Posts Tagged ‘instrumental’

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2526: track by track

November 26, 2012

As stated in my previous post, my latest album 2526 is a loose diary of the last 2 years of my life, and focuses on love, and a range of facets of that emotion. I’m now going to take you through each track and tell you a little bit more about them all.

1. My Way / Sincerity

As one might surmise, these were originally two separate songs. “My Way” was a response to the burdens of parental love and pressure from those around you who know you best and suffocate you in their desire for you to achieve the best – at the same time as you love them for wanting the best for you, you can’t help but know that ultimately you’ll end up disappointing them. Try as I might, I could write a bridge for this song, and it was unfinished for ages. “Sincerity” came from wanting to write a song called “Sincerity”, and wanting to use the classic, hard-hitting beat from the remix to “It’s All About The Benjamins”; there seemed to be a real contrast between hard and soft.  But I couldn’t write a bridge for this song either, and it went unfinished for ages as well. One day, it dawned on me to just put the two together – the subject matter of the songs went well together, and while the overall tone of the songs is one of defiance and determination, there is also love and vulnerability. And most importantly, no bitterness.

2. Distance

This is one of my two favourite songs on the album. I was heavily into the song “I Miss You” by Beyoncé (from her masterpiece 4), and the night that I received the instrumental from Citizens of the World, I had been looking forward to Toby coming down to Bristol for the weekend (this was before I had moved to London) – we hadn’t seen each other for a while and I really missed him. Except that same night, he had called me to say that he probably wouldn’t be able to make it (in the end, he did). I was feeling melancholy and yet selfish as well, and the lyrics and melody to this song subsequently came in about 15 minutes. The lyrics so vividly capture the emotions I was feeling, and the vocal delivery is something that is supposed to be downbeat and yet sincere and heartfelt. The production is perfect. I am so grateful to have recorded this song.

3. Delete U

This song was written not long after Quiet Storm was done, and the piano intro is supposed to be reminiscent of Prince / The-Dream. I remember breaking up with one of my previous dalliances and just removing all trace of him from my life. It was intriguing that rather than tangible memories, we store a lot of initial information about friends and relationships digitally and so it’s all about “pressing delete” rather than throwing things in the trash. The use of terms such as “Facebook” and “Twitter” automatically date this song (probably to its detriment, although I personally don’t think it rings as unnaturally as the lyrics about getting off the Macbook and Facebook from Brandy and Monica’s otherwise-very-good “It All Belongs To Me”), but when I’ve dated my entire album through its title, it doesn’t really matter!

4. Important

I am well aware that this song sounds really similar to “Broken-Hearted Girl” by Beyoncé, but it’s not a bad song to use as a template and I really wanted the piano and drums to be straightforward – the vocals and lyrics are supposed to occupy centre stage in this song. I wanted to talk in an honest way about how it feels when you don’t know what is going on in a relationship, and whether your priorities and feelings really mesh with those of your partner’s. Are you on the same page? I left the song open-ended – we don’t know if the couple in the song stay together or break up, because although I personally tend towards the latter, the whole point is that life and love is not clear cut and the things we think we should do, we don’t always do.  Love is complicated.

5. Unforgettable

This song is a remix of / my spin on Drake’s “Unforgettable” from his first album Thank Me Later, and I loved the melancholy production. The chorus of my track I guess is a bit more reminiscent of the Nat King Cole classic; I wanted to have a rap song on my album, like “Armani Earrings” on Quiet Storm, but less incendiary and more vulnerable. The sample of Aaliyah just made Drake’s song so perfect. Mike has played such a big part in the last 3 years of my life that I didn’t know how to feel about it when he moved out of Bristol. Even though we worked together, it felt like we were drifting apart and I was sad about it. I wrote this song to encapsulate all of my emotions about the relationship with one of my best friends developing and evolving. Ultimately, I ended up moving a lot further away! I have grown up so much over the last 3 years, and I wanted to pay tribute to someone who had a considerable role to play in the man I am today. Friendship is love too, after all.

6. Phoenix Rising

This song evokes love as empowerment. This was the first track from Citizens of the World that I wrote to, and I had Nicole Scherzinger’s Killer Love album on repeat at the time, hence the namecheck in the first line. The production was ethereal, and I wanted a melody that really soared on the wings of the track. It was a challenging vocal to sing – particularly the end note! – but recording this track was really enjoyable because I got to do different and interesting things with my voice.

7. U Gotta Go

This song was much more fun and more upbeat – when I received the instrumental, it sounded so happy and pop! I immediately thought of “I Wanna Go” by Britney Spears – but I didn’t want to do something completely featherweight, so I flipped the song to make it a breakup anthem with some sassy lyrics about dumping a car in a lake that I cribbed from Tamia’s “Go” (aside: she is such a ridiculously talented singer!). I also wanted to make a poppy track that had some good vocal riffs in it – so I did that.

8. Sabo

This is my other favourite song on the album, because it is very personal and meaningful. Obviously, it’s addressed to Toby and it’s about him and us. I am so deeply, romantically and truly in love with him. He bought me a ring from Thomas Sabo for our 6-month anniversary, and I still wear it every day – I love it (black and silver are my favourite fashion colours, after all!) and I am so proud of it. I wanted to write a piano ballad the old fashioned way – chords and lyrics on top, no digital production – so that’s me playing the piano (the microphone isn’t great for recording the piano, so that’s why it sounds a bit honky-tonk). I was also in love with Beyonce’s “1+1” so I wanted to have some powerful vocals in the bridge, that really pulled out the soul that I wanted to express. The song turned out exactly how I wanted it to (honky-tonk aside), and I always knew it would be the end song / finale to my album.

Once again, I hope you enjoy the album!

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phoenix rising (new song!).

May 18, 2011

My good friend Koodzi (as well as his twitter, visit his blog here!) is an amazing singer/songwriter who found me on Soundcloud – he is also part of Citizens of the World, a dope songwriting team who are currently running a 30 Song Challenge on their website. They create instrumentals (including the beautiful instrumental which inspired the above song, “Phoenix Rising”) and then the members of Citizens of the World (and anyone else who wants to join in!) craft songs to the instrumentals. There will be 30 instrumentals in total, hence “30 Song Challenge”. Koodzi invited me to take part, and so this is the song I made out of the 3rd instrumental. I am hoping to do more songs with the future instrumentals that comprise the challenge – it is so good to stimulate one’s creativity in this way! So I hope you like “Phoenix Rising”, I hope you enjoy seeing what Koodzi and co. have to offer and listening to their compositions, and I think that this is really getting my creative juices flowing – nearly 5 of my own songs complete for my forthcoming album! It’s coming y’all… 🙂

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about high fashion.

October 1, 2009

Just a quick track-by-track run-through of all the songs on my High Fashion mixtape!  I hope you enjoy it and this fleshes out the stories behind the music for you all 🙂

High Fashion

The photos for this mixtape were actually the last thing to get done! I had a lot of ideas for it, but basically it involved playing dressup and taking lots of fun fun pictures of me pouting in designer accessories and too much lip balm and radiating attitude! Trust me, some of the pictures were horrendous, but I was pleased that I got some decent ones that I chose to use.  In contrast to the Quiet Storm artwork, which incorporates a lot of dark blues, purples and blacks with white type and layered translucent textures (evocative of the intimate, nocturnal atmosphere embodied by the album), the artwork for the mixtape is very bright, very immediate (no gloss or photoshopping!) and very tongue in cheek – I do not dress that ostentatiously in real life!!!  But it was a lot of fun 🙂

Official Boy

This song was recorded a year ago – obviously, it’s a cover of Cassie’s song “Official Girl”… I seem to be the only one who loved that song!  I was obsessed with that song at the time because I could relate – I was semi-dating somebody but didn’t know where I stood. (It turned out to be nowhere.)  So I got the instrumental and decided to rerecord my version – in the process, I learned a lot about creating vocal layers and harmonies and counter-melodies, and I appreciated how densely the original song is constructed.  I also wrote my own rap, which was really fun.  I really liked Cassie’s latest material, as I did a cover of this song and “Touch Me” samples another Cassie song, “Nobody But You”.

Touch Me (see post!)

Hook Boy (Remix)

This song uses the instrumental of Day26’s “Imma Put It On Her”, continuing the love for Bad Boy artists.  I have always been impressed by Diddy’s production skills and most of the Bad Boy tracks that have come out over the last 12 years have had really solid music and production.  It’s a remix of the song “Hook Boy” on Quiet Storm, and so I changed up the melody and some of the lyrics somewhat, but the basic skeleton of the song remains the same, though this remix has a more celebratory, uptempo feel to it, relishing being in the club and being with the one you love.

Get Me Home (Interlude)

I liked the harmonies on this one, but I have an interlude called “Focused” on the album where I did a superior job of a similar type of harmony, so I removed this track from the album and kept it for the mixtape.

Jump Off (Part I) (Snippet)

The original version of a song which is on the album (appropriately called “Jump Off (Part II)”), this is a very straight-up R&B ballad, no frills.  The lyrics have been kept more or less identical between the two songs, but Part II has a much more R&B, nocturnal feel which I fell in love with and which suited the feel of the album as a whole much more.  I might finish this version eventually, because I think it has potential, but I kinda left it by the wayside in favour of Part II, which is one of my favourite tracks on Quiet Storm, and very lyrically honest.

Don’t Look Now (Game Over)

This song was written after I was seeing somebody who just suddenly disappeared with the excuse that “I need space”… BULLSHIT mayne!!!   I decided to channel my irritation positively, and this record was a cutting, dance-type response to that whole situation.  I like the lyrics in it, which pay a nod to “Bad Girl” and “Pretty Boy” by the now sadly defunct Danity Kane, as well as Beyoncé’s “Irreplaceable”.  My favourite lyric is “dangerous and brokenhearted”, and I briefly considered that as an album title.  I love the ring of it, but ultimately there is something about the song that meant it couldn’t hang with the rest of the tracks that made the album, so ultimately it got relegated to the mixtape!

Pronunciation (Interlude)

This was just a big big laugh… it sets the scene for the next song, “Armani Earrings”, which is a track on Quiet Storm that I just had so much fun writing, as it really epitomises swagger!  The idea came from the “learn Italian” tapes they play in the bathrooms at Frankie & Benny’s restaurants, and working in The Perfume Shop and getting irritated at how many designers names got mangled by customers on a regular basis.  So this interlude is a play on all of those things, as well as a lead-in to the next track.

Armani Earrings

… you’re gonna have to wait for the story behind this one!!!  Just enjoy it for now 🙂

Can’t Play A Playa

Originally I was so excited about this track, with the military gunshot-style intro and the catchy hook… but somewhere along the line, although I tried out a lot of different ideas such as having a rap in the middle of the song instead of at the bridge, and multiple hooks and stuff, I felt it lost the sparkle and drive I was aiming for the song to have, so I didn’t feel it was strong enough to make the album.  I like the song, but I just couldn’t execute it the way I wanted to so I kept it back for the mixtape.

Wild Heart

During my time at Oxford uni, I became friends online with a guy who got into trying to write and produce his own songs.  He sent me this track that he’d written and produced (the production is a slightly different style to anything I’ve done, though the song itself I like), and asked me to resing it.  I went a bit crazy with it, attacking it with different melodies and ad-libs, and when I sent it back he was like “WOW you have CHANGED it!!!” I really liked the way it turned out, but I think he was somewhat taken aback… I never really considered this song for the album, especially as my only input into it was changing some of the melodies, harmonies and structuring, but I like it nonetheless so I thought that there was no harm in putting it on High Fashion.

Role Model

The first element of this song that I had was the bassline, and then I just started adding lyrics to it.  I remember half of it was written in my head on a car journey with my parents, and the minute we got back in the door I rushed upstairs and spent an hour creating the song.  I like the sung chorus element, because it really expressed how I don’t feel that I fit easily into many categories that people try to pigeon-hole me into.  In terms of the music I listen to, my educational background and my sexuality (among other things), I don’t really feel that what is widely portrayed in the cinema really represents me, and I wanted to put across the fact that just because there is a stereotype for these things doesn’t mean that everybody necessarily fits them.  Although it’s not my finest hour rapping (and I like to think that the rhymes on “Armani Earrings” demonstrate how much I’ve improved), the lyrical subject matter is very true and I am positive I am not the only young person who feels misrepresented.  You have to be who you are, for the sake of who you are.

Broke WIthout Remedy

I was listening to Erykah Badu’s most recent album New Amerykah and wanted to do a song which was a bit more unstructured and organic sounding, so I hit up Garageband and started playing with samples. This is the result! I was near the end of my university degree at Oxford, and I was kinda frustrated because I didn’t know where I was going next and I was in a lot of debt and I was just like “what happened? I thought this degree would solve all my problems and it’s just left me with more!”  With my new uni course and being so happy and that being beyond me, the perspective I now have of Oxford is perhaps more balanced and I can appreciate the quality of degree and the good friends that I got from there, but at the time of writing / singing the song, I was feeling quite down.  Towards the end, my voice cracks and I kept it in as evidence of too much cigarettes + emotional despair = raw vocals!

I Want To Know What Love Is (see post!)

High Fashion (Acapella) (Outro)

Another little acapella taster of the “High Fashion” track on my album.  The Intro uses some of the backing music, and the outro uses the first verse and chorus of the song.  Although I’m not 100% happy about ending the album with 2 acapellas in a row, I definitely thought that these last two songs both deserved to be on the mixtape and both fit at the end.

So there you are!  Once again, you can download the mixtape HERE and I really hope you enjoy it! 🙂