Posts Tagged ‘identity’

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last Christmas.

December 15, 2012

I remember when I started this blog that I would write quite lengthy, detailed posts about my personal life and about all of my feelings and experiences. This blog has been around for over 3 years and during that time my life has transformed in a lot of ways: I did a postgrad, started working in jobs I actually wanted, learned to drive and bought a car, entered a long-term relationship, moved to London and supported myself, moved in with my boyfriend… I made the decision not to talk about my relationship in too much detail because I feel that my private life is just for me and for Toby – but he informs everything I do now and is such a big part of me that every post on here, more or less, is influenced by him or concerns him to some degree.

Although I am certainly more mature and guarded about what I choose to post on the internet, sometimes I miss the honesty and openness with which I used to post. Sometimes, when I have dilemmas in my life, I find myself typing my question into Google in search of some advice. And sometimes I find some decent food for thought, whereas other times there’s just nothing sensible or nothing that quite touches the nature of what I am going through. But on those occasions where I do find something that can help me, through offering a kindred voice or shedding an alternative perspective on a situation, it’s really valuable. And so I have decided that in this post, I am going to be honest and talk about what is on my mind, in the hope that one day someone else might find my post and it might help them to know that they are not alone.

Yesterday I was speaking to my mother on the phone and apropos of nothing, she asked me that when I am in Bristol for Christmas, that I don’t voluntarily reveal the fact that I am gay and in a healthy, happy long-term relationship with my partner. The reason for this is that my uncle and aunt are coming up from Melbourne for the holiday to visit my grandmother. My cousin (my uncle and aunt’s daughter) has been living in Bristol with my grandmother for the past six months, and during this time she has demonstrated that she has grown up a lot from the irksome child and teenager that she was when I had previously met her. And yet the other day, my mother was having a conversation with her and my grandmother, and my cousin asks “how is Alan getting on with his flatmate?” Toby is my boyfriend, my lover, my partner with whom I share a flat – but he is so much more than my “flatmate” that I paused a little bit – because surely this is obvious, and my cousin (whose recent displays of emotional intelligence lead me to believe that she would have caught onto this) must know that Toby is my boyfriend. My mum then told me that my cousin has revealed in the past that my uncle (who has hitherto always been nice to me) “hates certain celebrity chefs because they are gay” apparently. And so, my mother has asked me not to volunteer any information about Toby to “keep the peace on Christmas Day” and to keep my grandmother happy, because otherwise relatives’ reactions “may cause a scene and my grandmother will get upset.”

What the fuck.

I am not at all angry at my mother for wanting a peaceful Christmas – it’s perfectly understandable. My mother’s side of the family is Italian (and therefore Catholic, although I wouldn’t describe them as religious with the exception of my grandmother who goes to church twice a week – but only since my grandfather passed away 5 years ago). But I have introduced Toby to my father (who has made crass comments about gay people in the past but has never been anything but welcoming of Toby and supportive of me in my relationship – I feel that his macho posturing isn’t really indicative of his views, which annoys me somewhat – why does he even need to act a certain way therefore? But I appreciate the fact that he is accepting of me) and everything has been fine – Toby has never felt uncomfortable or unwelcome in my parents’ home. My grandmother has met Toby a few times now and they get on ok too – neither is my grandmother stupid; she knows who he is to me, even if she doesn’t say it out loud. But here lies the crux of the problem – everybody knows, but nobody wants to talk about it. Everybody is actually fine with my sexuality, but everybody seems to think that they are the only “enlightened one” and that nobody else approves. So it remains a big open secret. Which to me is partly laughable, but also quite painful because I have absolutely no shame in having found a man that I love with all my heart, and having established a strong and secure relationship with him. Shouldn’t this be something that could be appreciated, if it’s too much to ask for it to be celebrated? Why do I have to keep quiet about the most positive (out of a range of very positive things in my life) part of who I am today?

I have always been the Beyoncé of the family, if you will. (Prepare for me to toot my own horn in the next couple of sentences.) Not only because I’m musically talented, but I am the only person on my mother’s side of the family to go to university, let alone to the University of Oxford and then on to achieve a postgraduate qualification afterwards. I am the only one who has successfully moved out of Bristol. I’m the slimmest and most fashionable out of me and my cousins. I have an interesting job which pays a decent wage (but more about that in another post, as I have an announcement to make!). I am 27 years old and I have done pretty well so far (with some wobbles along the way – but hey, that’s life right?). With all of this hard work (which was for myself, but it didn’t hurt that it pleased others also), it would appear that the fact that I am gay, that I happen to be attracted to men, and that I have now built a life for myself with another man whom I love deeply, resets everything. I will never be good enough, and no matter what I did or what I achieve in the future, I never had a chance at being “good enough” because of my sexuality, which is something I cannot control. I love being gay, I love Toby, I am very happy with my life and with myself (apart from the fact that I ought to quit smoking and that next year I am going to lose weight – but there’s a forthcoming post for that too because my musical goals and my aesthetic aims are going hand in hand in 2013).  And I can’t talk about any of it, because other people may react to it, and it may upset someone else. Well, it upsets me! What about that?

Back to the phone call. So my mother asked this favour of me. I fell silent, and I said that I didn’t know if I could do that – I certainly couldn’t promise anything. I know that she understands, and I know that she didn’t like asking, and I am not angry at her. But I am angry at my family because I am never going to be good enough, and I am not able to relax and completely be myself. I told my mother that I didn’t understand why I should compromise myself. It’s not natural for one to shout their gayness or their homosexual monogamous relationship upon entering a room – this is not my intention. But I am 27 years old, and I am not afraid of them anymore – I have built my own life, and at the end of the day, I don’t live in Bristol and I don’t need the validation of my family. It’s nice if I could feel comfortable with them – but if that’s not going to be a possibility, c’est la vie. I will choose Toby over them, if it has to come to it. I am sad that it might have to come to that – but maybe we can’t have everything. I have a lot, and that’s enough. But I refuse to be intimidated by small-minded, low-aspiring people. I don’t even really know if they are small-minded – this is all just rumour and myth. But after all – I’d better not say anything, just in case.

I want everyone to have a lovely Christmas day. I want Toby to feel welcome when he comes to Bristol, and the fact that he does perplexes me even more in light of this request. I don’t want my grandmother to be upset, and I don’t want anybody to cause a scene. But it’s not my fault if they cause a scene because of their own prejudice, surely? I don’t understand why I have to conceal, compromise and sacrifice my identity in the presence of people whom I see only occasionally, and who are my frickin’ family, so as not to rock a phantom boat. Am I being unreasonable? Because perhaps it’s not such a big thing to ask, for one day. But then, to me, it’s not really about one family day – it’s about me being denied the ability to openly be myself, to celebrate all of the things I have achieved and the precious gift of Toby’s presence in my life. He is wonderful, and I don’t see why I have to downplay this. I’m not going to shout it from the rooftops (though sometimes I want to! 🙂 ) because that would be unnatural, but neither am I going to lie about it because that is no more natural either.

This is bringing me to the sad conclusion that, whether or not a scene occurs, I feel like this will be my last Christmas in Bristol with my family, for at least a while. I don’t want to hurt my family by not celebrating with them, but at the same time I am an adult now, with the right to live my own life. (I can’t lie – it will be nice to actually not do a big travelling jaunt for one year.) I’m old enough to make my own decisions and to choose to stand my ground and enjoy my life in my own home. I have proven my worth time and again, and I now have the flat, the job, the relationship – the evidence to show for it. It’s not my fault that my family members may be insecure or jealous, and I don’t see why I should compromise myself to appease any inadequacies they may or may not feel. It’s not my problem. If I cannot be myself on Christmas day, then maybe next year it has finally come to the point where I’ve got to start making my own traditions, and if it means being by myself then hey – I’ll do it. I would never begrudge Toby going to spend time with his family, and maybe I would be able to join them instead. I don’t know – this whole situation has thrown me into a realm of “I don’t know”. What I do know is that I won’t lie, I won’t hide, and I won’t be ashamed. I am strong enough and secure enough to stand alone – I’d rather not have to, but if that’s the way it has to be then so be it. A part of me hopes I’ll be pleasantly surprised this Christmas and all these worries and postulations will count for nothing. I really don’t know what will happen – I am confident that I feel the right way about the situation, but I hope that I will have the grace and the presence of mind to react correctly and in a dignified manner to whatever situation arises.

I’ll let you know.

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Lady Gaga – Yoü And I (video review).

August 21, 2011

After the extremely disappointing clip for “The Edge Of Glory”, Lady Gaga is well and truly back on her video A-game with “Yoü And I”. In fact, one might say that there is a little too much going on, what with the appearance of both Joe Calderone (Lady Gaga’s male Italian alter ego), and Yuyi the mermaid. Lady Gaga strolls towards a barn, plays the piano, dances with a horde of clones, is making out with an extremely attractive tattooed man (played by Taylor Kinney from The Vampire Diaries) who is then seen torturing her and performing some sort of scientific experiment on her, is getting married to this same man, is a mermaid, is making out with herself as Joe Calderone, is running through a plantation… Huh? It takes a couple of views to even start sorting out what is going here, and I have no idea how it all pieces together – if you do, please enlighten me. But here are my two cents…

The Gaga that we see playing the piano seems to be the purest incarnation of Gaga in the video… perhaps this is reflective of her innocence? Compared to the bionic Gaga we see returning to Nebraska at the start of the video, Piano Gaga is very stripped down. However, Bionic Gaga is evidently returning to this place to rediscover the love interest she left behind (according to the lyrical content). It’s been a long journey both literally and figuratively – hence her bloody heels. And this area in Nebraska is not a nice place – a creepy ice-cream man, torture scenes and a snapshot of a barn that looks straight out of Texas Chainsaw Massacre do enough to suggest this. Bionic Gaga looks almost funereal… is she back for some sort of revenge on the sexy torturer? The first verse and chorus juxtapose innocent Gaga and Joe Calderone (smoking and drinking up a storm) with Bionic Gaga, to drive home how much must have happened in the interim.

Taylor Kinney’s character appears to be responsible for this. We see a wedding scene, and then snapshots of the experiments (with a struggling Gaga strapped to a bench). Cut to Gaga in a teal wig, dancing with a horde of clones (to a ballad, which in itself is fairly impressive). In trying to improve / redefine Gaga, her lover has diluted her originality and turned her into ‘everyone else’… perhaps some parallels for the state of the music industry and the identikit expectations of female pop artists? Again, I don’t know, but that’s what I’m getting from it. Gaga was innocent and naïve – she found love, but then love tried to change her under the guise of “improvement”. Love is pain, and love is struggle – but the more Gaga struggles, the more she is restrained, to the sound of “Sit back down where you belong…” Love is thus also linked to subjugation (again, apt for the music industry and the roles of managers and labels, perhaps?).

Yuyi appears, sat in a bath and bathed tenderly by the same tattooed torturer. This presumably took place prior to the experiments (as Gaga has a tail here and later, it’s gone). Yuyi, who is reportedly “the reincarnation of Gaga’s birth and artistic spirit”, couldn’t look more blissful to be with the man she loves. (Am I the only one who thinks that the name “Yuyi” is subtle way of saying “You (Yu) & (“y” is Spanish for “and”) I”?) Somewhere along the line, something went wrong, and as Lady Gaga has said in reference to the video, “Sometimes love doesn’t work”. Taylor Kinney tries to have sex with Yuyi, but clearly that’s not going to be successful – although he is quite attractive and I love his tattoo, so I am happy that scene is left in there! Is sexual frustration and sexual gratification the prime motive for trying to change Gaga’s character into a bionic superwoman? Could this apply to both the torturer and the music industry? Does Gaga need sex to sell? (Fast forward to the shot of a post-mermaid Gaga thrusting mechanically on the operating table.) And wasn’t she happier when things were simpler? The kiss she shares with Joe Calderone is much less angst-ridden… I guess that at first, Yuyi and her lover were happy, but as he wanted more that Yuyi couldn’t provide, he ended up ruining her body, their love affair, and Gaga’s individuality. To this end, I suppose that the wedding scene could have been the couple’s original dream (which appears as Yuyi cradles her lover at the end of the video) that never came to fruition – another symbol of this love not working out the way the lovers intended.

Gaga and her dancers in the plantation seem to have much more fun and more free reign over their movements than the Gaga clones in the factory – while the latter are all doing the same routine, whipping their hair and being sexually provocative, the former are just being weird and are not in sync. Perhaps this also represents something… through trying to make someone be the way we want / expect them to be, we homogenise them to a point where they lose their identity and purity? I think that that theory does hold a lot of weight, but I also felt a bit silly / pompous typing that last sentence… after all, this is a music video!

The proliferation of guises that Gaga presents in the video for “Yoü And I” suggests that she has many complex and differing aspects to her personality as a whole, and each of these aspects has its own story and perspective. I guess that as people, we are all multi-faceted, and some parts of each person’s story is beyond anyone else’s comprehension. The Bionic Gaga who has returned to Nebraska doesn’t seem vengeful after all; as she sings to the camera at the end, she seems to have accepted everything that happened to her to make her who she is – after all, there’s no going back now, and we just have to experience everything that happens to us, be strong and independent, and keep walking. And if a music video can be that much of a ride and make one think that much, then it’s got to be a good one.

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Toni Braxton – Pulse. (album review)

May 7, 2010

The first album from Toni Braxton in 5 years comes following an abbreviated residency at Las Vegas, yet more record label disputes, health scares, a neat run on Dancing With The Stars and a separation from long-term partner Keri Lewis.  So one would assume that she has a lot of life material to draw on, material that might be evident in the singer’s new album.  Well, yes and no: Toni Braxton has stuck to her strengths, which are soulful R&B ballads expertly sung.  The lyrical content of these tracks betrays barely a whisker of what the singer has been through in the past 5 years, and to look at the singer she stands stately, sophisticated and stunningly beautiful for a woman of 40 years old.  Indeed, she still has that same sexy body she had 15 years ago, although now it is dressed with a more chic, age-appropriate veneer that effortlessly walks that tightrope between sexy and classy.  Nevertheless, Braxton’s creamy, rich alto has a slight bit more depth to it now; to paraphrase from her interview in Metro this week, she has the ability to channel her experiences (be they joyful or sad) into the texture of her voice, and this is what makes Braxton one of the most enduring and valuable singers to emerge in the last 20 years: you feel her when she sings.  On Pulse this is evident throughout, particularly when her voice is reduced to a low, husky whisper such as at the beginning of “Woman”, a cover of Delta Goodrem’s track from 2007’s Delta that improves on the original because Toni Braxton’s voice brings more depth to the lyrics (although Delta Goodrem’s own version was solid in itself, perhaps making this achievement all the more impressive), and the production ranges from subtle to soaring while never overtaking Braxton’s performance.

After more leaks than Ciara’s Fantasy Ride, it would be unacceptable for Pulse to be anything less than solid, considering the 25+ tracks we’ve heard from Toni Braxton’s recording sessions for the project.  For the most part, Braxton has chosen the strongest songs for the project, although bonus tracks “Rewind” and “Stay” add little value to the album and could have been replaced with successful “Ice Box” soundalike “Clockwork” and particularly “It’s You”.  These are just little personal gripes however, and don’t affect the fact that Braxton sings each of the 11 tracks on her album with impeccable aplomb; her voice cannot be faltered, whether she’s emitting attitude on the sassy “Make My Heart” (which again improves upon Blaque’s / Mis-Teeq’s “Can’t Get It Back”, being based on the same sample) or evoking vulnerability on standout closing track “Why Won’t You Love Me”.  It is surprising that this is the only track on Pulse that gives Toni a significant songwriting credit (“Yesterday” does credit her, but only along with 4 other contributors) considering her credits on The Heat and More Than A Woman; those two albums, while not perfect, were both cohesive and consistent – they felt like albums, not just a collection of songs.

And this is where my only main gripe with Pulse comes in.  Indeed, the album contains some beautiful songs – my personal favourites are first single “Yesterday” (although it sounds like Beyoncé’s “Halo”, it is strong and sincere enough to stand on its own two feet – unlike the version with Trey Songz, which suffers from a change in production that is at once overdone and bland), the aforementioned “Make My Heart” and “Why Won’t You Love Me”, “Wardrobe” with its clever man-as-outfit metaphor that somehow avoids sounding cheesy or forced.  “Lookin’ At Me” is a welcome uptempo that bumps convincingly and brings the sass out of Toni, and perhaps in the closing stretch of the album which is ballad-heavy, another uptempo of this nature might have livened things up.  Finally, “Hands Tied” is an utterly beautiful song in lyrics, production and vocals, and has an outstanding video to match – Toni Braxton dances in front of a troupe of attractive men, stands in an eye-catching black dress in front of an ornately carved table that I would quite like in my house, and locks eyes with the camera, singing and dancing and yet conveying the determination for love inherent in the song’s lyrics.

As I said before, there are no weak tracks, and perhaps my opinion is swayed by the sheer amount of material I’ve heard from the project – unlike classic albums Secrets, The Heat and More Than A Woman, the album feels merely like a collection of lovely songs than like an album.  Previous album Libra suffered from this same problem, although Pulse has more of an identity, hewing close to soulful ballads and eschewing popular production tricks; unlike a couple of Libra‘s tracks, this album won’t sound dated, to its credit. But something intangible makes some albums more than the sum of their parts, and Pulse just doesn’t have that je ne sais quoi.  In comparison with Monica’s recent Still Standing (check my review here!), both albums are a welcome embodiment of “real” R&B, both are classy efforts that dispense with unnecessary featured artists and emphasise the singers’ strengths.  Neither album possesses any repellent tracks, and all the material is beautifully sung.  But if I had to choose between them, Monica’s would win out because something about it feels more sincere, more cohesive; something connects with the listener more.  I feel bad that I can’t quite put my finger on what that “something” is, but it means that while Pulse is certainly solid and worth purchasing, as a whole it isn’t  exceptional.  Nevertheless, some of its songs are exceptional, and it is wonderful to hear a singer relying on her vocal ability and strong songwriting rather than gimmicks or collaborations with flavour-of-the-month artists.

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end game.

April 18, 2010

It sounds silly to say, considering the last 8 months that I’ve had, but sometimes I still feel a waste of space.  I get down sometimes and I feel so indecisive, so useless… I don’t know what I want.  I have made huge changes and huge improvements in my life, and I am so grateful to that and I appreciate things like I never used to, so I don’t feel I’m being ungrateful or taking anything for granted.  It’s just that despite everything seemingly going my way for once, despite the career change I’m making and the reasons I have for doing it, I still wonder… what is it all for?

I always hated the question “Where do you see yourself in 5 years?” I’ve never had any idea, apart from when I was a child and I used to fantasise about running away and catching a plane to America at age 13, so I could be a superfamous pop singer by the magical age of 17.  Needless to say, that didn’t quite pan out (although I am very proud of my latest album Quiet Storm) and since then, I’ve felt at a loss, and somewhat a failure, for not having achieved that ridiculous and yet wildly romantic childhood dream.  In much the same way as I’ve been academically brilliant, I have always been able to sing, dance, write songs and play instruments because I just always assumed that I was capable of those things.  I never doubted myself, and through sheer force of will and plain naïve arrogance I turned out to be really good at all of that.  The only time I’ve ever failed any kind of test was my driving test, and 5 years on I’m making moves to finally erase that failure.  Generally, I’ve believed in myself and it’s pushed me to the top.  So why am I not famous, successful, rich and happy?

I look to my twin Ciara. She was born on the exact same day as me, and in her life she’s accomplished exactly what I wanted to but never did. Where did I go wrong? Did I ever have a chance, or was it just luck?  If I had my life over again, what could I do differently to end up where she is? Does that mean my achievements are nothing? I’m not going to brag about anything I’ve done in my life (the last paragraph sounded plenty up myself for this entry) but I know that I’ve achieved things which are pretty decent, some would say admirable.  But it means far less to me than perhaps it should, because it’s never really gotten me anywhere that’s mattered to me.

But then, looking at what the music industry is, especially now, I think perhaps I was naïve in believing that I could give up everything and just be famous.  Having the talent is one thing, but I don’t know if I have the stamina to stick out the years of churning out radio-friendly fodder to get to a stage where I can call some of the shots and have any sort of creative control. Especially now, where I’ve got to the stage of clearly becoming an “adult” (i.e. old) because I find 90% of what is played on the radio recycled garbage.  As I’ve grown my musical identity, I have gained more fixed ideas of what I want musically and who I am, and I certainly don’t fit into any of the current moulds.  I would not last five minutes on X-Factor and similar programmes, because even if I have the talent to make it, I don’t have the obedient personality which can be crammed into a shiny black suit and forced to sing mundane cover versions with choirs and key changes.  Frankly, I’d rather die.

But then, we all end up dying anyway, right? So I have let’s say, 65 years, to make something of my life.  Ideally, I want to have a life where I’m remembered for all time, but that doesn’t seem to be too likely does it? Either I go on a killing spree (which is a little bit messy for my liking), or I become a leading politician (I’d rather go on the killing spree), or I do something incredible on a grand scale.  This incredible thing was going to be the super-influential singing career idea, but I guess I’d rather sing for my friends and those online who appreciate my music (THANKYOU ALL btw!) and get to write, produce and sing the music I want, which means sacrificing the fame. Oh well.

My logic for going into Careers Guidance was to do an incredible thing on a smaller scale.  If I can’t have / don’t want the burdens and trappings of fame, I could still touch people’s lives as an individual, because doing Good Things gives meaning to my life and my actions, and it’s the meaning that I truly seek.  Just as my friends and I influence each other (again, thankyou all of you! YOu know who you are), I would like to be a good influence in people’s lives when they need it most, to enable them to progress and achieve what they want.  If it’s a less grandiose dream, it still has its heart in the right place, I feel.  And perhaps one of the people that I advise, that I support, that I help, will become the superstar I always dreamed of being.  That would make me feel incredibly proud, and perhaps that would be enough. I just hope that I do get a job as a guidance worker somewhere, because I finish this course in 2 months (it’s flown by, hasn’t it!) and I need the money, I need the experience and I also need to get my own place and not waste any more time!  Otherwise I will end up dying, and not having made anything of my life on whatever scale.  And that would be a disappointment and a waste of myself.  I need to make my life a life worth living.

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friendship never ends.

April 7, 2010

I just wanted to write a quick blog, inspired largely by the lovely day I’ve had today.  Mike & I (along with his son Billy) spent the day going around Broadmead & Cabot Circus shopping, looking for presents for his wife (whose birthday it is tomorrow) and basically just spending time together.  I got to push Billy in his pushchair, help Mike pick out jewellery, and I didn’t even spend money on myself!  Mike very kindly bought me a bottle of Touch by Grigio Perla, which he really didn’t need to do – but then I bought him True Blood season 1 on DVD a few weeks ago for the same reason, to thank him for being such a good friend to me.  I appreciate his friendship, and apart from the course making such a difference in my job prospects and optimism, his friendship has been an amazing thing that has transformed my life and changed who I am.  Just as if I hadn’t done the course, I wouldn’t have met Toby (nor some new friends that I’ve made, both on my course and through twitter 🙂 ), I possibly wouldn’t have had the impetus to start learning to drive again, I wouldn’t have gotten the tattoos that I now have… taking the Careers Guidance course has transformed my life in ways I couldn’t have foreseen, and in ways I truly deserve.  I don’t believe in god, but it does seem like fate, like things have finally slotted into place.  I’m so happy.

For the first time in 10 months, probably, I went into the Perfume Shop.  Walking past with Mike & Billy, I gauged who was in there, and seeing Henna, Ebony and Liz (i.e. none of the people whom I really don’t want to see again), I thought I’d pop in and see how everyone was.  It was interesting to see how their lives have changed, but they have effectively stayed in the same place (though the shop does look more vibrant and full of stock compared to how it was a year ago when I was working there) whereas my life has changed so much and I’ve moved on.  Ebony was telling me her experiences as deputy manager (my old role), and it rang so true for me (a lot of similar issues with the manager to what I had, interestingly!) .  I hope she can escape soon, because she’s an intelligent young woman who can do so much better for herself rather than working herself to the bone in retail for not enough reward.  Even down to the fact that I had to explain that Billy was not my child (I haven’t given birth to a 3 year old in the last 11 months), Mike was not my boyfriend (everyone whom I came into that shop with during my time there, regardless of gender, age or anything else, was my potential sleeping partner according to them – that’s an accurate indication of how much the shop consumes your life to push out almost anything else), and that I was happy working at the hospital and studying on my course. Ebony and Liz were chatting a lot, and we really need to catch up with a coffee to exchange full stories.  But it was nice to se that after everything that had happened since I left, and despite the fact that I will very rarely go into that shop again because I have no desire to ever see certain people who work there again, I still have some friends there.  It won’t be the same, but it was a surprisingly pleasant experience to reconnect with those people, and I feel now that those friendships I cultivated during the time I worked there may not go to waste after all.  Time will tell.

In life, I’ve made some really good friends.  Sometimes we drift apart for a season, other times we remain close no matter what happens, but friendships are things that I truly cherish.  In the past, I’ve been really let down and disappointed by people, but as I’ve grown older I’ve learned lessons and that disappointment occurs a lot less nowadays.  Perhaps I’m just a better judge of character, but life isn’t a popularity contest – I feel lucky and happy to have the friends around me whom I have, and I pray that they never go away because they make me a better person, they teach me things about myself, about themselves and about the world which make me a more valuable, wiser person or it.  Thankyou all 🙂

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the characterisation of cake.

August 1, 2009

While I was writing my previous blog entry, I was talking to one of my best friends Nana about cake.  We are both trying to get fit and not fat, and cake gets in the way.  Lately, my mother has been bringing home iced madeira cake, with little layers of cream and raspberry jam in the middle, and it’s absolutely delicious and irresistible, and plays havoc with my spreadsheet where I plot the nights that I do snack after dinner against the nights that I don’t (I have improved a lot in the last 5 months! I currently stand at not snacking 68% of nights, and my aim for August is to get to 75%).  This is the conversation (Nana is “Back in London”, I am “chase – lycanthropy” – but then, you didn’t need me to tell you that if you’ve been reading 😉 ) :

11:59:32 Back in London :-): ohhh yes

11:59:48 Back in London :-): ahh cake 😀

11:59:52 chase – lycanthropy: hah

11:59:58 chase – lycanthropy: cake is my friend and my enemy

12:00:15 Back in London :-): yes

12:00:23 Back in London :-): i have a love hate relationship with cake too

12:00:45 Back in London :-): he has me wrapped around his finger…

12:00:50 Back in London :-): makes me want him more when i know i shouldn’t

12:01:31 chase – lycanthropy: haha you think of cake as a man

12:01:34 chase – lycanthropy: i think of cake as a woman

12:01:39 chase – lycanthropy: but yes i know what you mean

12:01:47 chase – lycanthropy: iced madeira cake is especially tempting

12:01:52 chase – lycanthropy: also toffee cheesecake

12:01:58 chase – lycanthropy: (which is what my nan serves)

12:02:33 Back in London :-): omg

12:02:37 Back in London :-): maybe i should just come to bristol today

12:02:38 Back in London :-): lol

12:06:55 chase – lycanthropy: :p

12:07:05 chase – lycanthropy: i am going to write a blog about this conversation we have had about cake, you know

12:07:06 chase – lycanthropy: i can see it now

12:08:02 Back in London :-): hahaha

12:08:11 Back in London :-): i look forward to it 😉

12:08:13 chase – lycanthropy: 😀

The thing I find most interesting is that Nana thought of cake as a “male” thing, whereas I envisioned cake as more of a female temptress, weaving her web around me and drawing me in closer.  It’s funny how people’s minds work and differ.  I am used to the idea, after years and years of language study, of the idea of nouns being masculine or feminine; interestingly, “gâteau” is masculine in the French, and “pastel” in the Spanish is also masculine.  But “tarte” (French) and “tarta” (Spanish) are both feminine.  So unless we’re being really specific about what kind of cake we’re eating (whether it is a big cheesecake, or a slab of marble sponge), either gender could go.  I guess another reason why I think of cake as feminine is because until you’ve eaten 3 slices and it’s sitting in your stomach (something I genuinely don’t do very often, I promise), cake is a dainty, light creature, with pretty pastel colours of icing and soft, sweet flavours.  In other words, to me, cake isn’t exactly grr butch.  But obviously now I’m gender stereotyping, and I like people to think that I am sweet and seductive (at least some of the time, when my façade isn’t being icy cold).
I watched Transamerica and it’s funny how that film links in. I’m not going to do an in-depth review of it or anything, you can get those elsewhere.  But Felicity Huffman and Kevin Zegers both expertly played flawed yet beautiful characters who shone in the midst of an occasionally hokey script.  And we all have a quest to work out who we are, because society demands to put us in a box of its own conventions – he, she, gay, straight, etc.  We can’t just be because then nobody knows where they stand and how to “understand” us (the joke being that they’d rather not spend the time trying).  And I think, in a practical, day-to-day way, I can understand that.  If we spent time trying to suss out every single person who came our way and honestly made the effort to see who they really are, we’d never get anything done.  Labels never tell the whole story, but I can appreciate that they exist for a reason.  But when the label is wrong, then the misunderstood person has a lot of ground to catch up, all the while feeling like an outsider just waiting for someone to see the beauty of who they are, beyond what they are, regardless of sexuality or gender.  At least cake doesn’t have that problem – whether we think of it as a he or she, at least we are in no doubt as to how marvellous it both looks and tastes!
(ps. Nana, I hope you don’t mind me posting the snippet of our conversation up here – nothing private was said so I hope it is fine! Let me know 🙂 )