Posts Tagged ‘range’

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Top 10 albums of 2011.

January 2, 2012

So here is my other annual end-of-year post. I have been able to whittle down my list of favourite albums that were released in 2011 into a nice list of 10, and I have written a twitter-sized (ish!) review under each one. Enjoy and share your thoughts and favourite releases of the year too! 🙂

10. Drake – Take Care

Drake releases another heartfelt hip-hop album, smoother & more cohesive than his debut. Highlights: Take Care, Marvins Room, Shot For Me

9. Rihanna – Talk That Talk (read the full-length review here)

The midpoint between Loud & Rated R. Stellar first half, average 2nd half. Highlights: You Da One, We Found Love, Cockiness (Love It) / Birthday Cake

8. Nicole Scherzinger – Killer Love

Nicole’s solo debut blends killer pop with strong ballads showcasing powerful vocals. Highlights: Poison, Killer Love, Right There, AmenJena

7. Mýa – K.I.S.S.

Mýa continues to deliver solid R&B with her latest album deservedly re-released in the USA. Highlights: K.I.S.S., Take Him Out, Mess Up My Hair, Mr. Incredible

6. Nadia Oh – Colours (read the full-length review here)

The sound of the summer! Deliriously catchy, irresistible dance-pop with tongue firmly in cheek. Highlights: Jump Out The Window, Taking Over The Dancefloor, No Bueno

5. Jay-Z & Kanye West – Watch The Throne (read the full-length review here)

The rap event of the year with production and braggadocio so confidently executed, it couldn’t fail. Highlights: Niggas In Paris, Who Gon Stop Me, Murder To Excellence

4. Natalia Kills – Perfectionist

Masterful, dark pop with powerful imagery to match its consistently hooky and interesting songs. Highlights: Wonderland, Free, Zombie, Mirrors, Broke, If I Was God

3. B.Slade – Diesel

My discovery of the year – the best male vocalist I’ve heard in a very long time, with an impressive lyrical depth and stylistic range. Highlights: B.A.S.S., I’m Done, Do U Get Down?, Dorothy Humperdink, Never Again…, Sequel

(P.S. his new album Stealth. is also excellent, but that only came out on 25th December and I don’t feel I have listened to it enough to be able to judge it – however, it likely would have earned its own place on this list!)

2. Lady Gaga – Born This Way

Lady Gaga just keeps getting better, giving everything she has – heart and soul. Highlights: Marry The Night, Born This Way, Judas, Americano, Yoü and I, The Edge Of Glory

1. Beyoncé – 4 (read the full-length review here)

Genuine soul, classic ballads and earth-shattering uptempos make for Beyoncé’s best album yet. Highlights: the whole album! (you can skip Start Over and the bonus tracks if you’re pushed for time)

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Joss Stone – LP1 (album review)

August 11, 2011

LP1 is Joss Stone’s 5th album and her third consecutive attempt to reboot her career (after the stellar Introducing… Joss Stone and the defiant Colour Me Free!). This time, Joss is free of her previous record label EMI and is on her own imprint, Stone’d. So, if she is finally truly in control, why is this album so lifeless?
The good: Joss’ voice is richer, more textured and more soulful than ever. “Last One To Know” is starkly emotional, and compliments this voice with dramatic string crescendoes. On “Landlord”, a raw number which could have been recorded alongside Bruce Springsteen’s Nebraska, Joss takes centre stage backed by nothing but an acoustic guitar.
The bad: There is little else positive to say about the album. Its major crime is that it is dull. Hook-free songs plod along with nondescript drums and guitars blending into an MOR blur. The lyrics are frequently awful: take “Newborn”‘s anticlimactic “What happened to this morning when I woke up and the world was… bruised”, or acoustic closer “Take Good Care”‘s “Take… good… care… / Don’t… push… the button.” Um, what? Joss tries to inject some life into proceedings by cussing to prove how ‘badass’ she is: “I’m a girl that don’t give a shit!” This swearing becomes tiresome, as it’s unnecessary bravado rather than genuine emotion.
If the songwriting on this album matched the quality of Joss’ voice, LP1 would be a much more satisfying affair. As it is, it’s going to take more than this inert stab at independence to revitalise her career. Perhaps Stone should consider working with a soul singer-songwriter like Jazmine Sullivan, whose vocal range and depth is similarly impressive but who has songs which thrill and impress, rather than bore. Joss is one of the UK’s best singers but this material is largely deplorable – and it’s a crying shame.