Posts Tagged ‘growth’

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hidden memories.

January 22, 2012

Lately I have been in situations which have triggered me to remember things that were long buried in my childhood and adolescence. These are things that I had basically forgotten about, and aren’t really important but they make me pause and think “did I really do those things? I was evidently such a different person back then!”

Toby recently bought a book about fonts called Just My Type, and he has really been enjoying it (I might be borrowing it from him afterwards, though I have two books queued up to finish first!) and we have been noticing the uses of Century Gothic (our favourite), Helvetica and so on in the public domain and media. We were in Starbucks in Richmond yesterday and Toby observed the use of various fonts on the menu boards, napkins and articles on the walls – it was a little bit random and I think that it is probably down to different things being created at different times. I subsequently remembered that in Year 7, I had an IT lesson where we actually created our own font and we had to engineer the spaces around the letters so that words didn’t look too spaced apart etc. It was interesting, but not really anything in itself to write about. The thing that interested me is that I was 12 years old when this had happened, and yet it felt buried in my past and when remembering it, it was dim and cloudy like I was remembering the life of another person.

I suppose this is proof for the fact that at 12 years old, although we feel like young adults and don’t want to be referred to as ‘children’, we still have a lot of growing up to do and by the time we are fully-formed adults, we have changed a lot. Recently I was working on some lyrics for some new songs, and I remembered that when I was a teenager (12-14 years old), I spent quite a lot of time on the internet writing poems and sharing my poetry on forums. Now, these poems were probably frequently bad, but it didn’t matter – at the time when I was still only allowed on dial-up internet for half an hour each night (remember the days?!), it was the most important way for me to express my innermost thoughts and creativity, and read others’ as well. As I shared things that I had written, I made friends and ended up being invited to another forum where I would contribute regularly, and I also remember most of these people being quite Christian and I believe from the southern USA. At a time when I was still questioning my own beliefs as well as discovering my own sexuality, there were certain things I could talk about and others that I couldn’t, and from a place where I had been granted freedom of expression without judgement, I found myself (even at 15 years old) being careful about what I could and couldn’t say for fear of backlash from people I didn’t know that well and yet knew intimately. I didn’t stay on the forums for much longer after that (although I wrote poetry infrequently and headed up the St Anne’s Creative Writing Society with my friend Daria in my second year of university) because I could tell that I was headed on a different path to the other people on the forum, who were all adults and knew themselves already. I didn’t leave on bad terms, and I think that the forum fizzled out naturally shortly afterwards, but to think that for a substantial period of my teenage years this was one of my main hobbies, and yet now I barely remember it and it feels like I am looking at my adolescence backwards through a telescope. How far I have come is a very good thing, but it’s something that I can only really appreciate when I compare it to where I started from.

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Demi Lovato – Unbroken (album review)

October 4, 2011

My limited knowledge of Demi Lovato extended to: Disney, Camp Rock, annoying, an album cover that ripped off No Doubt’s Rock Steady, some sort of meltdown. After hearing her song “Skyscraper” on the almighty Popjustice and falling in love with that song’s vulnerability, raw vocal performance and defiant lyrics, I decided to investigate further. Beyond finding out that Demi had a really bad year last year, I found her new album Unbroken. And it would appear that Demi is becoming a grown woman.

Although the initial four tracks feature guest appearances that made me tremble with fear (Timbaland – I am sadly no longer filled with anticipation when I see his name in liner notes; Dev; Iyaz; Jason Derülo), the tracks were upbeat, fun and seemed determined to showcase Demi as a young woman (she’s still only 19!) who wants to party, have fun and flirt with guys. It seems a bit much to front-load what is essentially a coming-of-age album with such lightweight tracks, but they are frothy and hooky and will draw young listeners in. But from track 5, the waltz-time ballad “Lightweight”, Demi really gets down to business and things get really good. She gets to do more with her voice and showcase why she is almost certainly the best singer to emerge from the Disney teen bratpack. The title track is a defiant call-to-arms (“I’m gonna love you like I’ve never been broken / Tonight I’m letting go”) over a thumping dance-pop beat, while lead single “Skyscraper” still remains the standout, a tear-jerking ballad that has rightly been the biggest hit of Demi’s career to date. “In Real Life” is a sassy, soulful cut that skews R&B, with a vocal performance that sees Demi’s romantic fantasies ultimately realised. Closing track “For The Love Of A Daughter” is a plea to Demi’s alcoholic father to “put the bottle down”, and while it’s lyrically a little maudlin, Demi puts in a vocal that rivals Kelly Clarkson at her peak and shows that Demi hasn’t just been through a year where her most private problems came to light, but that she’s always dealt with tough issues that humanise her in the face of her teen counterparts. In a year filled with lacklustre releases, Unbroken is a pleasantly strong album that comes as a breath of fresh air and demonstrates the potential star quality that Demi is on the cusp of realising.

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Beyoncé – 4 (album review)

June 11, 2011

So it’s been a really, really long time since I wrote an album review. I was going to do one for Lady Gaga’s Born This Way, but then didn’t. (The album is really good and well put-together, btw.) I was going to do one for Nadia Oh’s Colours (which is a ridiculously fun, exhilarating listen perfect for the summer) and I still might. But this album tops them all. I am a Beyoncé fan, but even I didn’t expect her to come out with this. Perhaps it’s fitting because of the stage in my life where I’m at – but she’s in love, I’m in love, she wants to talk about love on a deeper and more soulful level and I can be more receptive of that now and really get to grips with the music, the vocals and the lyrics.

Sonically, the album is very cohesive (a mature, soulful and slower-paced set) – “Run The World (Girls)” aside. Part of me feels like it is tacked on the end, another part of me feels like the song is an exhilarating climax to a mainly slow-burning set. It’s a killer single which heavily samples Major Lazer’s “Pon Di Floor” and makes you want to dance, but in comparison to the rest of the material, it feels a bit… basic? It certainly feels more modern than everything else on the album, but that means it sounds less timeless… the fact that Beyoncé has already made several songs celebrating “Independent Women”, “Survivors” and “Single Ladies” makes it feel like “Girls” running the world is almost a downgrade? I love the song but it should stand alone, and I would have preferred the album to end with the ballad “I Was Here”, which is straightforward Ryan Tedder production and Diane Warren lyrics – Beyoncé’s performance saves the song with solemn vocals that add weight to the sentiment of leaving your mark on the world once you’re gone. In the hands of a lesser talent, the song would sound trite, but Beyoncé gives it life.

But there are much better tracks – namely, the rest of them. Opener “1+1” is stripped-back soul with a soaring guitar climax, and Beyoncé’s commands of “Make love to me” sound at once desperate and assertive in the best way. What’s striking is that Beyoncé has made an album that sounds like the work of a legend – she evokes Stevie Wonder (the joyous “Love On Top” with its audacious multiple key changes that have you wondering “how high is she going to go?!”), the Isley Brothers (“Rather Die Young”, with its sun-drenched soul that declares Beyoncé’s utter dependance on her lover), Prince (“1+1”), Michael Jackson (“End Of Time” with its commanding vocals over a bombastic bassline and brass section, and an irresistible melody) and Sade. But more about that later…

Beyoncé sounds like Beyoncé on but two songs: “Best Thing I Never Had” evokes her monster hit “Irreplaceable”, with the same theme of being better off without a foolish boyfriend. Symbolyc One employs a beautiful flowing piano melody in place of “Irreplaceable”‘s acoustic guitars, but Beyoncé is clearly a grown woman now. Her vocals sound almost too soulful, too nuanced for the music, and it takes a few listens for all of the pieces of the song to come together. In contrast, “Countdown” is an album highlight, which evokes the swagger of “Upgrade U” and repeats the theme of #winning with her lover by her side. The use of Boyz II Men’s “Uhh Ahh” in order to create the titular countdown is cleverly done, and Beyoncé rides the brassy, bouncy Caribbean-lite beat with effortless flair.

Other album highlights include “I Care”, which may have basic lyrics (the chorus: “I care / I know you don’t care too much / but I still care”) but are once again transformed with Beyonce’s masterful vocal, which plumbs despair and soul to make the song truly transcendent. You can feel her pain, you can feel her desperation, you can feel her frustration, and that is the talent of a true artist. When Beyoncé’s voice intertwines with a soaring guitar solo after the song’s bridge, the listener is shown just how powerful a singer she is – not just technically, but emotively too. “Party” is an early 90s R&B throwback that evokes early TLC in its chunky-yet-chilled production, and En Vogue in its multi-tracked harmonies. The best song of all is “I Miss You”, which is produced by upcoming talent Frank Ocean and evokes Sade’s best. The lyrics are simple yet evocative (and I personally relate to this as my boyfriend and I are currently working through a long-distance relationship – but if you read the blog, you already know about that, and this song is more about missing someone you’ve broken up with – I just prefer to appropriate the lyrics for my own emotions!), and Beyoncé’s vocal is restrained and yet so deep and real. When she sings “No matter who you love / it is so simple, I feel it / it’s everything”, a lump is brought to your throat and you can’t help but be transported to a place of loneliness, of longing and of love.

This is why 4 is Beyoncé’s best album, superceding B’day’s tiger-hungry anthems and I Am… Sasha Fierce’s finest moments. Beyoncé is an artist. She has made an album which she has so clearly poured her heart and soul into – listening to the vocals, there is something here that wasn’t there before. A soulfulness, a longing, a power that comes out through the gritty texture of her voice and the soaring riffs that transcend lyrics and production. There’s a majesty and a bravery in singing such raw songs about love, about death, and about life over productions that are mainly understated and subtle in a way that Beyoncé hasn’t really done before (“Disappear” from I Am… Sasha Fierce might have clued us in, however!). This album is made to be listened to from start to finish, and you’re missing out if you don’t give it a try.

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ave maria.

September 21, 2010

Above is my cover of Beyoncé’s “Ave Maria”, which I made for Toby as a 6-month anniversary gift.  The lyrics speak for themselves. After originally keeping it special for him, I thought that nearly 3 months later it’s time to let y’all hear it. I hope you enjoy it; I don’t think my microphone did it justice and I think that Beyoncé’s version is untouchable, but I am nevertheless pleased with how it turned out.  And Toby really liked it, which is the most important thing.

However, my other reason for posting it up here is to say that I have opened a Soundcloud account! It can be found under http://soundcloud.com/onyxparadise and I am currently in the process of uploading the entirety of Quiet Storm, as well as some other tracks. In the future, I will be uploading my new tracks there! 😀 I am starting to get excited about creating new music, and the concepts and themes of my new material will be quite different from before, I anticipate, and reflect my various life-changing experiences over the past year. In many respects, the past 12 months have been eye-opening, soul-shattering, emotional and have inspired a lot of growth.  It’s been without a doubt the best year of my life. I’ll share more on the concept of my new material as I create it and feel confident enough to expose it to the world. But the idea of it is forming in my head and has been for a while, and I am very excited. To this end, on Friday when I get paid, I will be paying off my credit card and buying a brand new microphone so that the quality of my recordings is much improved. Watch this space!

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day one.

August 16, 2010

I will keep this entry brief as I’m exhausted, but I had my first day at my new job at Cirencester College, and it was epic but a success!  I did not enjoy the 5:45 wakeup, especially considering I had trouble getting to sleep the night before as my body clock is programmed not to sleep before midnight and I was half-consciously hyper about the job.  In the afternoon I could feel my fatigue kicking in briefly, but 20 minutes later I recovered and got a second wind, plus Rachel (the new girl who also started today in my faculty) felt the same so it might have just been a result of the information overload.

My main worry was the transport, as this week Mike is on holiday in Cornwall (he starts next Monday, and he will give me a lift on the way) and so I’m getting the bus to the train station, then the train to Kemble railway station and a taxi from there.  If the bus in the morning was late, I would risk missing my train; if the bus went too slowly, I would miss my train; if the train was delayed (although this would have had to be by a considerable amount), I would miss my connection to Kemble.  But this morning bodes well as everything ran smoothly, and I was lucky enough to be able to jump straight into a taxi (despite my connecting train being held up 5 minutes) and get to Cirencester College before 8:30 (I didn’t have to be there before 9am today, but my official start time will be 8:30 so it was a nice trial run). The taxi driver was kind and friendly, which was another good omen for the day. Transport-wise, as soon as my new colleagues heard that I was relying on public transport this week, they organised between them to collect me from and run me to the local station every morning and afternoon more or less, so that will save on taxi fare (which is a financial burden lifted!). I was really touched how welcomed everyone made me feel, and how well I got on with Rachel and all my other new colleagues, both those I had met previously and those who were new faces.

As for what we covered, I was a little overwhelmed by the information (although in comparison to last year, apparently they’ve made it a much less intense start!) but most of it seems to make sense and I have more or less sorted out everything that I need; Thursday and Friday are enrolment days following the publication of A-Level results, so that will be the first day I get to meet students, which is both exciting and daunting, but after today I feel more confident about it.  I am finally a grown up, even though it still hasn’t sunk in that I am actually employed there, I have a real, full-time, professional job and I am not just pretending or on placement! My confidence will hopefully grow.  A sign of things to come is that I have just made my own sandwiches for lunch, whereas as a child (and even as a young adult!) my mother always made my sandwiches. It’s time to take control!  I’m feeling tired but feeling good and positive and I hope that this week goes well 🙂