Posts Tagged ‘LeToya’

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Quiet Storm Inspirations II. (download)

August 1, 2010

As promised, here is the “sonic mood board” that inspired my album Quiet Storm (which you can download here).  Where the last “Inspirations” album was comprised of songs that inspired particular facets of songs on Quiet Storm, this one is more indicative of what music I was listening to when I was inspired to create the concept of the album: nocturnal, sexy, emotional, romantic, soft and tough, vulnerable and strong in one go. As you will see from the tracklist before, it’s an R&B compilation through and through; I’d go as far as to say that these are some of the best contemporary R&B songs over the last 15 years (interestingly, quite a few of them are early Missy Elliott / Timbaland productions… I miss those days!).  Of course, the list is not exhaustive and I had to cut down from over 50 songs to the 19 that you see here; anyway, I hope that you will enjoy downloading the album, listening to the songs and perhaps discover some artists or some songs that you didn’t know, or hadn’t heard in ages.  Download link is at the bottom underneath the tracklisting.  Enjoy!!!

1. Aaliyah – We Need A Resolution (f/ Timbaland)
2. Ginuwine – Pony
3. Mariah Carey – The Roof
4. Ryan Leslie – Addiction (f/ Cassie & Fabolous)
5. Kelly Rowland – Flashback
6. Omarion – Ice Box
7. Janet Jackson – Empty
8. Toni Braxton – Rock Me, Roll Me
9. Shola Ama – (I Don’t Know) Interlude
10. LeToya – I Need A U
11. Dru Hill – Beauty
12. Nicole Scherzinger – Whatever You Like (f/ T.I.)
13. Nicole Wray – Make It Hot (f/ Missy Elliott & Mocha)
14. Brandy – Come As You Are
15. Total – Rain
16. Mýa – For The First Time
17. R. Kelly – Feelin’ On Your Booty
18. Rihanna – Question Existing
19. Sugababes – Maya

DOWNLOAD

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valentine.

February 14, 2010

I am sat in Starbucks in Cabot Circus, working on my School Placement essay when Toby turns up.  I wave him over to come and sit with me (Sunday afternoon and this place gets rammed). We embrace, he looks good in his black cable-knit zip-up cardigan and the purple Diesel Only The Brave scarf I bought him for Valentine’s Day but then got impatient so regaled him with that and a DVD of Series 3 of the IT Crowd on Friday night.  He presents me with a card with the sweetest message inside, emblazoned with “You’re Tweet”, and a book of The Girl With The Dragon Tattoo by Stieg Larsson.  On the book, attached by a white ribbon, is a card which says “For the guy with the gun tattoo…” I am so touched, and with the sun streaming in through Starbucks and my essay goal accomplished for today, this is hands down the best Valentine’s Day ever.

I don’t know what is going to happen in the future, and we’ve only been together for 6 weeks, but this guy is something else.  He accepts my blonde moments, my vanity, and my predilection for cigarettes.  Most importantly, he’s the second man in a matter of months to be confronted by my secret and not run away, but instead embrace me and see my sincerity inside.  The issue with concealing this blog on twitter is no longer an issue, and he can read the innermost parts of me without seeming to be scared, intimidated or annoyed about it, which is a blessing because I don’t want to compromise this blog – it’s an important form of self-expression. I’m not very good at letting someone in past a certain point – I don’t actively hide anything, but I don’t actively reveal everything about me to all and sundry.  And now I know that I can tell him personal things, and I hope he knows that he can do the same.

This therefore constitutes the first Valentine’s Day that I’ve actually had a valentine, by which I mean more than just someone I’ve vaguely fancied, or to whom I’ve scribbled an anonymous note and then stressed about it the whole day.  I’m not used to feeling secure or safe in a relationship, I’m not used to having a boyfriend, I’m not used to any of this.  But after getting over the initial jitters of letting someone in, I’m really settling into my stride and it feels really good.  And I hope that it continues, maybe for a long time…  Wishing you all a very Happy Valentine’s Day – whether you’re with somebody or you’re single, the bottom line is never forget to love yourself.

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I wanted to just post a little song at the bottom, taken from LeToya Luckett’s fantastic sophomore album Lady Love, which I reviewed last year.  The song is called “Good To Me”, and although in the song LeToya is searching for that someone, I feel it’s so apt because I might have found the first person in my life whom “I could take home to my Daddy” one day.  The lyrics are so true and heartfelt, and LeToya’s vocal delivery is better on this song than on any other. If you live in the USA, hit up iTunes and support her by buying a copy of the single!  To all of you, please listen, appreciate and enjoy 🙂

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Top 20 albums of 2009.

December 25, 2009

Hello everyone, and Merry Christmas!  I have compiled (and it was startlingly easy) my top 20 albums of 2009 (if you know me, you know it’ll be an R&B female-dominated affair as usual!).  Unlike last year, when I listed 10 and did mini reviews, this time I’ve got 20 (since my shortlist came to 20 albums, I thought it would just be easier to rank 11-20, than pick out some for Honourable Mentions).  No mini-reviews, or I would be here forever, and I think my blog posts are long enough without breaking the 5000 word barrier!  So I’ve just put the best and worst tracks from each album with the album cover, and hopefully you’ll be intrigued to download my favourite songs of 2009.  And while you’re at it, you can download my own album, Quiet Storm, here too! So without further ado…

20. Utada HikaruThis Is The One (read my full review here!)

Highlights = Come Back To Me, Apple And Cinnamon, This One (Crying Like A Child), On And On

Skip = Automatic Part II, Poppin’

19. Electrik RedHow To Be A Lady Volume 1

Highlights = Muah, P Is For Power, W.F.Y., Drink In My Cup, Kill Bill

Skip = So Good, Friend Lover, On Point

18. Lady GaGaThe Fame Monster

Highlights = Bad Romance, Alejandro, Monster, Teeth

Skip = Speechless, So Happy I Could Die

17. Joss StoneColour Me Free!

Highlights = Could Have Been You, Stalemate, Girlfriend On Demand

Skip = Incredible, Parallel Lines, Governmentalist

16. Cheryl Cole3 Words

Highlights = 3 Words, Parachute, Heaven, Fight For This Love, Boy Like You

Skip = everything else!

15. Chrisette MicheleEpiphany

Highlights = Blame It On Me, Epiphany (I’m Leaving), Notebook, On My Own

Skip = What You Do, Another One, Mr. Right

14. Nicki Minaj – Beam Me Up Scotty

Highlights = I Get Crazy, Kill Da DJ, Mind On My Money, Keys Under Palm Trees, Beam Me Up Scotty

Skip = Best I Ever Had, Easy

13. MýaBeauty & The Streets Vol. 1

Highlights = About My B.I., Show Me Something, Boss, Club Go Crazy, Work It Out, Black Out

Skip = Go Hard Or Go Home, The Only One, Full Service

12. Robin ThickeSex Therapy

Highlights = Sex Therapy, Meiplé, Shakin’ It For Daddy, Elevatas, Make U Love Me

Skip = Million Dolla Baby, I Got U, Mona Lisa

11. Alicia KeysThe Element Of Freedom (read my full review here!)

Highlights = Doesn’t Mean Anything, Try Sleeping With A Broken Heart, Love Is My Disease, Distance And Time, Empire State Of Mind (Part II)

Skip = Love Is Blind, Wait Til You See My Smile, Like The Sea, This Bed

10. The-DreamLove vs Money

Highlights = My Love, Take U Home 2 My Mama, Fancy, Right Side Of My Brain

Skip = Walkin’ On The Moon, Sweat It Out, Love vs Money, Let Me See The Booty

9. Keri HilsonIn A Perfect World…

Highlights = Turnin’ Me On, Get Your Money Up, Knock You Down, Make Love, Energy, Where Did He Go

Skip = Intuition, Slow Dance, How Does it Feel

8. Black Eyed Peas The E.N.D.

Highlights = Boom Boom Pow, Rock That Body, Imma Be, Electric City, Mare

Skip = Alive, Missing You, Rockin To The Beat

7. ShakiraShe Wolf (read my full review here!)

Highlights = Did It Again, Why Wait, Men In This Town, Mon Amour

Skip = Gypsy, Spy

6. Trey SongzReady

Highlights = I Invented Sex, I Need A Girl, LOL :-), Black Roses, Yo Side Of The Bed

Skip = Jupiter Love, Does He Do It, Be Where You Are

5. AmerieIn Love & War

Highlights = Heard ‘Em All, Higher, Swag Back, Different People, Dear John

Skip = Tell Me You Love Me, Red Eye, Pretty Brown

4. LeToyaLady Love (read my full review here!)

Highlights = She Ain’t Got…, Not Anymore, Good To Me, Regret, I Need A U, Don’t Need You

Skip = Take Away Love, After Party, Tears

3. CiaraFantasy Ride (read my full review here!)

Highlights = High Price, Like A Surgeon, Never Ever, Work, Keep Dancin’ On Me, I Don’t Remember

Skip = Ciara To The Stage, Love Sex Magic, Lover’s Thing

2. RihannaRated R (read my full review here!)

Highlights = Hard, Russian Roulette (check out my single review here!), Fire Bomb, Rude Boy, G4L, The Last Song

Skip = Rockstar 101

1. Mariah CareyMemoirs Of An Imperfect Angel (read my full review here!)

Highlights = H.A.T.E.U., Ribbon, Angels Cry, I Want To Know What Love Is, Candy Bling

Skip = It’s A Wrap

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layin’ in the bed bumpin’ Jodeci…

October 6, 2009

… is exactly what I’m doing right now.  (Thankyou Mariah Carey – “The Impossible”, Memoirs of an Imperfect Angel) Wrapped up in a daydream, I took half an hour longer to do my veterinary nurse job profile for university because I kept pausing, laying my head on the bed and just dreaming and wishing about things that could never come true.  Inappropriate crushes, unlikely crushes, unrequited crushes.  Following on from my previous post where I was lamenting the fact that all the best, most mature, solid and sexiest guys are straight (and usually a few years older than me), I… am lamenting that very same thing!  So let me regroup a sec and come with a progression.

I think that possibly the most accurate thing I said was wanting someone who feels comfortable in their own skin.  Looking at B’s sudden decision to contact me last weekend, I was talking to Mike about it and he said exactly what I was thinking, “What does he want you to do about it?” And I can’t make somebody feel good about themselves, and I can’t be responsible for healing anyone’s deep-seated personal issues.  If you’re coming to me expecting me to do that for you, then I’m really sorry but I just can’t.  And I won’t – I have my own things to deal with, and I can keep myself together relatively well but I can’t give over that much of myself without my own life just falling apart.  Right now, I need somebody who’s not perfect, but who has it relatively together and can offer me as much as I’m offering them.  That’s the way it is.

I wonder if it is true that “we’re always on the lookout for the next person”.  Right now, I am more or less adamant that I want to get myself sorted and stable with this course and whatever comes afterwards (fingers crossed, a job!).  I want to get a car and I want to move out (it’s come to the point where I sort of dread coming home and whatever mood I might find my parents in – my own place is looming!).  Once I’ve sorted those things, then maybe I will consider really trying for a long-term relationship – until then, if it happens, then great, but I am honestly honestly not looking.  I am flattered if people flirt with me, and I may flirt back for fun, but I’m tired of being dicked around so I’m not looking for anything serious unless it trips over on my doorstep.  Which would be a first.

I just wish that I could have the kind of relationships I have with my friends, both guys and girls.  We can go for drinks and chat for days, we can party, we can hang around one of our places and listen to music and just mess around and be silly. It’s easy.  And I understand that relationships involve a certain amount of effort and compromise and sacrifice – but it shouldn’t feel like hard work constantly, otherwise the rewards of the relationship aren’t enough to make it worthwhile, I don’t believe.  I just want to be with somebody who wants to be with me, who has fun being with me and who makes it easy to be with them.  I mean, good looks and independence and money are all lovely, but if it’s still hard work, I guess I’m getting a little lazy (thanks LeToya).  Just be good to me (thanks again LeToya) and genuine and I’m not that hard to please.  Sometimes I like to go shopping or go out to drink or dance or whatever – I’m 23!  But sometimes just lying together listening to music or watching a film is the most intimate, wonderful thing.  Especially if you have strong arms and nice broad shoulders – I’m not usually someone who admits this (and my height and stature seem to contradict what I’m about to say), but sometimes it’s nice to feel fragile and have somebody scoop you up and make you feel safe.  Just buy some proper R&B CDs – Ginuwine, Jodeci, Usher, Mariah Carey, Dru Hill, Aaliyah are good starters – and put some nice cologne on and invite me over… nothing more, nothing less.  Let’s escape into a private daydream, just for a few hours… and you got me. 😉

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90s baby.

August 27, 2009

Okay, I confess, I was born in the 1980s.  But apart from a few songs, the majority of what I grew up with was 90s music.  As you know, Mariah Carey is a massive influence on me, and my mother bought her very first single, “Vision Of Love”, on vinyl back in 1990.  Right through “Dreamlover”, “Without You” and “Fantasy” to the  Butterfly and Rainbow albums which closed the 90s, she was an epic atom bomb dropped on my life.  But if you know me, or you’ve read certain previous entries, you already know that and I’m not going to delve into it further here.

As a preteen and young teenager bearing the combined musical influence of my mother and my school friends, I would listen to songs by the Honeyz, En Vogue, Shola Ama, Backstreet Boys, No Doubt, Solid Harmonie, Peter Andre, Blur *shudder*, Aqua *cringe*, Aaliyah, Monica, Brandy and Usher, to name but a very select few.  The magazines I read (Smash Hits, TVHits, Top Of The Pops) were aimed squarely at teenagers who were of a sunny pop disposition, and although I was much more aware of the charts then than I am now, I still felt a little bit like there had to be something more.  Beyond straightforward manufactured pop (however good a product it may be), I started to lean towards more urban music.  I discovered garage (2-step) music, R&B, rap and hip hop.  Ms. Dynamite, Shola Ama (and the remixes), Honeyz and Kele Le Roc represented British R&B to me, while the American singers such as Toni Braxton, Aaliyah, Brandy, Usher, Monica, TLC and Jennifer Lopez were an emblem of something smoother, sexier and edgier.  Janet Jackson’s Velvet Rope opened my eyes to how well an album could be constructed, seguing effortlessly between different moods, concepts and tempos.  Missy Elliott’s Da Real World smacked me upside the head with a combination of weird bassy dark production and super-explicit lyrics that I wasn’t familiar with.  Jennifer Lopez’s video for “If You Had My Love” left me with the undeniable impression that a star was born, from her ridiculous beautiful looks to her insanely polished and expressive dancing.  Brandy & Monica’s “The Boy Is Mine” ended up on my cd player before it dawned on me just how much of a classic that song was going to be.  TLC’s Fanmail sounded like the future.  Aaliyah’s One In A Million album sounded like effortless sexuality, and sounded like nothing and nobody else.

All the aforementioned artists, albums and songs still hold that exact same resonance for me.  Perhaps it’s just the fact that I was growing up and those singers played an integral part in my adolescence, but music just isn’t the same anymore.  Show me a singer as effortlessly sexy and sophisticated as Aaliyah.  Show me a group as fiercely cool as TLC.  Find me a singer with a voice, body and songwriting skills like Mariah’s.  A rapper as off the wall as Busta Rhymes, as influential as 2pac or Notorious BIG.  I mean no disrespect to all the musicians and artists in the game today, because they have a hard job living up to these stars, who to me represent the golden age of urban music.  Ciara, Beyoncé, The-Dream, Electrik Red, Robin Thicke, Pitbull, Lil’ Wayne, Black Eyed Peas all hold down the front line.  Perhaps it’s just that I’m older, but despite their best efforts, I can’t help reminiscing.

This isn’t necessarily a bad thing. Because I’ve found music in the last 3-4 years to be somewhat dry, I’ve discovered music from that golden age that passed me by the first time round.  Unbelievably, until 2 years ago, I had never listened to a Jodeci song.  Obviously I’d heard of them and their songs must have played very occasionally on the radio or tv, but I’d never really listened. Now I know where Dru Hill got their ideas from!  R. Kelly and his protégée Sparkle crafted some classic 90s R&B.  SWV and Total were some bad-ass girl groups!  Listening to the Notorious BIG’s albums and Puff Daddy’s older output allows me to see where Diddy, Lil’ Kim and Bad Boy Entertainment stand today and plot the journey and progress in between.  The joy of this has been that it is an entirely personal quest, because nobody else, in my past or present, is into the exact same music as me.  I’ve managed to convert some of my friends to some urban music, but I don’t really know anyone in person who’s into in the same depth.  The people who seem to understand most where I come from musically are on the internet, in forums and on urban music blogs.  Quite often, different posts educate me.

And that’s why I get so frustrated at the state of music today.  For one, every song seems to be a recycle of something else.  Beyoncé’s “Halo” = Leona Lewis’ “Bleeding Love” = Kelly Clarkson’s “Already Gone” = Jordin Sparks’ “Battlefield”.  Lady GaGa’s “Poker Face” = Britney Spears’ “Gimme More” = Eva Simons’ “Silly Boy” = Rihanna’s “Shut Up And Drive” + “Umbrella” = a large part of The-Dream’s subsequent output = Electrik Red.  LeToya’s “Not Anymore” = Ciara’s “Never Ever” = Monica’s “Still Standing” = Nicole Scherzinger’s “Happily Never After” = Ne-Yo’s “So Sick” = Rihanna & Ne-Yo’s “Hate That I Love You” = Ne-Yo’s “Because Of You” = Ne-Yo’s “Sexy Love” = Ne-Yo’s “Mad”.  So damn formulaic.  And as Jay-Z has finally noticed, auto-tune is everywhere.

Another thing: why does music being released right now sound like it is 20 years old?  Aaliyah’s self-titled album sounds like an edgy, modern masterclass nearly 10 years on.  TLC’s Fanmail sounds more futuristic than Keri Hilson’s In A Perfect World…despite the former being released in 1999 and the latter released in 2009.  Whitney Houston’s latest “greatest” “comeback” album I Look To You is an utter mess, because instead of a graceful attempt to keep up with the times as on My Love Is Your Love (a burnished masterpiece) and even Just Whitney (which has held up surprisingly well), she decides to go time-travelling.  The ballads fare well, with “Call You Tonight” a classy modern song, while “I Didn’t Know My Own Strength” and “I Look To You” are classic ballads which are strong, even without the power of Whitney’s old voice.  “Salute” is the best song on the album for me, because it is pure timeless R&B.  But the uptempos…. oh no.  “Million Dollar Bill” revisits old-school R&B and falls asleep, “Nothin’ But Love” presses the 90s synth button repeatedly, “Like I Never Left” should be titled “Like I Never Left The 80s”.  The major disaster is “A Song For You”, which was performed sublimely by Herbie Hancock and Christina Aguilera a couple of years ago.  Here, the first half of the song is typically piano led, but Whitney seems to jump through the hoops a little bit.  No matter, it’s not a problem compared to what happens at 1:30.  Hex Hector and Peter Rauhofer must have cried a river when they heard this tepid 90s-dance mess. I listened to this and had to skip to the next track, because Whitney was done a pure disservice with this song.  Words fail me…

Whitney Houston is not the only victim of this dated-modern fad… even on Trey Songz’ fantastic third album Ready, the melodically lovely “Love Lost” boasts a musical backing that sounds like it was created in 1987.  And Monica’s latest leaked song “Betcha She Don’t Love You” sounds like Missy Elliott vomited up an old record and told Monica to sing over it.  (Aaliyah would never have stood for it, I’m sure.) I have no problem with being inspired by the past and appreciating heritage and history.  You can honour the classics in a tasteful way. But when it seems that it’s so difficult for artists to be forward thinking that they recycle old songs and pass them off as ‘new’ or ‘retro-cool’ when in reality they are just lazy, that really pisses me off and makes me rifle through my older CDs, listening to music that is forward thinking, doesn’t sound at all dated, but is timeless.  There’s a big difference between the two that a lot of today’s music industry (both A&R honchos and artists alike) would do very well to learn.

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i, love

August 25, 2009

I love… Trey Songz’ new album.  You already know that I am feeling LeToya’s Lady Love (read the review here), and you can add Trey Songz’ Ready to that list.  A step up from his previous Trey Day (which in turn was a step up from his debut), there are plenty of standout tracks such as the single “I Need A Girl”, the urgent “Black Roses”, the epic closer “Yo Side Of The Bed” (which really reminds me of Prince’s “Purple Rain” at the beginning and in certain places where the guitar kicks in) and the ridiculously silly and yet chirpily addictive “LOL 🙂 “.  I guess I am a slave to Soulja Boy – it is my ringtone already.  Listen to it and enchant yourself… (maybe that is the wrong word but you’ll see what I mean!)  But it’s a really impressive, solid album, with great vocals from Trey, nice production throughout.  Dude is the new R. Kelly, for sure.

I don’t love… being fooled.  By now I should know better, I really really should.  Basically, I was on the dating site and I noticed that R was online.  So I clicked on him out of curiosity, and his profile basically said “In Birmingham on the 25th, at such and such hotel, looking for a horny 18-25 yo guy for fun times.”  I was like “OKAAAAY… so do you have a boyfriend or not?  And if so, where the fuck is he?” (Certainly not in Birmingham.)  Either R is a liar or he is a cheat, and yet for a week I was spinning out thinking how wonderful he was.  Maybe I’m more naïve than I thought.  Maybe his profile got hacked… but that’s really unlikely, and I’m not that naïve.  So I was inspired to write a song called “Delete U”, which I finished the rough edit of today.  Needs a little polishing, but I took that feeling of disappointment and was spurred into creativity, so it can’t be all bad.  And I certainly don’t pine for him anymore, though in honesty I haven’t pined for him for a couple of weeks now.  It’s just surprising when you think you connect with somebody and then you find out that they are a whole other person.  Not good for my judgment of character. :S

I love… the new Prada L’eau Ambrée.  I came across it in Debenhams today (during a reasonably successful shopping trip, which involved worshipping at the altars of Britney Spears and Zara), smelled it and felt love.  Love for the utterly sophisticated black and gold bottle.  Love for the sexy blonde model in the ad copy.  And most of all, love for the soft amber-floral-cream fragrance.  I am going to return to Debenhams tomorrow for another smell.  All the while repeating to myself “I must not buy it, I must not buy it, I must not buy it…”

I don’t love… wishing I were constantly somewhere else.  I said in my previous post that I had travelled to various exotic locations in my dreams, but I really wish that I could just run away to Milan, to Marbella, to Brazil, to Hawaii, to New York… and start a new life.  I have goals that I want to achieve while I’m here in Bristol, such as: getting my Careers Guidance qualification, getting my driving licence, moving out, getting a sixpack, getting a hot boyfriend, dressing head-to-toe in Gucci.  But some of these are more likely than others, and I hope that by the age of 30 I will be set up in one of these countries.  I don’t know why, but I have never felt at home in England.  I don’t feel the slightest twinge of patriotism (though I do love my city, Bristol), and my brain tells me that land is land, and a home is what you make it, so I should be able to live anywhere because it’s all the same.  But my emotions and heart cry out for the various places I have listed (most of which I haven’t even visited!) because I can imagine being happy there, or finding certain elements which would fit me a lot more than the awkwardness that Bristol sometimes forces upon me.  Here, I have lots of friends and I know where and how to enjoy myself, but I don’t really fit into or click into a niche, and I would like to find a place where I can do that.  Just maybe.

I love… feeling loved.  My grandmother is off to Italy on Thursday, and even though she really upset me last week with some insensitive comments, this week it’s water under the bridge.  I’m really going to miss her for the 3 weeks that she is away!  My mother and I have been getting on really well lately, and I don’t feel closer to anyone than her, even though there are a lot of things that I don’t wish to tell her at times.  My closest friends are either living in other cities, travelling about the country / continent, or preparing for new faraway opportunities, but yet I am glad for each of them and hold them dear to me.  And even if it’s just in my dreams, the sweet kisses and loving embraces of Thore Schölermann / Rafael Verga / random indie DVD cashiers keep me warm and make me feel like maybe that could one day happen in reality, just like a fairytale. A really, really sexy fairytale. Who knows… we live in reality, but it doesn’t mean that dreams don’t come true.  If it’s rare, it means that it happens, and hopefully it’ll happen to me.  As always, when it does, you’re gonna be some of the first to know!  Thankyou for reading once again, take it easy 🙂

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lady love. (LeToya album review)

August 22, 2009

On August 25th, LeToya will release her second solo album, Lady Love.  The disc is a ballad-centric compilation that stays true to LeToya’s traditional R&B-ballad signature style as evidenced on her self-titled first album, while displaying growth both musically and (in particular) vocally.  Although the few uptempos on the record (“She Ain’t Got…”, “Take Away Love”, “After Party”, “Love Rollercoaster”) lack the Houston chopped/screwed dirty hip hop flavour of the club songs on her debut, they veer more towards a poppier, guitar-fused sound.  The bonus track “Swagger” is a nod to her previous uptempos, featuring Bun B, Killa Kyleon & ex Slim Thug, and while LeToya isn’t on the song enough for it to warrant being a proper track on the album (thus making sense why it’s relegated to ‘bonus’ status), it is a nice throwback to bangers such as “Gangsta Grillz” and “Tear Da Club Up” that were highlights on her first disc.  Of Lady Love’s upbeat tracks, single “She Ain’t Got…” is the standout, a gutsy declaration to a cheating boyfriend that ain’t nobody better than Toya.  The electric guitar adds extra fuel to her fiery performance, and the hooks of “Swing batter batter batter” + “She ain’t got shit on me” are addictive.  This may be the most poppy LeToya has ever gone, but it’s still got an added punch and bite that most pop tracks lack.

But as stated at the beginning of the review, the album focuses mainly on ballads, and there is a wealth of stellar-quality material here.  From the airy vocals of the title track that opens the album (although I can’t help thinking of this track as an extended intro to the album, so blown away is it by “She Ain’t Got…” that immediately follows) to “Lazy”, which appears to remake Rihanna’s “Rehab” with better lyrics and far better vocals, where LeToya sings that “her heart’s a little lazy” after so much drama with love and relationships (I can relate!).  The vocals on this disc are far improved not only from her debut, but seem to position LeToya as a rising powerhouse (something which is quite surprising, since she never sang lead in Destiny’s Child and the kind of vocal prowess she displays on the album has barely been hinted at before).  One thing is for sure, when Beyoncé stated in the Destiny’s Child interview that “LeToya was more or less tone deaf, she was more of a rapper than anything”, she was fucking lying.  I’m sorry, but if LeToya is a rapper, she is the best-singing rapper to walk this earth (no disrespect to Lauryn Hill).  Listening to the standout “Good To Me”, where LeToya lists her reasonable desires in a partner and pleads that she is tired of being disappointed, the vocals explode throughout the song, with sustained notes and riffs both sounding impressive.

As well as competent belting, LeToya also takes risks with her voice.  On the sensual “I Need A U”, LeToya spends most of the song in an airy whisper, which compliments the slow-as-molasses beat and sexy lyrics to create a perfectly seductive listen.  Nevertheless, the best tracks are those which show that LeToya knows her strengths.  First single “Not Anymore”, while a straightforward radio ballad, is addictive and raises up the listener as LeToya repeats “I don’t want it anymore… I know my worth and you can keep that drama”.  The audience is exhorted to just sing along and feel empowered as LeToya kicks her boyfriend to the kerb, and even the rote production (a collaboration with Bei Maejor & Ne-Yo, that echoes his own style) serves the song well.  And album closer “Don’t Need You” is a laid-back closer with a beatbox element in the production.  It is another sing-along affair, where LeToya discovers that she is better off on her own.  Happiness doesn’t mean that you need another to be with you all the time.

“Over”, “Matter” and “Regret” (a sexy, laid back track that rewrites Kelly Rowland’s “Ghetto” and improves it tenfold, with a melody and hook that is actually memorable) all represent strong ballads that repeat the same theme, of the wronged girlfriend realising that she is the better one.  The fact that nearly all of the songs on this album cover the same theme does get a tiny bit monotonous, although songs like “I Need A U” and “Love Rollercoaster” are a refreshing change in that they are optimistic.  Generally though, this album is the perfect listen for after a breakup, and it’s practically impossible to imagine that LeToya didn’t write this album in response to her failed relationship with Slim Thug.  All that I can say is that, without wishing more relationship drama on LeToya, she clearly creates her best material when she’s unhappy with love… This album is clearly one of the albums of the year, since it doesn’t try to be dance of any other genre to get more radio play… it is solid R&B, with no weak tracks and stellar vocals.  Even if the themes aren’t too varied, it makes the album cohesive and one that you can listen to from beginning to end without skipping.  The ballads have enough variety in the production not to sound alike, and the hooks are memorable and get stuck in your head after only a couple of listens.  In 2009, music has become so disappointingly bland, false and heartless that every good album is a highlight that we really have to cherish.  I recommend that we all cherish LeToya’s Lady Love, because not enough artists nowadays are making music this strong and consistent.  A fantastic sophomore album.