Posts Tagged ‘drinking’

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maturity.

February 24, 2013

This week has been a thought-provoking one. First of all, I attempted to get Beyoncé tickets to her show at the London O2 Arena but failed miserably at both of the pre-sale events I tried. Upon receiving my payslip on Friday, I had to make a difficult decision – due to having to catch up on tax I was owing from changing jobs in the middle of January, I didn’t get as much money as I had anticipated. Some budget readjustments on top of this showed me the unfortunate truth, that I had to give up trying for Beyoncé tickets. As much as she puts on a fantastic show, and as much as it would be a major life event to see her live (just as it was to see Jennifer Lopez for my birthday last year), money is more important. And I think the money would be better spent on clearing my overdraft, and then saving up for a holiday for Toby and myself later on in the year – something that we’d both enjoy. Although I would love for Toby to be present at the Beyoncé gig, I guess the mature decision is to put the money towards something we would both equally enjoy – Toby would have been there at least partly for my benefit.

This weekend we’ve had Claire and Ian staying with us, and the past two weekends we’ve had Karina and Hannah too. I like the feeling that people enjoy visiting us and I hope that they will have a good time and want to return. Yesterday we visited the Saatchi Gallery and its current exhibition of Soviet art really captured my interest. At times it was revolting, but it was consistently engaging and I enjoyed it a lot. This made me think that in a way, it’s a shame that studying as an adult is so much more expensive and has to be balanced with adult responsibilities, holding down a full time job, budgeting and so on. Because in my opinion, when I was an undergraduate student in my late teens, I didn’t have the maturity (not necessarily emotionally, but in terms of the fullness and sharpness of intellect) to fully appreciate everything I studied. Although I was by no means stupid, and I definitely put the effort in, I know that if I were to my degree again, I would be able to turn my 2:1 into a 1st with the brain I have now. I love my Italian class because I love studying; I loved my postgrad because not only was it a pivotal time in my personal and emotional life, but I was truly studying with freedom and with my eyes open. That time, there had been no element of following the pack to university hoping that everyone else’s instincts that it was the right thing to do were right on (as it happened, they were); I knew that doing my postgrad was me grasping my future and changing my professional direction. Study is important because it can be life changing, but I certainly also love it because I am addicted to the feeling of learning and enriching myself, in the belief that it makes me a better person.

After the Saatchi Gallery, we went to visit Pete’s new flat in Kennington:

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It’s amazing that someone our age has been able to purchase a flat in London and get on the property ladder – it’s so bloody difficult, and at the moment making ends meet while we’re just paying the monthly rent is proving challenge enough! We headed on to Clapham for a meal and drinks, and I saw Clapham with the same eyes I saw West Kensington earlier that day as we headed up to meet Christina at her flat in Fulham. I saw these places with the eyes of someone who now lives in Chiswick and has unwittingly grown accustomed to its middle-class pleasantness. All of a sudden, the assault of newsagent windows chock full of posters, cheap eateries emboldened by harsh lighting and residences with missing corners and unkempt windows was distasteful. I couldn’t reconcile my sudden, definite prejudice with the facts that I don’t come from a particularly glamorous part of Bristol, that at school I was surrounded by people who were from more affluent families than me and I was thus proud of my brain and my achievements all the more, that for my first year of living in London my flat in Earls Court was conveniently located and all that I needed, but it wasn’t particularly luxurious. How quickly I’ve learned to see things differently! I hope, while we have achieved a lot in terms of where we live and I appreciate the comfortable home Toby and I have created for ourselves, that I haven’t become a snob or lost touch with the essential things in life which are more important than symbols of rich or poor.

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As Toby and I have settled into life together in Chiswick, we joke that we are becoming middle-aged – drinks out with friends are a treat, and we’re often so tired that we are grateful to stay in (as much as we enjoy socialising!). In Clapham last night, after a meal at Strada that took too long to arrive, we went to a bar that was crammed full of people 5 years younger than us shouting at one another over music that was decent but far too loud, and yet: there was no dancefloor! After a cocktail, we threw in the towel – either I want to dance, or I want to talk, but not being able to either was frustrating! Is all of this this another sign of old age, and of shifting out of the up and coming generation into the hasbeens? Or (I prefer this option) have I just grown up and now I see the world through the eyes of an adult who is fortunate, wise and no longer has to suffer (as many) fools?

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the importance of being artistic.

February 10, 2013

Something I didn’t list in my aims for 2013, but that has become a focus for me early on in the year, is to reintroduce art back into my life. This stems initially from a throwaway comment Toby’s father made, asking me what hobbies I had. Generally, I don’t talk about my musical pursuits or my blogging with my family, because I would find it embarrassing to explain exactly what I do, or even worse, give examples of them to people who feel they have the right to judge and criticise you simply because they are related to you (which is not the same as having a close connection with someone. Some relatives we also enjoy a feeling of closeness and confidence with – for me, my mum, dad and grandmother; otherwise I tend to feel that my partner and my friends constitute the bulk of my “family”. If that makes sense.). It’s a similar thing about maintaining a boundary between your professional and personal life when you’re getting to know colleagues. Some colleagues may become friends, but I tend to be very careful and cautious about how much I let people know about me.

So through no fault of his own, Toby’s father has been shielded from the majority of my hobbies and personal pursuits, and is not aware of what I do outside of cleaning and maintaining the house. I dropped the word “blogging” with no further elaboration, and swiftly moved on to focus on my Italian classes. Unlike me, Toby is admirably open about his creative skills: he’s actually created a new blog dedicated to his knitting and culinary creations, which you should all check out. And so, in kind, I have decided to reactivate my drawing skills. I used to love Art at school, but I wanted to study languages and so I had to make the choice not to continue with Art after Year 9. I also was fairly decent at it, but after so long I wasn’t confident that I would be able to draw or sketch anything. I had made a few attempts during the less interesting lectures of my postgrad, but nothing more serious than preliminary tattoo designs (and we all know those turned out well enough anyway!). So after Toby gave me a pristine sketchbook he had never used, I decided to jump-start the year by buying a nice set of sketching pencils, one of those lovely tablet rubbers, and get drawing. My first attempt (sketching a white rose I found online) turned out like this:

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It would appear that I still know how to draw! Since then I’ve done a couple of other things which I am really pleased with, and perhaps I’ll share some of them on here in time.

For my leaving present from Southbank, my colleagues bought my a Kindle, which was extremely touching. I am already a huge fan of it, because I do most of my reading when I’m on the tube or the bus, and my bag is now both less heavy and more roomy. I’ve also enjoyed browsing the online books in both the Amazon Kindle store and on Project Gutenberg. I’ve now read The Life of Pi (which I think is still available for a bargainous 20p), The Turn of the Screw and am currently starting Wuthering Heights. It’s wonderful that books published 100+ years ago are free to download, and I am taking the opportunity to enrich myself with classics I otherwise probably wouldn’t bother to read. Hannah sent me a great link to Stylist’s page on the best free books, which is a wonderful list to help get started on the Kindle (especially if you don’t want to spend too much money on brand new books at first).

Finally, another way I am seeking to enrich my life is through perhaps Toby and I attending some evening lectures. Over the past couple of years, we’ve been to the occasional talk, but as we are getting older, we haven’t got the energy to be out drinking every night (actually, I’m not certain we ever did!) but neither do we want to spend all of our evenings in. So in order to enrich ourselves, we could either do some exercise (I don’t know how successful that would be), or visit some exhibits, attend some lectures and listen to some interesting people. I have found a London Lecture List and already I’ve got some ideas for things that might be interesting. There’s also the second Vogue Festival in April, and I am certain that this year I’ll budget for it in advance and try to attend 🙂 If I indeed make it, I’m sure that I’ll cover the event on HOMME FATAL. It seems silly to stick to the TED app (which is an amazing resource) when we’re living in London and could go and see inspiring speakers in the flesh. This whole post is about jump-starting the year and seeking out new sources of inspiration in order to enrich and culture myself.

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Rihanna – Unapologetic. (album review)

December 2, 2012

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Unapologetic might be Rihanna’s best album yet. In truth, I’ve been struggling to work out how to start a review of this album without referring to her previous masterpiece Rated R, which was a tour de force that exposed an angry, vulnerable girl trying to figure out the aftermath of love gone wrong. This album came out when I was in the midst of trying to untangle and deal with my own feelings of unrequited love, and resonated with me on such a level. On the other hand, Unapologetic comes out when I am happily in love and settled in my own life. This time, Rihanna’s narrative is quite different to my own – and yet Unapologetic, to its credit, still connects with the listener, drawing them into her fury that this time is more simmering than explosive (on Rated R, all-out rage only begins to subside into a quieter, more vulnerable, bubbling – yet nevertheless powerful – anger at around “Photographs”, two thirds of the way through the record).

Of course, Rihanna’s life has changed considerably since then. An even bigger star now than she was 3 years ago with the ability to only release number 1 singles, now she has a number 1 album to match. Meanwhile, her atomic breakup with Chris Brown (precipitated by his fists) has metamorphosed into media-baiting behaviour, ill-advised collaborations with Brown and the rumoured (likely true, if the photographs and ineloquent tweets and confessions of her ex are to be believed) rekindling of their romance. Unapologetic: why shouldn’t Rihanna forgive her abuser, her first love? Why shouldn’t she work with a hot male R&B star? Why can’t she misbehave, smoke, drink, party night after night like anyone in their early twenties? Despite what naysayers like to purvey, her career certainly hasn’t suffered for it. But the material on the album – none of which was written by Rihanna but all of which has a stamp immediately more personal than the scattergun Loud that hit dizzying heights all too infrequently, and than the ultimately unsatisfying Talk That Talk that petered out halfway after such a promising start – displays a thoughtfulness that suggests that while Rihanna may be “unapologetic”, she’s not unaware of what is going on around her, what is happening to her and certainly of what is being said or claimed about her. Unapologetic continues where Rated R left off: there are certainly hits, but nearly every song carries a depth of meaning that exudes confidence, confusion, sex and honesty.

Opener “Phresh Out The Runway” is swag personified, and is effectively Rihanna making an entrance. While it’s great to start the album, and an excellent song to listen to for an immediate energy boost when you’re half-asleep leaving the house on the way to work, it’s not the meaningful content I’ve discussed above. Neither is the other David Guetta collaboration, “Right Now”, a club diversion that rehashes previous album highlight “Where Have You Been” to pleasant but unremarkable effect. But on lead single “Diamonds”, we get a childlike chant, a sparkling midtempo strut and a powerful vocal that lyrically echoes previous megahit “We Found Love”: where there were “yellow diamonds in the sky”, now we are “shining bright like a diamond in the sky”. Rihanna’s vocals have grown more impressive over the years (whatever she’s smoking, I would like some) and where she may have simply been a vehicle for delivering hit songs even on the consistent Good Girl Gone Bad, now it’s she who transforms a song into a smash. The chorus is powerful yet sincere, and lyrics such as the telling “I choose to be happy” betray a sense of desperation in trying to convince herself that a romantic relationship is truly infallible rather than fleeting (as are the moments portrayed in the accompanying video). It’s a fantastic performance, and a refreshingly downbeat choice for a lead single that nonetheless packs punch.

The next trio of songs could all be described as downbeat yet potent, but each has its own place on the album. “Numb” works atop a sensual Egyptian-sounding ostinato and pounding drums, while Rihanna drawls monotonously that nobody “can’t tell her nothing… I’m impaired / I’m going numb, I’m going numb”. Interestingly, the vulnerability continues as the lyrics imply that for all her power and “double-dares”, Rihanna sees herself as the defective one. “Pour It Up” in contrast is celebratory of women who are in charge (like Rihanna, of course)… and yet the vocals and beats are submerged in aural tar, as if Rihanna is high off the champagne, weed and money referenced in the songs. None of these songs are instant, and yet on repeated listens they reveal themselves as worthwhile and interesting – “balling out” may not be as fun as it’s cracked up to be. “Loveeeeeee Song” is also very chill, working from a traditional R&B template that’s chopped and screwed into something less recognisable. It’s a romantic ballad dressed up as a nonchalant come-on. So far, the theme of Unapologetic is that appearances can be deceiving – Rihanna is flawless, cocky, confident, nonchalant, vulnerable, determined to be happy, numb, impaired, intoxicated, worried about “sounding too desperate”, in need of love and affection… It’s a spiralling morass of emotion dressed up as a percolating limousine ride.

Things become much more straightforward with “Jump” – i.e. SMASH. Dubstep breakdowns done right and made fresh and dynamic; a sample of “Pony” by Ginuwine that could have easily been problematic (as is so often the case when interpolating excellent material) but instead elevates the music; Rihanna is cocksure and forthright. But within a couple of songs, we have an explosive ballad that I saw described by a user on Popjustice as “fire and ice blasting out of the ground”. “What Now” is flawless and one of Rihanna’s best works – a mid-tempo ballad that quickly becomes bombastic, overwrought and emboldened by one of her best vocal performances to date. As drums explode and guitars roar to a climax, lyrics profess that “I spent every hour just going through the motions / I can’t even get the emotions to come out / Dry as a bone, but I just wanna shout”. The emotions certainly do come out, so palpably that the cut is utterly absorbing and one of Rihanna’s best. “Stay” directly follows this and is the quietest track on the album, serving as more evidence of Rihanna’s improvements as a vocalist and interpretative singer – she is capable of taking a song and breathe life into it, whatever the subject matter or emotional standpoint. It’s just been confirmed as Unapologetic‘s second single and appears to be a fan favourite, though I wouldn’t go any further than saying the song is fine – I would certainly champion other tracks over this one. But its contrast with the other songs on the album and with Rihanna’s usual output gives it its own place on the album.

“Nobody’s Business”, the duet with Chris Brown, is the perceived “event” of the album, sampling Michael Jackson to boot. But musically it’s a little bit flat – the existence of the duet says more than its sonic attributes. “You’ll always be mine, sing it to the world… ain’t nobody’s business.” Yet another contradiction in an album full of them, both lyrically and musically. Is Rihanna purposefully spiting all of those who supported her during the fallout of her abuse suffered at Brown’s hands? Is it offensive? Or are they just teasing? It seems very pointed when Rihanna sings “Let’s make out in this Lexus” – as opposed to what happened in a car last time! It’s a trying sentiment that seems difficult to understand – but once again, let’s remember that Rihanna is “unapologetic” so what does it matter? She is going to do what she wants, she’s young and in love, and hopefully she won’t get hurt again in such a way. “Love Without Tragedy / Mother Mary” is the album’s centrepiece that, like “The Last Song” from Rated R, captivates the listener with exceptionally personal exposure. Where the previous track aims to provoke without any substance to back it up, here the confessional actually reveals a lot. “I was his Marilyn Monroe / Brown eyes, tuxedo, fast cars / A James Dean on the low.” We are clearly taken back to that fateful night of Rihanna’s being attacked (and interestingly, she hints at Chris Brown’s alleged bisexuality to boot, which may or may not have something to do with the night in question).  The bravado of “Nobody’s Business” is completely gone here, and as the song transitions into “Mother Mary”, Rihanna sounds less sure of her swagger: “I swear I wanna change”. The lyrics touch on the nature of fame, as does worthwhile bonus track “Half Of Me”, and implies that whatever we think we know about Rihanna, us outsiders never get to see the whole picture and so we shouldn’t judge… but Rihanna understands that we inevitably will. As much as “Nobody’s Business” claimed to be happy-go-lucky and ready to dive into love-as-sex, “Love Without Tragedy / Mother Mary” shows much more depth of thought (as in “What Now”) and heart that encourages repeat listens. This is another highlight of Unapologetic.

The closing songs of the album feel like a plane coming into land. “Get It Over With” is sublime, like a song-length interlude that urges the climax to “come on and fucking rain”; anger gives way to fatigue and surrender to whatever will be, good or bad. “No Love Allowed” is, contrastingly, a deceptively sunny reggae song that once again confounds expectations set up by the previous song. But the lyrics are spooky and uncomfortable, as was its precursor in spirit, Loud‘s “Man Down”. In direct opposition to that song’s subject matter, here it’s Rihanna yelling “911 it’s a critical emergency / Better run run run and charge him with the 143.” It’s a neat (perhaps too neat?) inversion of “Man Down” and seems to shed more light on the Chris Brown saga… but as highlighted in “Half Of Me”, how much do we ever know about Rihanna? We’re not privy to the whole story – according to “Mother Mary”, she’s going to “make the best scene they’ve ever seen.” “Lost In Paradise”, last but not least, is a bass-heavy closer that implies the story is not over, because now Rihanna has to find meaning to the paradise she claims to be stranded in if she ever hopes to find her way out.

For an album where Rihanna does not carry a single songwriting credit (though she is an executive producer), Unapologetic sure feels personal. And honest: an album filled with contradictions that are often calculated but nevertheless sound/feel like they have genuine meaning. The journey of the album is consistently riveting and reveals its complexities on repeated listens. There may be few answers to fans’ questions (however many sordid details it provides), but this rings less as Rihanna being deliberately elusive and more as she herself not quite knowing how to proceed. After all, she’s naked on the damn album cover – how much more vulnerable can one be, clothed only in a flimsy gauze of words, slogans and hashtags? In a world where her lover became her abuser and now may become her lover again, and where soundscapes and lyrics distort and contort around and through her voice, the one thing – no, two things – Rihanna clearly knows is how to release hit singles, and how to craft a powerful album.

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onyx paradise.

April 11, 2010

Those of you who know me will know that my screen name for 85% of the forums that I use is “onyxparadise”.  Originally I only liked the ‘onyx’ aspect of the name (since the word looks and sounds pretty), but the name ‘onyx’ had been taken already on the forums I was interested in using at the time, and I was inspired by Britney Spears’ Onyx Hotel Tour.  Choosing an alternative, mysterious-sounding gemstone quickly became apparently not an option: “sapphire” and “topaz” (both in reference to my mother’s favourite stones, and both pretty-sounding words once again) were far too girly, so I thought about adding something to “onyx” to make it work.  Again “sunset” and “beach” sounded too feminine, but I hit upon the idea of “onyxparadise” and it had a magical, mysterious ring to it.  When I think of what the word represents, it symbolises some sort of fantasy faceted-glass multicoloured landscape within a gemstone.  I don’t know how to verbalise it better than that, but I know that those words create nothing close to the image / atmosphere in my head.

Returning to Britney Spears, she did teach me something interesting about the onyx: although the stone is traditionally black when we see it used in jewellery (and although black is my favourite “colour”, I’m not a fan of onyx jewellery), any light that shines into it can be refracted back out in a multitude of colours.  Now, Wikipedia tells me that this is false (or somewhat exaggerated at the very least) but I’m going to go with it because it supports the metaphor that I want to explore and essentially base the rest of this blog entry on.  Ever since I can remember, I’ve always felt like I’ve had multiple personalities.  Different sides of myself expanded as I got older and I started to give them different names: Alan; Miles (ok that was ill-advised but he didn’t last long); AC; purehonesty; onyxparadise; Chase.  They embodied different things, different representations of me, and now I reflect upon it I see that onyxparadise was really the perfect name.  Rather than multiple personalities, I am one person with all these different facets, different colours, different aspects to my being.  Just like an onyx (or Britney Spears’ version of it, anyway).

Sometimes I feel like I keep getting it wrong: I hated the movie Kick Ass, which I went to see last night, because I could only see reference after reference to Kill Bill – at want point does a parody/homage become a rip-off? It must have just been me, as the vast majority of reviews online are hugely positive, but I guess I just didn’t get the sense of humour (though I enjoyed Hit Girl). I don’t eat pizzas quickly enough for my father to have as much space in the fridge as he would like, and the first thing he said to me this morning was “who opened the back door?” as if by getting my milk from the fridge I had unwittingly committed a cardinal sin.  It’s times like these that I feel socially awkward or incorrect (like when I confused the barista at Costa by barking at Toby not to be so healthy in his choice of biscotti, as he was making me look bad with my vanilla frescato and carrot cake), and it’s only recently that I’ve taken a personal stand not to let my family make me feel so ugly, because their problems are no reflection of me.

There is a facet of me that feels tough, dark and edgy.  I now have 3 tattoos, I dye my hair black on the regular, I smoke and drink and stay out late.  I’m still a good person, I have many friends and I work damn hard juggling studies and employment. So I feel I’m entitled to play hard, and I feel that at 24 years old I’ve proved to myself (and to anyone else, not that that matters) that I am intelligent and sensible enough to make my own decisions and to stand by them and live through the consequences, right or wrong.  By embracing that side of myself, I take less nonsense, stand up for myself more (although this is still a work in progress)and I feel that it’s been key in the shift in my life over the last 9 months to being much more happier and taking control.  I feel happier indulging the edgier, mysterious side of me, acknowledging there are dark depths of my personality and essence that I have yet to plumb, because it makes the light shine that much brighter too.

And now, I have some really good friends, people who are close to me.  If my family more and more are the source of unnecessary stress and drama in my life, then my friends feel like what my family should be.  So I almost glow when my new best friend tells me how glad he is to be friends with me; when my boyfriend tells me for the first time that he loves me.  These are experiences I never had before, that make me feel almost uncomfortably good because I am valued, I matter.  Sometimes being strong, being independent, being tough – even if it’s a self-fulfilling façade at times – is really lonely.  But it’s times like that, it’s times when Mike offers me to spend the day with him and his family, when Billy gives me a big hug and kiss before bedtime, when Toby holds me tight in his arms as we watch TV and I feel so safe, that I know I don’t have to be, don’t deserve to be alone.

I never used to wear designer clothes or jewellery.  I have never been a 32″ waist since I was a child, and I find it funny to be posing as a model in Toby’s photos on beautiful days walking around Bristol, because I always dreamed of being a model and assumed it was out of reach.  After the strife of growing up between my parents and their families, the violent alcohol-fuelled arguments and mental abuse I experienced as a child and adolescent, the periods of unhappy rebellion as a 16, 17, 18-year-old, the disappointment of not really knowing where I was going with my life having graduated from Oxford University, the turmoil of a year in retail unable to fulfil my potential, I finally get to experience everything slotting into place, the lights shining from the onyx in a rainbow of the right colours.  Life finally feels good, if not how I imagined it to be! So this entry is really personal to me, because it’s how I see that I’m a whole host of different things – I am one person with many different aspects, not all of them necessarily pretty but all of them important, all of them of value.

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dream / nightmare – smurf exercise class.

February 26, 2010

I just woke up, and although I have work in a bit (I need to be dressed, teeth brushed and on the bus stop in 45 minutes, ideally), I just had to blog this dream, it’s made me feel really strange.  What’s worse is that it’s the closest thing I’ve had to a nightmare, and you will all probably think it is the most hilarious dream out of all of those that I’ve blogged.  Yet it’s left me with a really uneasy feeling… :S

I was the same age as I am now, but it was like we were back at school, and we were all in changing rooms getting changed back into our clothes after what was ostensibly a swimming lesson.   I was keeping myself to myself, but in the same changing room there was a group of 3 or 4 guys from my year group at school, one of whom was R whom I used to have a massive crush on back in the day.  Anyways, it was meant to be his birthday, and he was having some sort of party, and they were talking (the group of guys were all twats, essentially) and discussing how much they were going to drink, what they were going to do, who they were going to try and sleep with etc. I kept my head down and tried to get changed, but for some reason they were looking at me and asking why I was getting dressed so slowly, did I like being naked with them, I had no chance of anything happening, I should hurry up because I was keeping them all waiting.  I was getting changed as quickly as I could, but when I looked up, they were all dressed and suddenly a teacher came in and informed us that if we didn’t hurry up, the last 6 people might not be able to fit on the bus as there was limited space.

After that, I remember some sort of classroom game, but only vaguely.  What happened next was that my school colleagues appeared to vanish, and were swiftly replaced by the people on my careers guidance course at uni.  Our tutor, Mary, came out and split us into our two practice groups (which is how we’re split up for quite a few of the activities on the course) and told us to go outside, where we’d receive details of the task we would have to prepare.  We all crowded outside, a lot of people were chattering excitedly but I was feeling somewhat melancholy after my earlier experience, so I was still quiet.  Outside it was a replica of my patio at home, but a lot larger in order to be able to fit 23 people sitting around the edge.  Mary stood in the middle and told us that one member from each group had to be a Smurf and entertain a group of youngsters while also doing some sort of exercise instruction class.  I was immediately horrified, while several members of the group laughed.  Then Mary announced that she had chosen one person from each of the two groups to perform this task, while everyone else was going to role-play being the children and watch in the audience.  I don’t remember who she chose from the other group, but from my group she chose me.

I was mortified, and I sat still as the group became more excitable.  I wandered around the outside of the patio trying to evade the task, but the group of my friends started heckling me and told me to be a good sport and have a go.  I was so uncomfortable, I didn’t want to dress as a Smurf, and I didn’t want to expose my body. I didn’t want anyone to laugh at me. Plus, it was also a ridiculously stupid activity, and would be of no value to the kids, and I don’t know why Mary would have selected people (let alone me) as normally she would let us come to a democratic decision. So this made me feel pretty upset, and as I stood in front of the group of my friends, I had to fight back tears, and I started to dance awkwardly before abruptly stopping and pleading with someone to swap with me.  Mike got up and stood next to me and put his arm round me and told me it was going to be alright, that it was just a bit of fun and not to take things so personally.  I felt a little better for that, but I still really didn’t want to be a Smurf. I asked if someone would please swap with me, but the group was too busy talking and laughing, or watching the other group’s Smurf, to really pay attention.  Finally, my friends started paying attention to me, and I repeated the idea of swapping out of being a Smurf, since I didn’t feel up to it. My friends started going “aww” and “it’s only fun!”, but then I realised that Mike was volunteering to swap with me.  I was not happy about this, because I would have liked to sit and gossip with Mike (as we usually do), but since he was the volunteer essentially saving me from a fate of wearing a nappy and being giant and blue, I let him take over and sat in the corner.  Immediately, Clare put her arm around me and told me not to worry and just to relax and enjoy myself, but I felt somewhat disappointed in myself that I didn’t have the strength to perform a task I had been chosen for.  I looked up and was again horrified by what I saw: Although Mike’s face was normal, he was now stripped to his underwear, grinding while my group were all heckling, laughing, whooping, trying to reach out and touch his body which was ridiculously thin, muscled and tanned to a deep bronze like that of a body builder (but slim) – in reality, I have not seen Mike naked but I am quite confident his body is not like this! I was horrified and as Clare and some of the women in the group started to grope his underwear (which seemingly fell away), I began to cry with embarrassment that I had been chosen for such a task, that I couldn’t do it, that Mike had had to save me and yet was enjoying being naked and playing the clown in front of the group (which I thought was utterly humiliating and sorta disgustingly prurient), and then I woke up.

Very bizarre. 😦