is more an embodiment of who I am at that particular moment, on that day, at that stage in my life and of who I am as a person (the different layers) than displaying labels, belonging to a particular social clique or taking part in a contest to display as much of myself as possible.  For me, sexuality and promiscuity are two extremely different things. I’ve come to the point where I am happy enough with my body to wear more or less what I want (apart from all the outfits I can’t afford!!! but I’m getting there slowly 🙂 ), and in contrast to my attention-seeking performance outfits of the past (leather trenchcoat here, ripped jeans with handcuffs there – though those outfits were definitely fun and I’ve very glad I wore them!), I am less about turning heads (although that’s always nice) and more about satisfying my own standards.  Which are usually higher anyway! But I also appreciate that I want to feel that I look sexy in my clothes: some people are not concerned with that stuff, but I am – call it vanity, call it what you want. The difference is that now, what validates my sexiness is primarily how I myself feel, and secondly what my boyfriend and close friends think and say. I’m more comfortable in my skin to be more about pleasing myself and to know that yes, some people’s opinions do matter and I want to please others too.  But I also know that the general public is not important, and that I shouldn’t feel intimidated or afraid to be who I am. My sexuality, sensuality, fashion sense, looks, physicality and being as a whole may occasionally be compromised by external forces – I’m only human – but I know that it shouldn’t be and I’m better at making sure that it isn’t 90% of the time.  I am learning to be comfortable in myself as a sexual being, a sensual being, and it’s thrilling that I can listen to sexually-themed music (the thought process behind this post was set in motion while I was dancing to “Desnúdate” from Christina Aguilera’s Bionic album, which I still utterly adore) and understand more of it – not because of the meanings of the words (which are translucent), but because my life and my maturity is falling in line with those things.  I’m growing, and I am grateful to my friends, to Toby and to life in general for provoking me and allowing me to do so. 🙂

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quiet storm track walkthrough (part ii).

October 31, 2009

(clicky) Quiet Storm (album download) (clicky)

Without further ado, let’s go on with the show!  Here’s part i of the walkthrough, covering tracks 1-6 of the album, if you need to read.  Once again, please enjoy and you can download my album at the link above / at the bottom of the page if you haven’t already! 🙂

7. Touch Me

This was the first single off the album, and it samples “Nobody But You” by Cassie and The-Dream.  I added some more drums and extra instruments (like the piano line) to give it a little extra kick.  Sonically and lyrically, it’s a little bit lighter than the songs which have come prior, because I didn’t want the album to be too heavy all the way through.  Life isn’t like that, and we all need to have some fun and not be so serious sometimes.  The theme of this one is about liking somebody  and having a crush on them, and just being flirtatious and wanting to have a good time with them – letting whatever happens, happen!  After a comment from my friend Emma who heard the song today, it’s interesting that none of the songs on the album have any relation to anything that’s happened in the last couple of months (I finished writing and recording the album at the beginning of September), because this song lyrically is more than a little appropriate right now. 😉 It’s also an unofficial part 2 to one of the very first songs I did, called “Reach Out”.

8. High Fashion

With “Touch Me”, this portion of the album is the ‘uptempo / club ready’ section, the part of the night when you just want to dance, have a good time and feel fierce.  I was inspired a lot by working at the Perfume Shop and being surrounded by a lot of luxury or designer brands like Prada, Gucci, Dior, and how tempting and intoxicating that whole world is.  For me, designer is increasingly a natural fit, though I try not to be snobby with it – I want my jewellery and accessories to feel special to me, not a normality.  But I like the authenticity of real designer, real luxury items – “I’m a real boy / I like real things”.  Originally, I envisioned the song being a midtempo like “Hook Boy”, but the lyrics have a bit of swag and confidence and I fell in love with a Garageband sample which was very poppy and uptempo – this is the poppiest song on the record, in my opinion.  I also enjoyed shouting out my half-Italian heritage, because my favourite designers are almost all Italian (Christian Dior is the exception) houses.  In short, the song’s message is that fashion is more than just what you wear, it’s a part of who you are and inherent in your attitude, outlook and all sorts of things.  And I honestly believe that.

9. Theory (Interlude)

This one’s a spoken interlude just explaining why I enjoy wearing designer items, and what things like that mean to me.  I do feel special with the right necklace on, I won’t deny it.  But I also think that looking put together is both a savvy self-promotion, and a convenient barricade between the outside world and the vulnerability I keep inside.  This interlude just explains that.

10. Armani Earrings

Can you say “SWAG”?!? I love this song, the lyrics were so much fun to write (and I challenged myself to include lots of polysyllabic words, because I’m a literate boy!), and this is my rap song!  Rapping is something I’m seeking to improve at, and I liked my flow on this song a lot.  I wanted to honour my Armani studs (my signature look), which have paid for themselves in compliments alone! Originally, the whole thing was rapped, but I’m a singer and not a rapper, so I made the bridge and final chorus more melodic, which ended up adding to the force of the song, rather than detracting away from it.  I love the bassline, which was inspired by a HOT track I saw on youtube, by Tila Tequila called “I Fucked The DJ” – it goes hard!!  I also shout out one of my favourite CDs back from when I was a teenager, which was Tatyana Ali’s Kiss The Sky.  Originally, “Armani Earrings” was supposed to be slightly slower, with a more gangsta beat, but once I heard that song, I knew that I wanted that kind of sound to make my song really club-ready – it took a little while to get it right, but I love this song now.  Although I don’t really believe that my boyfriend is more expendable than my bracelet, it’s fun to sing!  And it depends on the boyfriend 😉

11. Quiet Storm

There’s a reason why this song is the title track of the album, and why it’s slap bang in the middle – for me, this is the centrepiece of the whole record.  Production-wise, I’m so proud of it – the stuttering beat and the mysterious piano really embodies a night-time jam. I was inspired on this track by Danity Kane’s “Right Now”, Jennifer Lopez’s Hex Hector remix of “Waiting For Tonight”, and Lil’ Wayne’s “Got Money” – that’s the “tick tick boom” lyric explained for you!  The guitar solo in the middle (and the heavy breathing shots) emphasises sensuality and sexuality, and the song is just about being in this perfect moment surrounded by a pounding bass in the middle of the club, just seeing somebody and being irresistibly attracted to them to the point where everything melts away.  So it’s very sexy, very captivating, very seductive, but also very mysterious and nocturnal.  It’s about love and attraction being a force of nature that is literally more powerful than music – and if you know me, you’ll know just how powerfully I feel music.  I wanted a song that I could dance to in a club, that I could chill to and feel the lyrics, that I could wind to on my patio at night.  And this song ticks all those boxes for me, so I wanted this song to be the album’s signature track and indicative of all that I wanted to achieve with this project.

Part iii coming soon! Hold tight 😉

(clicky) Quiet Storm (album download) (clicky)

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besot.

August 14, 2009

Apparently (according to my computer & my father, though the online dictionary says different) there is no such thing as the verb “to besot”.  You can have the adjective “besotted”, which means to be hopelessly and absolutely in love, and it originates from the old English noun “sot”, which means “drunkard” (intoxicated by alcohol, as opposed to love), and before that the French word “sot(te)” which means “foolish”.   Ultimately, it comes from the Latin “sottus”, but enough of that – you don’t come here to read a dictionary, and I didn’t create this blog to write one.  My point is, Nick & I were discussing fragrances and their names, and we came onto the subject of Katie Price’s ‘collection’.  Her perfumes are called “Stunning” and “Besotted”, and I began to ponder why perfume names seem to prefer adjectives (and of course, nouns).  “Curious”, “Spellbound”, “Pure”, “Notorious”, “Luscious Pink”, “Signature”, “Strictly Private”, “Vintage” as well as all of the colours in the rainbow are just the first ones which come to mind.  But how many perfumes go with imperatives?  I can think of “Believe” by Britney Spears, “Inspire” by Christina Aguilera, perhaps the new “Challenge” by Lacoste, and not much else. (Feel free to add others in the comments)  I like the idea of a perfume with a direct purpose manifest in its name: instead of “Stunning”, “Stun”; instead of “Besotted”, “Besot” (who cares if it exists).  It sounds more urgent, more fervent, more powerful.  I like that.

So Nick and I were making up fantasy names for fragrances (“Fascinate” was a joke idea of mine), and we also think that Britney Spears should release a male fragrance called “Womanizer” (certainly a wittier and sexier name than her forthcoming “Circus Fantasy”.  How much longer before “Fantastic Fantasy”, or even “Fantasy Fantasy” appears?).  What about “Seduce”?  “Captivate”?  I even like the sound of “Unravel”.  I think these sort of commands harness the power of the words and make them more immediate, more direct.  I suppose I am not a perfumer, nor a marketing exec, so I’m talking out of my depth.  But it sounds good to me.

As most people (I presume), I wear different perfumes depending on my mood and what essence I want to exude at a particular moment.  I don’t wear a fragrance just because it’s popular or because it’s a big seller, and I am no longer fooled (after working in fragrance for a year and a half) by which perfumes are male, female or unisex.  Gearing a perfume towards a specific demographic is a marketing tool to gain a target audience, and pretending that a perfume is gender specific is part of this marketing.  Scent is scent, it’s intangible, and if it suits you and you like it, wear it!  You’re wearing a fragrance and making it a part of who you are, whether it’s Chanel Pour Monsieur or Chanel No. 5.  You wear the fragrance, the fragrance and the name doesn’t (or shouldn’t) wear you.  I just want to briefly delve into my collection of 20-something bottles (it sounds bad to non-perfumistas; to avid fragrance addicts, it is a restrained collection) and list a couple of things I wear when I…

…am going to work.
If I’m off to work or going somewhere business-like, I don’t want something too intrusive or seductive, but something pleasant and slightly different from the norm.  After all, in a professional environment (especially when I was working in fragrance!), you don’t want to blend in and smell like everyone else, and you certainly don’t want to come off smelling cheap.  You have to make your mark and your uniqueness felt, all while not being so obvious about it that your fragrance screams for attention.  So I tend to plump for “Deseo for men” by Jennifer Lopez (because it’s a slight yet heady mix of mint, tonka bean and soft spices – and it’s also not available in the UK, so I have no fear of running into anyone else wearing it), “Guerlain Homme” because its refreshing mojito-esqueness refreshes me through the day and perks me up with daydreams of evening cocktails, and Escada’s “Sunset Heat” is perfect for after the gym, with its juicy watermelon supplying all the tart freshness I need to revitalise me after a hard workout.

…am going on a date.
I have always had luck pulling wearing “Gucci pour Homme II” for some reason, though it was a hard sell during my time working at the Perfume Shop.  It’s a sweet, sexy spicy concoction, with a prominent tea note that is hard for a lot of people to put their finger on.  It’s intriguing and unlike a lot of other fragrances out there, especially for the male market – it’s not aquatic, it’s not leathery, it’s not ultra-green pines and grasses.  Sadly, I hear that Gucci are discontinuing it, so I will have to stock up.  Otherwise, I find that I feel seductive wearing Emporio Armani’s “Diamonds For Men”, which is another sweet fragrance made up of bergamot, cocoa and cedarwood that has an artificial yet addictive spike to it (I’m aware that I use strange words to describe perfume such as “angular” and “dark”, because that is the most accurate way I can convey how a perfume makes me feel). Tom Ford’s “Black Orchid” smells expensive and intoxicating, with a dizzying mix of oriental florals, vanilla and patchouli, with a mysterious undercurrent of something both grimy and bizarrely exquisite (heady mystery = very good). And Lancome’s “Hypnôse” for men is a powdery amber than lingers closely to the skin and invites the object of my affections to come close and try to put their finger on the intangible scent I’m exuding.  They won’t be able to, but maybe they’ll end up touching me instead, and therein lies the art of seduction!

…am meeting friends for coffee / casual get-together.
If I’m just going about my day-to-day business in my free time, socialising and having fun, I want something light and carefree.  Again, I’m attracted by the sweet (though I have the kind of skin which turns everything to sweet anyway, even if it didn’t start out that way!) and although I wear what I want when I want and (despite these paragraph headings) have no hard and fast rules, I like: the strawberry citrus delight of Black XS, which attracted me with its sexy ad featuring model Will Chalker, and epitomises summer with every inhale; the giant sweet Barbie tuberose of Juicy Couture, which is supposed to be a girly perfume but I love it nonetheless because it accentuates when I am feeling carefree and fun-spirited; the orange-icing sugar delight of Ultrared Man (again by Paco Rabanne) that is just too good to be simply a summer “limited” edition (though it is widely available and therefore not really limited – another marketing ploy!); the lemon-almond light soufflé that is Dior’s “Escale à Portofino”, which sparkles on the skin and is another elegant summery delight.  I also enjoy the floral clean-ness of Prada “Infusion d’Homme” which I loved at first and found utterly intoxicating, but now has quietened down to be a resonant soapy wonder than makes me feel so fresh and so clean.

…am going to a club.
If you have ever been to a club, or in fact ever been in a confined space with other people for any length of time, you will know that a) you will sweat, and b) other people will sweat.  Therefore you need a fragrance that will really go the distance and last hours and hours, while smelling intoxicating and can pull attention towards you in the crowd.  This is the one situation where I really go all out for the “wow” factor (unless I’m in a perky/mischievous mood in the morning/daytime) and select my ultimate favourite fragrance of all, “Dior Homme”.  This fragrance is a sophisticated blend of iris, violet, patchouli and chocolate (as well as some heady alcoholic thing I can never quite put my finger on) and confidently resides in its own sophistication and element of class.  I love it, and I wear the original and the Intense, which of course amps up the scents and goes all night. 😉 It certainly does the trick!  A close runner-up is A*Men by Thierry Mugler, with its chocolate-coffee-sundae and hints of burnt rubber and blackened caramel roughing up the edges.  Spraying too much on is lethal to passers-by, but the right amount can last and last on the skin, and belies a gourmand sensuousness that has the power to satisfy hunger pangs with a single sniff.

…at home by myself in the evening.
It’s safe to say by this point that without wearing a scent, I feel naked.  All of the above fragrances are ones that I enjoy, and I’ve left plenty others out, but I’m quite a nocturnal person and on nights when I’m enjoying my own company, I want to wear something sensual and subtle.  Something that isn’t overpowering, that lingers close to my skin and that compels me to repeatedly sniff my wrists.  What comes to mind is “Deseo” by Jennifer Lopez, which is a sexy, subtle scent that has tinges of lush tropical greenery, hidden behind a layer of midnight rain.  It’s subtle, it is sexy and I feel very in touch with my emotions and my inner sensuality when I wear it.  Other sexy/sensual/ethereal fragrances that perform this same trick are Gucci “Rush” (floral musky fruit boom) and Mariah Carey’s “M” (tiare marshmallow vanilla whip).  This “trick” is exactly what I mean when I talk about making perfume a part of who you are; it is an emblem of your essence, and an olfactory summary of all that you are at that moment.

(ps. this site has been my perfumista bible and point of reference for a fair few months now: for all perfume news, reviews and articles, go to Now Smell This)

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this is lycanthropy.

July 30, 2009

Quick, watch this before someone takes it off youtube! Apparently, that happens sometimes! (they did it to my Whitney Houston video, because obviously my singing her song is going to damage her sales.)

The song has grown on me immensely, and Shakira looks flawless.  But looking at the way she dances in the video, and combining that with the ideas contained in the lyrics, it gets me thinking of the primal sexuality that we keep locked up by day and let loose at night.  When I go to a club with my friends, I tend to prefer straight clubs because a) the majority of my friends are straight, and b) I can’t stand the bitchy queeny atmosphere, the meat-market stares, nor the awful mega-cheese of Bristol gay clubs – therefore my dancing is somewhat inhibited and I tend to play it cool (R&B / hip hop kinda promotes cool nonchalance over insane all-out dancing anyways).  But nevertheless, I’ve always been a good dancer because I guess I have an innate sense of rhythm.  I always get randoms trying to dance with me in clubs, and other guys often compliment me on my dancing (which I find crazy, because for a guy to compliment another guy without knowing them or having an ulterior motive of some sort is practically unheard of).  I’ve been dancing since I was a child, but just as I learned to sing from Mariah Carey albums, I learned to dance from MTV.  The best teachers are your idols, and my recipe for success has always been study, study, study, incorporate a range of everything into your repertoire, and then just feel the music and let what comes out come out.  That’s the way I sing, and that’s the way I dance – it’s automatic, it’s instinctive, and it’s usually more powerful than a rehearsed performance.  Just as I have performed at numerous concerts singing and playing instruments, I have done a few dance displays and was the first male ever to win my high school dance competition (to Brandy’s “What About Us?”), so I guess I know what I’m talking about.  But at the same time, I could never teach anyone to sing nor to dance, because I just do what I do and feel the music and make my body talk.  I have heard accomplished instrumentalists say that they learned how to make their piano or their guitar talk (I read a quote from Bruce Springsteen in a book in HMV the other day), and that was a powerful yet simplistic explanation of how someone plays their instrument.  So I guess the best way for me to explain the way I ‘do’ music is that I make my voice or my body talk and express itself to the music.

When Shakira says that “this is lycanthropy”, I understand that she’s referring to unleashing your inner predator (in her case, the ‘she-wolf’).  I often find myself with my ipod at night dancing around, and the most intoxicating thing for me (which is the feel I’ve tried to capture on my forthcoming album) is to be outside in the dark, with the fresh air caressing your skin and nothing to distract you from the music as you stand / move around in the moonlight.  If I’m in a more contemplative mood, I’ll smoke my cigarette while gazing out over the garden just listening to the music, taking in the lyrics and sensing the feel of the music.  Music is the perfect backdrop for me (and I presume, many many people!) to rediscover their sexuality and sensuality, and get in touch with the inner person who is subdued during the hectic day-to-day.  This is why I find music so powerful.

If I am getting ready to go out, be it night or day, and I want to feel good about myself, I’ll dress up in my nicest, most flattering clothes, make sure I have a label or two, make sure my hair is fierce, my skin is tanned and glowing, and my jewellery is on point.  But I need a soundtrack to complete my attitude and back it up.  If I am thinking about someone, I’ll associate certain songs with my emotions and, if the person is lucky / significant, with them.  Music has the power to inspire so many feelings in me, and it can make me feel sexy, and bolster my confidence and go and get that guy whom I’ve been lusting after, instead of just contemplating it.  After all, we are in disguise during our daytime personas; once the moon rises, we have full licence to let our nocturnal predator out to play and attract our prey with the way we make our bodies talk.  I believe that dancing is one of the purest forms of expression, and the physicality of someone can be so powerful, so magnetic that it can attract you towards them instinctively.  So we may be humans, but we are still animalistic in our bodies, our spirits, and in the way that music can make us react.