Posts Tagged ‘direction’

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Driving tips and tricks

February 23, 2011

Hi all! So I have now been driving for two and a half weeks, and I’m rapidly finding out that the adage “Once you’ve passed your test, that’s when you start learning to drive” is true. I thought that from my first couple of weeks (since I’ve clocked up a fair few miles in a relatively short space of time) I would share my experiences and things that I have learned.

  • Nobody can make you go faster than you want to, no matter how close up behind you they may drive. Don’t rush yourself. Stay in your comfort zone, and you’ll soon get more at ease with your car. If people want to go faster, they’ll overtake – they always find a way!
  • Do not try and do a hill start in 3rd gear. It will not work! So learn where your gears are. It’s best to have a practice drive around the block (over, and over, and over – I did!) to feel at ease with the car before you have to go somewhere specific.
  • Be nice. Sometimes life is plain unfair, but a lot of the time what goes around comes back around. So if someone is waiting to pull out of a junction, and it’s safe, let them. It’ll make you feel better about when you stall your car and the person behind you is patient, or when someone lets you out in front of them.
  • Learn the width of your car. Preferably not by bumping the end of your wing mirror against another car (although you’re unlikely to do any damage – I did it once and escaped unharmed). If in doubt, then stop and let the other driver come through.
  • At a roundabout, even if you think the car on your right will stop because you’re halfway across, don’t assume that they will. Especially if they are boy racers. Technically, even if they are idiots and are driving too fast, they have the right of way so just let them go ahead of you, and soon enough they will be out of your way.
  • Learn your routes, so that you know where likely problem areas are going to be. For example, on the way to work I always slow right down to drive through Tetbury because it has a ridiculous crossroads / roundabout junction, sharp curved roads with cars parked on one side, speed bumps and a lack of people who seem to know the basic Highway Code. So when you know somewhere is usually problematic, be aware!
  • If a pedestrian has arrived at a zebra crossing, even if they’re not near you, slow down so you can stop for them. Otherwise they will glare at you. And technically, they are right (unfortunately).
  • The turning circle on your car will most likely be different to that of the car you learned to drive in. So when you try to do a reverse park, be careful and don’t feel bad if you end up still two miles away from the kerb, or alternatively backing into the kerb. You got your licence – they can’t fail you now! Practice makes perfect.
  • Re. the above point: driving into a space is much easier than parallel parking.
  • If you’re parked on a camber on a downward incline, even when you put your car in reverse, it’ll roll forward a little bit. So leave yourself room to do this. If you have no room, get a kind parent to reverse the car while you push forward on the front to stop the car rolling forward and hitting the car in front. This is the kind of mistake you only make once (I hope!).
  • Learn where the speed cameras are. Once you’re more confident, you will learn when you can speed up a little bit (obviously not too much!) over the limit, and when you need to slow down.
  • Driving on the motorway is just like driving on a dual carriageway. It’s basically driving in a straight line at a high speed for an extended period of time. It’s nothing to be afraid of! Just use the signs along the way to your advantage.
  • Don’t sit in the middle lane on the motorway. It’s irritating.
  • Don’t leave your fog lights on for extended periods of time. Turn them on for foggy patches, turn them off when your visibility improves.
  • Don’t worry about being in the wrong lane. If you realise you are in the wrong lane, keep calm and indicate to get to where you need to be (or follow the road round if there is no alternative and try and loop back as soon as possible). Most of the time, you’ll get an opportunity to filter into the right lane – either because someone takes pity on you or because the traffic passes. I apparently have the directional sense of a wombat and I still get places in the end! Remember: even if you get lost for 5 minutes, it is quicker than getting the bus! And you can always buy a sat nav.

And most importantly: ENJOY driving! We passed our tests, we spend ridiculous money on lessons to get here, we pay a premium for petrol, insurance and the vehicle itself. We earned this. Have fun!

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why young money has won me over.

January 17, 2011

OK, so as I am unwell and off work, I might as well try and do something productive. I haven’t done a music review on this blog for ages – and while this isn’t a traditional album review, I thought that I would write a music-related article.

I was reading on Toya’s World Drake’s recent comments on how Aaliyah inspired him as a singer to make his songs relatable across genders and across situations. This connects to one of the best songs on his album, “Unforgettable”, which samples her. Unfairly, I ignored Drake for an unfeasibly long time, and it was only hearing his songs covered by Teairra Marí on her Point Of No Return mixtape that made me decide to give him a chance. I am so glad that I did – rather than just another overhyped rapper who featured on every R&B and Hip Hop single of the moment over the last year and a half, his album betrayed a talent for rhyming and exposing vulnerability and honesty over beats that combined some of the raw soundscapes from Kanye West’s 808s and Heartbreak with horn-led Swizz Beatz productions. I was thoroughly impressed by Drake’s honesty about fame, and his lyrics which alternated between self-hype and self-deprecation. While Kanye West’s stellar new album My Beautiful Dark Twisted Fantasy equally shows him exposing the insecurities behind his ego on songs such as “Runaway” and “Blame Game”, the difference is that Drake has been upfront about his insecurities from the get-go. This is something I feel is admirable for a male artist in any genre – traditionally, female artists are emotional and find strength in their vulnerability, while male artists are sex-hungry, predatory and invulnerable to emotion just as they portray themselves as being invulnerable to everything, bullets included (a quick flip through rap history should indicate that this is certainly not the case – 50 Cent aside). So Drake utterly won my respect for being frank and honest, while also creating a really good album that still had some swagger songs, but was not afraid to step away from that and both rhyme and sing with equal sincerity.

Nicki Minaj’s mixtape Beam Me Up Scotty was utterly thrilling, but again betrayed something more than your average hyper-sexual female rapper. Her idiosyncratic delivery, and her willingness to be vulnerable and honest about her music industry difficulties (on “Can Anybody Hear Me” she proclaimed “Def Jam said I’m no Lauryn Hill / Can’t rap and sing on the same CD / the public won’t get it, they got ADD”). By extension, we can understand that Minaj has a clear vision of who she wants to be as an artist, but is being somewhat held back from that and steered in a slightly different direction.  It’s no accident that “Save Me” is one of the best songs on Pink Friday, and it is the only song which Minaj sings from start to finish. Image-wise, Nicki Minaj is clearly hailing after Lil’ Kim, and to a lesser extent Lisa Left-Eye Lopes. Pink Friday at first was a disappointment to me because it was much more pop than I was expecting, and there weren’t many of her hard, crazy verses that characterise her best features, such as on Kanye West’s “Monster”. Nevertheless, the album has impressed me because it does mix in various sounds, various characters, and is not overtly sexed nor trying too hard to be one of the guys, or prove its gangster credentials – these are elements that have characterised a lot of female rap and it is brave of Minaj to forsake all of these and try to be herself, even if she is not allowed to be so fully. So again, although Nicki Minaj is hardly original and I have a suspicion that her true artistry will be revealed in years to come, her output and dedication to her craft is still promising and beyond what is expected of most new acts.

I wonder if, when putting together his Young Money troupe, Lil Wayne was aware of just how talented his acts are. I am tempted to say yes, as madness and artistic talent can often go hand in hand. Young Money’s album itself comprised catchy, if disposable, chart fodder which nevertheless promoted a collective ethos above highlighting individual talents. This is all well and good, but apart from Wayne, Minaj and Drake, how many of the others can you name? Sure, Shanell is memorable for being the other female in the group, and has contributed solidly to Nicki Minaj’s songs “Handstand” and “Cupid’s Got A Gun”, exhibiting a controlled and evocative vocal on the latter. She also wears that interesting jewellery across her face.  Tyga stands out by dint of his recent collaborations with Chris Brown on “Deuces” and other songs. But neither of these artists (nor any of the rest) have yet been allowed to stand on their own two feet. I mean, between Wayne’s own mixtapes and those of Drake and Minaj, along with their official studio albums, singles, collaborations and features, they already saturate the media. It is likely that if all were given the same treatment simultaneously, the public would scream for respite.  But I wonder, since Young Money clearly comprises talented members who, importantly, have their own vision and are not afraid to express it, just how many more talented members we haven’t yet been exposed to. This intrigues me and suggests that the collective is filled with promise.