Posts Tagged ‘impeccable’

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run(a)way.

June 9, 2010

Monday night, after one more argument with my mother over the dinner table where I should really know better than to voice an opinion contrary to that of my parents’, even if that opinion is backed up by fact and knowledge from my university studies rather than jaded cynicism and hearsay, I decided it was all too much and left home for 2 days.  My father was ambivalent during the whole row, my mother decided I had a “problem” with her and refused to listen to her (despite the fact I expressed my opinions in a calm manner, balancing positives with negatives; these opinions were talked over or dismissed at each turn); that I had suddenly “flipped out” despite the fact that she, not I, was the one raising their voice; that how could my feelings be hurt by her, if she’d had her feelings hurt by me? As if only one person can feel wounded by another at any one time.  I said that over the course of the year, I had learned that the only time I ever argued or was in a toxic atmosphere was at home with my parents, that I have the ability to make friends time and again and therefore there can’t be anything wrong with me, that I would no longer let my parents make me feel ugly.  I left to give myself some space, and I am more than grateful to Toby and Mike for providing me refuge, and to all of my friends for understanding and for saying that I was right, and not crazy.

People say that “friends are the family you can choose”. Others say that “blood is thicker than water”.  It is true that I will never not love my family: my mother and I were inseparable during my early years and we got each other through the dictatorship, misery and abuse (verbal, mental, very rarely physical) my father wreaked on our lives.  I won’t forget that.  Neither do I hate my father, although he doesn’t love me: he’s never known how to be a father, but at the age of 16 I finally realised that hating him still meant that he had some power over me.  I saw him weakened after one too many accidents on his bicycle – watching my father crippled, being wheeled in a wheelchair, having to help him go to the toilet in hospital made me realise that his power was all an illusion, and that if I didn’t submit to his subjugation, there was little he could do to truly hurt me.  Since those epiphanies, I’ve been able to forgive him for my childhood, and at times I know that his lack of attachment to me makes him almost an objective source, and occasionally a better source of advice or confidant than my fiercely feisty but heavily biased mother (if I have issues and neuroses, I most certainly learned them from her).  He’s not a bad person and I don’t think he ever meant to be, he’s just imperfect.  My mother is imperfect too, and just as I rebelled against my father, I’m now fighting a battle to establish myself as an intelligent human being against and apart from my mother, who unwittingly (unlike my father’s deliberate past sabotage) threatens my intellect and independence fairly often.  Her timing is off however: I’m 24 and after university not once but twice, and a gradually-formed but steadfast collection of true friends, I’m stronger than ever.  So I won’t take shit from either of them. I don’t need to.

I came home this afternoon with some trepidation: as much as I am strong now, I’m not invincible, and if I had been kicked out I don’t know how I would afford to live elsewhere until my job at Cirencester kicked in (my first salary payment won’t come through until mid-September, and my bursary won’t keep me going until then, especially if I’m juggling rent with driving lessons and tests, which are indispensable at this point).  Financially, I just can’t afford to be out of this house; emotionally, if they said goodbye, I’d walk out and never come back because my pride would not let me do otherwise.  I’d be shooting myself in the foot, but I’d do it with resilience in my eye.  However, I’d rather not have to shoot myself in the foot 😉 My mother is giving me the silent treatment: even though I don’t think I was in the wrong, before leaving on Monday night I apologised for “getting heated”. My mother did not, does not apologise unless hell has frozen over or unless she’s actually not done anything wrong.  My father is pretending like nothing ever happened, and is playing piggy in the middle of our fury; because there are 3 of us in our family, one of us is usually stuck in the middle / left outside alone (delete as appropriate) while the other two bait and infuriate.  Usually, I’m the third wheel to my parents’ storms.  So I can understand my father feeling relieved that he’s off the hook for a little while.  My stubbornness, identical to my mother’s (I won’t lie: we have a lot of similarities and I have had to reprogramme myself to eliminate some of her neuroses and pessimism ingrained in my psyche at a young age – they’re not all gone yet), means that our arctic silence will persist at least a week or two.  I don’t want this, I don’t want to be locked in war, and yet as a child I always surrendered to the silent treatment.  Not only am I not in the wrong, but I have apologised for my foibles in the argument.  I have nothing else to say: my mother evidently feels she is impeccable.  So what else is there to say or do, other than go on and wait for everything to subside?

Once everything is financially stabilised, I will be gone from here.  It’ll take only a few months I believe: my life is slotting into place and in my mid-20s, it’s been long overdue for me to be out of home.  Returning from my undergraduate degree, it was really difficult getting used to living under my parents again; over the past year when I’ve been going to UWE, their relationship seems to have destabilised to the point that I prefer to be alone or out than endure the atmosphere.  Perhaps it’s partly just natural for me, as an adult, to want my own independence too.  It is within reach now, I just have to bide my time a little longer and keep looking to the sky. Hopefully, when I achieve my goals, with some perspective and space my parents will be happy for me.  And if not, then that’s okay too, because I will be happy for myself and I have enough people who care about me that I feel healthy.  I can do this 🙂

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Toni Braxton – Pulse. (album review)

May 7, 2010

The first album from Toni Braxton in 5 years comes following an abbreviated residency at Las Vegas, yet more record label disputes, health scares, a neat run on Dancing With The Stars and a separation from long-term partner Keri Lewis.  So one would assume that she has a lot of life material to draw on, material that might be evident in the singer’s new album.  Well, yes and no: Toni Braxton has stuck to her strengths, which are soulful R&B ballads expertly sung.  The lyrical content of these tracks betrays barely a whisker of what the singer has been through in the past 5 years, and to look at the singer she stands stately, sophisticated and stunningly beautiful for a woman of 40 years old.  Indeed, she still has that same sexy body she had 15 years ago, although now it is dressed with a more chic, age-appropriate veneer that effortlessly walks that tightrope between sexy and classy.  Nevertheless, Braxton’s creamy, rich alto has a slight bit more depth to it now; to paraphrase from her interview in Metro this week, she has the ability to channel her experiences (be they joyful or sad) into the texture of her voice, and this is what makes Braxton one of the most enduring and valuable singers to emerge in the last 20 years: you feel her when she sings.  On Pulse this is evident throughout, particularly when her voice is reduced to a low, husky whisper such as at the beginning of “Woman”, a cover of Delta Goodrem’s track from 2007’s Delta that improves on the original because Toni Braxton’s voice brings more depth to the lyrics (although Delta Goodrem’s own version was solid in itself, perhaps making this achievement all the more impressive), and the production ranges from subtle to soaring while never overtaking Braxton’s performance.

After more leaks than Ciara’s Fantasy Ride, it would be unacceptable for Pulse to be anything less than solid, considering the 25+ tracks we’ve heard from Toni Braxton’s recording sessions for the project.  For the most part, Braxton has chosen the strongest songs for the project, although bonus tracks “Rewind” and “Stay” add little value to the album and could have been replaced with successful “Ice Box” soundalike “Clockwork” and particularly “It’s You”.  These are just little personal gripes however, and don’t affect the fact that Braxton sings each of the 11 tracks on her album with impeccable aplomb; her voice cannot be faltered, whether she’s emitting attitude on the sassy “Make My Heart” (which again improves upon Blaque’s / Mis-Teeq’s “Can’t Get It Back”, being based on the same sample) or evoking vulnerability on standout closing track “Why Won’t You Love Me”.  It is surprising that this is the only track on Pulse that gives Toni a significant songwriting credit (“Yesterday” does credit her, but only along with 4 other contributors) considering her credits on The Heat and More Than A Woman; those two albums, while not perfect, were both cohesive and consistent – they felt like albums, not just a collection of songs.

And this is where my only main gripe with Pulse comes in.  Indeed, the album contains some beautiful songs – my personal favourites are first single “Yesterday” (although it sounds like Beyoncé’s “Halo”, it is strong and sincere enough to stand on its own two feet – unlike the version with Trey Songz, which suffers from a change in production that is at once overdone and bland), the aforementioned “Make My Heart” and “Why Won’t You Love Me”, “Wardrobe” with its clever man-as-outfit metaphor that somehow avoids sounding cheesy or forced.  “Lookin’ At Me” is a welcome uptempo that bumps convincingly and brings the sass out of Toni, and perhaps in the closing stretch of the album which is ballad-heavy, another uptempo of this nature might have livened things up.  Finally, “Hands Tied” is an utterly beautiful song in lyrics, production and vocals, and has an outstanding video to match – Toni Braxton dances in front of a troupe of attractive men, stands in an eye-catching black dress in front of an ornately carved table that I would quite like in my house, and locks eyes with the camera, singing and dancing and yet conveying the determination for love inherent in the song’s lyrics.

As I said before, there are no weak tracks, and perhaps my opinion is swayed by the sheer amount of material I’ve heard from the project – unlike classic albums Secrets, The Heat and More Than A Woman, the album feels merely like a collection of lovely songs than like an album.  Previous album Libra suffered from this same problem, although Pulse has more of an identity, hewing close to soulful ballads and eschewing popular production tricks; unlike a couple of Libra‘s tracks, this album won’t sound dated, to its credit. But something intangible makes some albums more than the sum of their parts, and Pulse just doesn’t have that je ne sais quoi.  In comparison with Monica’s recent Still Standing (check my review here!), both albums are a welcome embodiment of “real” R&B, both are classy efforts that dispense with unnecessary featured artists and emphasise the singers’ strengths.  Neither album possesses any repellent tracks, and all the material is beautifully sung.  But if I had to choose between them, Monica’s would win out because something about it feels more sincere, more cohesive; something connects with the listener more.  I feel bad that I can’t quite put my finger on what that “something” is, but it means that while Pulse is certainly solid and worth purchasing, as a whole it isn’t  exceptional.  Nevertheless, some of its songs are exceptional, and it is wonderful to hear a singer relying on her vocal ability and strong songwriting rather than gimmicks or collaborations with flavour-of-the-month artists.