Posts Tagged ‘Frankie & Benny’s’

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Tube update: North Greenwich.

June 17, 2012

A couple of weeks ago, Toby surprised with a wonderful early birthday present: he bought us tickets to go and see Jennifer Lopez at the O2 arena in Greenwich in October. I am so excited and truly looking forward to it – I have never been to a concert in a big arena either, so it will be a first for me as well as for J.Lo (who has never played a concert in the UK). But as I had never been to Greenwich, Toby decided that we should go, and so today we met Said there:

We had a lovely meal at Frankie & Bennys for lunch (and the service was better than the ones in Bristol, as much as I love them too!), then caught the Thames Clipper to Greenwich where we saw the Olympic stadium for the equestrian events, the Observatory tower, and the Painted Hall (as used in the final of the Great British Menu). It was a lovely day, and the whole time I was there it was like I wasn’t in London – I got to see a side of the city (south of the river!) that I don’t normally see.

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about high fashion.

October 1, 2009

Just a quick track-by-track run-through of all the songs on my High Fashion mixtape!  I hope you enjoy it and this fleshes out the stories behind the music for you all 🙂

High Fashion

The photos for this mixtape were actually the last thing to get done! I had a lot of ideas for it, but basically it involved playing dressup and taking lots of fun fun pictures of me pouting in designer accessories and too much lip balm and radiating attitude! Trust me, some of the pictures were horrendous, but I was pleased that I got some decent ones that I chose to use.  In contrast to the Quiet Storm artwork, which incorporates a lot of dark blues, purples and blacks with white type and layered translucent textures (evocative of the intimate, nocturnal atmosphere embodied by the album), the artwork for the mixtape is very bright, very immediate (no gloss or photoshopping!) and very tongue in cheek – I do not dress that ostentatiously in real life!!!  But it was a lot of fun 🙂

Official Boy

This song was recorded a year ago – obviously, it’s a cover of Cassie’s song “Official Girl”… I seem to be the only one who loved that song!  I was obsessed with that song at the time because I could relate – I was semi-dating somebody but didn’t know where I stood. (It turned out to be nowhere.)  So I got the instrumental and decided to rerecord my version – in the process, I learned a lot about creating vocal layers and harmonies and counter-melodies, and I appreciated how densely the original song is constructed.  I also wrote my own rap, which was really fun.  I really liked Cassie’s latest material, as I did a cover of this song and “Touch Me” samples another Cassie song, “Nobody But You”.

Touch Me (see post!)

Hook Boy (Remix)

This song uses the instrumental of Day26’s “Imma Put It On Her”, continuing the love for Bad Boy artists.  I have always been impressed by Diddy’s production skills and most of the Bad Boy tracks that have come out over the last 12 years have had really solid music and production.  It’s a remix of the song “Hook Boy” on Quiet Storm, and so I changed up the melody and some of the lyrics somewhat, but the basic skeleton of the song remains the same, though this remix has a more celebratory, uptempo feel to it, relishing being in the club and being with the one you love.

Get Me Home (Interlude)

I liked the harmonies on this one, but I have an interlude called “Focused” on the album where I did a superior job of a similar type of harmony, so I removed this track from the album and kept it for the mixtape.

Jump Off (Part I) (Snippet)

The original version of a song which is on the album (appropriately called “Jump Off (Part II)”), this is a very straight-up R&B ballad, no frills.  The lyrics have been kept more or less identical between the two songs, but Part II has a much more R&B, nocturnal feel which I fell in love with and which suited the feel of the album as a whole much more.  I might finish this version eventually, because I think it has potential, but I kinda left it by the wayside in favour of Part II, which is one of my favourite tracks on Quiet Storm, and very lyrically honest.

Don’t Look Now (Game Over)

This song was written after I was seeing somebody who just suddenly disappeared with the excuse that “I need space”… BULLSHIT mayne!!!   I decided to channel my irritation positively, and this record was a cutting, dance-type response to that whole situation.  I like the lyrics in it, which pay a nod to “Bad Girl” and “Pretty Boy” by the now sadly defunct Danity Kane, as well as Beyoncé’s “Irreplaceable”.  My favourite lyric is “dangerous and brokenhearted”, and I briefly considered that as an album title.  I love the ring of it, but ultimately there is something about the song that meant it couldn’t hang with the rest of the tracks that made the album, so ultimately it got relegated to the mixtape!

Pronunciation (Interlude)

This was just a big big laugh… it sets the scene for the next song, “Armani Earrings”, which is a track on Quiet Storm that I just had so much fun writing, as it really epitomises swagger!  The idea came from the “learn Italian” tapes they play in the bathrooms at Frankie & Benny’s restaurants, and working in The Perfume Shop and getting irritated at how many designers names got mangled by customers on a regular basis.  So this interlude is a play on all of those things, as well as a lead-in to the next track.

Armani Earrings

… you’re gonna have to wait for the story behind this one!!!  Just enjoy it for now 🙂

Can’t Play A Playa

Originally I was so excited about this track, with the military gunshot-style intro and the catchy hook… but somewhere along the line, although I tried out a lot of different ideas such as having a rap in the middle of the song instead of at the bridge, and multiple hooks and stuff, I felt it lost the sparkle and drive I was aiming for the song to have, so I didn’t feel it was strong enough to make the album.  I like the song, but I just couldn’t execute it the way I wanted to so I kept it back for the mixtape.

Wild Heart

During my time at Oxford uni, I became friends online with a guy who got into trying to write and produce his own songs.  He sent me this track that he’d written and produced (the production is a slightly different style to anything I’ve done, though the song itself I like), and asked me to resing it.  I went a bit crazy with it, attacking it with different melodies and ad-libs, and when I sent it back he was like “WOW you have CHANGED it!!!” I really liked the way it turned out, but I think he was somewhat taken aback… I never really considered this song for the album, especially as my only input into it was changing some of the melodies, harmonies and structuring, but I like it nonetheless so I thought that there was no harm in putting it on High Fashion.

Role Model

The first element of this song that I had was the bassline, and then I just started adding lyrics to it.  I remember half of it was written in my head on a car journey with my parents, and the minute we got back in the door I rushed upstairs and spent an hour creating the song.  I like the sung chorus element, because it really expressed how I don’t feel that I fit easily into many categories that people try to pigeon-hole me into.  In terms of the music I listen to, my educational background and my sexuality (among other things), I don’t really feel that what is widely portrayed in the cinema really represents me, and I wanted to put across the fact that just because there is a stereotype for these things doesn’t mean that everybody necessarily fits them.  Although it’s not my finest hour rapping (and I like to think that the rhymes on “Armani Earrings” demonstrate how much I’ve improved), the lyrical subject matter is very true and I am positive I am not the only young person who feels misrepresented.  You have to be who you are, for the sake of who you are.

Broke WIthout Remedy

I was listening to Erykah Badu’s most recent album New Amerykah and wanted to do a song which was a bit more unstructured and organic sounding, so I hit up Garageband and started playing with samples. This is the result! I was near the end of my university degree at Oxford, and I was kinda frustrated because I didn’t know where I was going next and I was in a lot of debt and I was just like “what happened? I thought this degree would solve all my problems and it’s just left me with more!”  With my new uni course and being so happy and that being beyond me, the perspective I now have of Oxford is perhaps more balanced and I can appreciate the quality of degree and the good friends that I got from there, but at the time of writing / singing the song, I was feeling quite down.  Towards the end, my voice cracks and I kept it in as evidence of too much cigarettes + emotional despair = raw vocals!

I Want To Know What Love Is (see post!)

High Fashion (Acapella) (Outro)

Another little acapella taster of the “High Fashion” track on my album.  The Intro uses some of the backing music, and the outro uses the first verse and chorus of the song.  Although I’m not 100% happy about ending the album with 2 acapellas in a row, I definitely thought that these last two songs both deserved to be on the mixtape and both fit at the end.

So there you are!  Once again, you can download the mixtape HERE and I really hope you enjoy it! 🙂

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so sexy.

September 3, 2009

Tonight I have had sort of 10 cocktails & far too much food, so I’m not feeling at my intellectual peak.  However, I’m going to blog anyway!  As much as I’m feeling buzzed off the alcohol and also off having had a lovely evening with my friends, I do have something to say.  We were at Giraffe in Cabot Circus from 4:30 until 6:15ish drinking drinking drinking, and Karina has a friend who works there.  I will save his embarrassment because I don’t actually know how to spell his name, but he was foreign and incredibly cute (and talkative too!).  And perhaps it is part of the whole façade mentality that I have, where you have to project the best possible image and attitude of yourself at all times, but I found myself trying my hardest to be cool and aloof and funny all at once.  He probably didn’t even notice, but it seems to be a “flirt autopilot” with me.

And then, at Frankie & Benny’s (where we consumed all of the aforementioned food), a group of guys came in while we were eating dessert (cinnamon waffle crunch mmm-mmm), and my head nearly span off its axis.  Again, I blame the drink, but I can’t help but notice when someone is attractive to me.  Normally, I try to act as nonchalant as possible, because I don’t expect any comeback off it, and it’s just the same as when you know somebody is checking you out, you act as if they don’t exist because you don’t want to call attention to them nor give them the slightest impression that they have a chance or that you think they could possibly be on your level.  I don’t know if it’s a strategy of playing hard to get, or just being as ice-king as possible (I prefer to believe it is the latter), but I would never expect someone to return my stares, and I would never acknowledge anyone’s interest or flirtations with me.  Perhaps it’s just another one of my counterproductive “I want a boyfriend but I refuse to settle for just anyone, but why am I single?” stratagems.

Which gets me to thinking, I have many, many celebrity crushes.  Singers, actors, models, Brazilians, footballers… I have been addicted to them all for many years now.  And perhaps that is why my standards (and the standards of those people who are like me) are so high, perhaps too high… We expect visual perfection.  We expect floss and ice.  We expect the finest things. We expect a heart of gold within a body of sin.  And when we go on dates and take people out, that is what we try and provide to the best of our ability.  But all too often, somewhere along the line our expectations are just too high, and people fall short.  I think it takes two, and perhaps I should be more realistic as much as my date should step up to the plate and put in a bit more effort… but then in real life, after a phase of disappointment, I start to relax my standards and appreciate the “everyman”. Be they scruffy, unshaven, slightly damaged… we become more accepting of flaws before we really stop and think what we are letting ourselves in for.  All too many times while I was working at the Perfume Shop, dates of mine would stop by to meet me after work / during lunch / to say hi, and my friend Henna would always tell me after they left “What are you doing? Did you see how he looked? You could do so much better.”  And ultimately, between immature boyfriends and disinterested players, she’s been proved right every time.  Despite my attraction to guys whom I might more feasibly find in Bristol, and feeling that this attraction is a bit more realistic and accepting of real people’s flaws and quirks… I’m disappointed every time, so I go back to the high celebrity standards and looking out for those model-ready rich boys.  And the cycle begins again.

I’m not really sure what I’m trying to say in this post, beyond a dual acknowledgement of the hotness of so many guys in the Bristol area (the genuinely hot and the somewhat hot), and the fact that so few are truly eligible for me, be it because of the flirting games and unspoken protocols that exist or because I put up with too much shit before realising it can’t go on.  If Karina’s friend wants to call me, he definitely can 😉  But you know, I’m sure that it wouldn’t work.  And that’s more than just the alcohol talking.