Posts Tagged ‘dancing’

h1

aRt.

December 3, 2011

This week I have been inspired by two people in particular. Listening to Rihanna’s new album and watching her performance on the X Factor, I am aware that she isn’t the best singer or dancer, and that she is well aware of what music will sell well. But nevertheless, I feel such attitude from her new album, from her songs and performances – they are so energetic, so vivacious and really transmit an emotion and a lust for life that I admire. When some of her songs are quite explicit or controversial; when she wears outfits that catch the eye and make people talk; there is a gutsy and carefree aspect that is uncompromising and refreshing. This is one of the things I love about Rihanna, and in particular her more recent music.

On Tuesday night, I was lucky enough to go to Les Senteurs in Marble Arch and see Romano Ricci give a talk about his perfume range, Juliette Has a Gun. Some of the fragrances were stunning, while others were striking if not necessarily my cup of tea. But listening to him speak honestly and forthrightly about what drives him to create perfumes; what thought process and inspirations he has when he is beginning that creative process made me think about my own creative instincts and my music in particular. Sometimes a particular song will inspire me (immediately, “I Miss You” by Beyoncé comes to mind as something that has influenced my recent music); sometimes I will try to achieve a particular mood or aspire to a particular mental image or scenario. This has made me consider that the music for my upcoming album needs to be fearless and uncompromising; for in that way it will connect with a wider audience (regardless of the lyrical topic) and be more satisfying for me as an artist.

h1

Lady Gaga – Yoü And I (video review).

August 21, 2011

After the extremely disappointing clip for “The Edge Of Glory”, Lady Gaga is well and truly back on her video A-game with “Yoü And I”. In fact, one might say that there is a little too much going on, what with the appearance of both Joe Calderone (Lady Gaga’s male Italian alter ego), and Yuyi the mermaid. Lady Gaga strolls towards a barn, plays the piano, dances with a horde of clones, is making out with an extremely attractive tattooed man (played by Taylor Kinney from The Vampire Diaries) who is then seen torturing her and performing some sort of scientific experiment on her, is getting married to this same man, is a mermaid, is making out with herself as Joe Calderone, is running through a plantation… Huh? It takes a couple of views to even start sorting out what is going here, and I have no idea how it all pieces together – if you do, please enlighten me. But here are my two cents…

The Gaga that we see playing the piano seems to be the purest incarnation of Gaga in the video… perhaps this is reflective of her innocence? Compared to the bionic Gaga we see returning to Nebraska at the start of the video, Piano Gaga is very stripped down. However, Bionic Gaga is evidently returning to this place to rediscover the love interest she left behind (according to the lyrical content). It’s been a long journey both literally and figuratively – hence her bloody heels. And this area in Nebraska is not a nice place – a creepy ice-cream man, torture scenes and a snapshot of a barn that looks straight out of Texas Chainsaw Massacre do enough to suggest this. Bionic Gaga looks almost funereal… is she back for some sort of revenge on the sexy torturer? The first verse and chorus juxtapose innocent Gaga and Joe Calderone (smoking and drinking up a storm) with Bionic Gaga, to drive home how much must have happened in the interim.

Taylor Kinney’s character appears to be responsible for this. We see a wedding scene, and then snapshots of the experiments (with a struggling Gaga strapped to a bench). Cut to Gaga in a teal wig, dancing with a horde of clones (to a ballad, which in itself is fairly impressive). In trying to improve / redefine Gaga, her lover has diluted her originality and turned her into ‘everyone else’… perhaps some parallels for the state of the music industry and the identikit expectations of female pop artists? Again, I don’t know, but that’s what I’m getting from it. Gaga was innocent and naïve – she found love, but then love tried to change her under the guise of “improvement”. Love is pain, and love is struggle – but the more Gaga struggles, the more she is restrained, to the sound of “Sit back down where you belong…” Love is thus also linked to subjugation (again, apt for the music industry and the roles of managers and labels, perhaps?).

Yuyi appears, sat in a bath and bathed tenderly by the same tattooed torturer. This presumably took place prior to the experiments (as Gaga has a tail here and later, it’s gone). Yuyi, who is reportedly “the reincarnation of Gaga’s birth and artistic spirit”, couldn’t look more blissful to be with the man she loves. (Am I the only one who thinks that the name “Yuyi” is subtle way of saying “You (Yu) & (“y” is Spanish for “and”) I”?) Somewhere along the line, something went wrong, and as Lady Gaga has said in reference to the video, “Sometimes love doesn’t work”. Taylor Kinney tries to have sex with Yuyi, but clearly that’s not going to be successful – although he is quite attractive and I love his tattoo, so I am happy that scene is left in there! Is sexual frustration and sexual gratification the prime motive for trying to change Gaga’s character into a bionic superwoman? Could this apply to both the torturer and the music industry? Does Gaga need sex to sell? (Fast forward to the shot of a post-mermaid Gaga thrusting mechanically on the operating table.) And wasn’t she happier when things were simpler? The kiss she shares with Joe Calderone is much less angst-ridden… I guess that at first, Yuyi and her lover were happy, but as he wanted more that Yuyi couldn’t provide, he ended up ruining her body, their love affair, and Gaga’s individuality. To this end, I suppose that the wedding scene could have been the couple’s original dream (which appears as Yuyi cradles her lover at the end of the video) that never came to fruition – another symbol of this love not working out the way the lovers intended.

Gaga and her dancers in the plantation seem to have much more fun and more free reign over their movements than the Gaga clones in the factory – while the latter are all doing the same routine, whipping their hair and being sexually provocative, the former are just being weird and are not in sync. Perhaps this also represents something… through trying to make someone be the way we want / expect them to be, we homogenise them to a point where they lose their identity and purity? I think that that theory does hold a lot of weight, but I also felt a bit silly / pompous typing that last sentence… after all, this is a music video!

The proliferation of guises that Gaga presents in the video for “Yoü And I” suggests that she has many complex and differing aspects to her personality as a whole, and each of these aspects has its own story and perspective. I guess that as people, we are all multi-faceted, and some parts of each person’s story is beyond anyone else’s comprehension. The Bionic Gaga who has returned to Nebraska doesn’t seem vengeful after all; as she sings to the camera at the end, she seems to have accepted everything that happened to her to make her who she is – after all, there’s no going back now, and we just have to experience everything that happens to us, be strong and independent, and keep walking. And if a music video can be that much of a ride and make one think that much, then it’s got to be a good one.

h1

Toni Braxton – Pulse. (album review)

May 7, 2010

The first album from Toni Braxton in 5 years comes following an abbreviated residency at Las Vegas, yet more record label disputes, health scares, a neat run on Dancing With The Stars and a separation from long-term partner Keri Lewis.  So one would assume that she has a lot of life material to draw on, material that might be evident in the singer’s new album.  Well, yes and no: Toni Braxton has stuck to her strengths, which are soulful R&B ballads expertly sung.  The lyrical content of these tracks betrays barely a whisker of what the singer has been through in the past 5 years, and to look at the singer she stands stately, sophisticated and stunningly beautiful for a woman of 40 years old.  Indeed, she still has that same sexy body she had 15 years ago, although now it is dressed with a more chic, age-appropriate veneer that effortlessly walks that tightrope between sexy and classy.  Nevertheless, Braxton’s creamy, rich alto has a slight bit more depth to it now; to paraphrase from her interview in Metro this week, she has the ability to channel her experiences (be they joyful or sad) into the texture of her voice, and this is what makes Braxton one of the most enduring and valuable singers to emerge in the last 20 years: you feel her when she sings.  On Pulse this is evident throughout, particularly when her voice is reduced to a low, husky whisper such as at the beginning of “Woman”, a cover of Delta Goodrem’s track from 2007’s Delta that improves on the original because Toni Braxton’s voice brings more depth to the lyrics (although Delta Goodrem’s own version was solid in itself, perhaps making this achievement all the more impressive), and the production ranges from subtle to soaring while never overtaking Braxton’s performance.

After more leaks than Ciara’s Fantasy Ride, it would be unacceptable for Pulse to be anything less than solid, considering the 25+ tracks we’ve heard from Toni Braxton’s recording sessions for the project.  For the most part, Braxton has chosen the strongest songs for the project, although bonus tracks “Rewind” and “Stay” add little value to the album and could have been replaced with successful “Ice Box” soundalike “Clockwork” and particularly “It’s You”.  These are just little personal gripes however, and don’t affect the fact that Braxton sings each of the 11 tracks on her album with impeccable aplomb; her voice cannot be faltered, whether she’s emitting attitude on the sassy “Make My Heart” (which again improves upon Blaque’s / Mis-Teeq’s “Can’t Get It Back”, being based on the same sample) or evoking vulnerability on standout closing track “Why Won’t You Love Me”.  It is surprising that this is the only track on Pulse that gives Toni a significant songwriting credit (“Yesterday” does credit her, but only along with 4 other contributors) considering her credits on The Heat and More Than A Woman; those two albums, while not perfect, were both cohesive and consistent – they felt like albums, not just a collection of songs.

And this is where my only main gripe with Pulse comes in.  Indeed, the album contains some beautiful songs – my personal favourites are first single “Yesterday” (although it sounds like Beyoncé’s “Halo”, it is strong and sincere enough to stand on its own two feet – unlike the version with Trey Songz, which suffers from a change in production that is at once overdone and bland), the aforementioned “Make My Heart” and “Why Won’t You Love Me”, “Wardrobe” with its clever man-as-outfit metaphor that somehow avoids sounding cheesy or forced.  “Lookin’ At Me” is a welcome uptempo that bumps convincingly and brings the sass out of Toni, and perhaps in the closing stretch of the album which is ballad-heavy, another uptempo of this nature might have livened things up.  Finally, “Hands Tied” is an utterly beautiful song in lyrics, production and vocals, and has an outstanding video to match – Toni Braxton dances in front of a troupe of attractive men, stands in an eye-catching black dress in front of an ornately carved table that I would quite like in my house, and locks eyes with the camera, singing and dancing and yet conveying the determination for love inherent in the song’s lyrics.

As I said before, there are no weak tracks, and perhaps my opinion is swayed by the sheer amount of material I’ve heard from the project – unlike classic albums Secrets, The Heat and More Than A Woman, the album feels merely like a collection of lovely songs than like an album.  Previous album Libra suffered from this same problem, although Pulse has more of an identity, hewing close to soulful ballads and eschewing popular production tricks; unlike a couple of Libra‘s tracks, this album won’t sound dated, to its credit. But something intangible makes some albums more than the sum of their parts, and Pulse just doesn’t have that je ne sais quoi.  In comparison with Monica’s recent Still Standing (check my review here!), both albums are a welcome embodiment of “real” R&B, both are classy efforts that dispense with unnecessary featured artists and emphasise the singers’ strengths.  Neither album possesses any repellent tracks, and all the material is beautifully sung.  But if I had to choose between them, Monica’s would win out because something about it feels more sincere, more cohesive; something connects with the listener more.  I feel bad that I can’t quite put my finger on what that “something” is, but it means that while Pulse is certainly solid and worth purchasing, as a whole it isn’t  exceptional.  Nevertheless, some of its songs are exceptional, and it is wonderful to hear a singer relying on her vocal ability and strong songwriting rather than gimmicks or collaborations with flavour-of-the-month artists.

h1

end game.

April 18, 2010

It sounds silly to say, considering the last 8 months that I’ve had, but sometimes I still feel a waste of space.  I get down sometimes and I feel so indecisive, so useless… I don’t know what I want.  I have made huge changes and huge improvements in my life, and I am so grateful to that and I appreciate things like I never used to, so I don’t feel I’m being ungrateful or taking anything for granted.  It’s just that despite everything seemingly going my way for once, despite the career change I’m making and the reasons I have for doing it, I still wonder… what is it all for?

I always hated the question “Where do you see yourself in 5 years?” I’ve never had any idea, apart from when I was a child and I used to fantasise about running away and catching a plane to America at age 13, so I could be a superfamous pop singer by the magical age of 17.  Needless to say, that didn’t quite pan out (although I am very proud of my latest album Quiet Storm) and since then, I’ve felt at a loss, and somewhat a failure, for not having achieved that ridiculous and yet wildly romantic childhood dream.  In much the same way as I’ve been academically brilliant, I have always been able to sing, dance, write songs and play instruments because I just always assumed that I was capable of those things.  I never doubted myself, and through sheer force of will and plain naïve arrogance I turned out to be really good at all of that.  The only time I’ve ever failed any kind of test was my driving test, and 5 years on I’m making moves to finally erase that failure.  Generally, I’ve believed in myself and it’s pushed me to the top.  So why am I not famous, successful, rich and happy?

I look to my twin Ciara. She was born on the exact same day as me, and in her life she’s accomplished exactly what I wanted to but never did. Where did I go wrong? Did I ever have a chance, or was it just luck?  If I had my life over again, what could I do differently to end up where she is? Does that mean my achievements are nothing? I’m not going to brag about anything I’ve done in my life (the last paragraph sounded plenty up myself for this entry) but I know that I’ve achieved things which are pretty decent, some would say admirable.  But it means far less to me than perhaps it should, because it’s never really gotten me anywhere that’s mattered to me.

But then, looking at what the music industry is, especially now, I think perhaps I was naïve in believing that I could give up everything and just be famous.  Having the talent is one thing, but I don’t know if I have the stamina to stick out the years of churning out radio-friendly fodder to get to a stage where I can call some of the shots and have any sort of creative control. Especially now, where I’ve got to the stage of clearly becoming an “adult” (i.e. old) because I find 90% of what is played on the radio recycled garbage.  As I’ve grown my musical identity, I have gained more fixed ideas of what I want musically and who I am, and I certainly don’t fit into any of the current moulds.  I would not last five minutes on X-Factor and similar programmes, because even if I have the talent to make it, I don’t have the obedient personality which can be crammed into a shiny black suit and forced to sing mundane cover versions with choirs and key changes.  Frankly, I’d rather die.

But then, we all end up dying anyway, right? So I have let’s say, 65 years, to make something of my life.  Ideally, I want to have a life where I’m remembered for all time, but that doesn’t seem to be too likely does it? Either I go on a killing spree (which is a little bit messy for my liking), or I become a leading politician (I’d rather go on the killing spree), or I do something incredible on a grand scale.  This incredible thing was going to be the super-influential singing career idea, but I guess I’d rather sing for my friends and those online who appreciate my music (THANKYOU ALL btw!) and get to write, produce and sing the music I want, which means sacrificing the fame. Oh well.

My logic for going into Careers Guidance was to do an incredible thing on a smaller scale.  If I can’t have / don’t want the burdens and trappings of fame, I could still touch people’s lives as an individual, because doing Good Things gives meaning to my life and my actions, and it’s the meaning that I truly seek.  Just as my friends and I influence each other (again, thankyou all of you! YOu know who you are), I would like to be a good influence in people’s lives when they need it most, to enable them to progress and achieve what they want.  If it’s a less grandiose dream, it still has its heart in the right place, I feel.  And perhaps one of the people that I advise, that I support, that I help, will become the superstar I always dreamed of being.  That would make me feel incredibly proud, and perhaps that would be enough. I just hope that I do get a job as a guidance worker somewhere, because I finish this course in 2 months (it’s flown by, hasn’t it!) and I need the money, I need the experience and I also need to get my own place and not waste any more time!  Otherwise I will end up dying, and not having made anything of my life on whatever scale.  And that would be a disappointment and a waste of myself.  I need to make my life a life worth living.

h1

dream / nightmare – smurf exercise class.

February 26, 2010

I just woke up, and although I have work in a bit (I need to be dressed, teeth brushed and on the bus stop in 45 minutes, ideally), I just had to blog this dream, it’s made me feel really strange.  What’s worse is that it’s the closest thing I’ve had to a nightmare, and you will all probably think it is the most hilarious dream out of all of those that I’ve blogged.  Yet it’s left me with a really uneasy feeling… :S

I was the same age as I am now, but it was like we were back at school, and we were all in changing rooms getting changed back into our clothes after what was ostensibly a swimming lesson.   I was keeping myself to myself, but in the same changing room there was a group of 3 or 4 guys from my year group at school, one of whom was R whom I used to have a massive crush on back in the day.  Anyways, it was meant to be his birthday, and he was having some sort of party, and they were talking (the group of guys were all twats, essentially) and discussing how much they were going to drink, what they were going to do, who they were going to try and sleep with etc. I kept my head down and tried to get changed, but for some reason they were looking at me and asking why I was getting dressed so slowly, did I like being naked with them, I had no chance of anything happening, I should hurry up because I was keeping them all waiting.  I was getting changed as quickly as I could, but when I looked up, they were all dressed and suddenly a teacher came in and informed us that if we didn’t hurry up, the last 6 people might not be able to fit on the bus as there was limited space.

After that, I remember some sort of classroom game, but only vaguely.  What happened next was that my school colleagues appeared to vanish, and were swiftly replaced by the people on my careers guidance course at uni.  Our tutor, Mary, came out and split us into our two practice groups (which is how we’re split up for quite a few of the activities on the course) and told us to go outside, where we’d receive details of the task we would have to prepare.  We all crowded outside, a lot of people were chattering excitedly but I was feeling somewhat melancholy after my earlier experience, so I was still quiet.  Outside it was a replica of my patio at home, but a lot larger in order to be able to fit 23 people sitting around the edge.  Mary stood in the middle and told us that one member from each group had to be a Smurf and entertain a group of youngsters while also doing some sort of exercise instruction class.  I was immediately horrified, while several members of the group laughed.  Then Mary announced that she had chosen one person from each of the two groups to perform this task, while everyone else was going to role-play being the children and watch in the audience.  I don’t remember who she chose from the other group, but from my group she chose me.

I was mortified, and I sat still as the group became more excitable.  I wandered around the outside of the patio trying to evade the task, but the group of my friends started heckling me and told me to be a good sport and have a go.  I was so uncomfortable, I didn’t want to dress as a Smurf, and I didn’t want to expose my body. I didn’t want anyone to laugh at me. Plus, it was also a ridiculously stupid activity, and would be of no value to the kids, and I don’t know why Mary would have selected people (let alone me) as normally she would let us come to a democratic decision. So this made me feel pretty upset, and as I stood in front of the group of my friends, I had to fight back tears, and I started to dance awkwardly before abruptly stopping and pleading with someone to swap with me.  Mike got up and stood next to me and put his arm round me and told me it was going to be alright, that it was just a bit of fun and not to take things so personally.  I felt a little better for that, but I still really didn’t want to be a Smurf. I asked if someone would please swap with me, but the group was too busy talking and laughing, or watching the other group’s Smurf, to really pay attention.  Finally, my friends started paying attention to me, and I repeated the idea of swapping out of being a Smurf, since I didn’t feel up to it. My friends started going “aww” and “it’s only fun!”, but then I realised that Mike was volunteering to swap with me.  I was not happy about this, because I would have liked to sit and gossip with Mike (as we usually do), but since he was the volunteer essentially saving me from a fate of wearing a nappy and being giant and blue, I let him take over and sat in the corner.  Immediately, Clare put her arm around me and told me not to worry and just to relax and enjoy myself, but I felt somewhat disappointed in myself that I didn’t have the strength to perform a task I had been chosen for.  I looked up and was again horrified by what I saw: Although Mike’s face was normal, he was now stripped to his underwear, grinding while my group were all heckling, laughing, whooping, trying to reach out and touch his body which was ridiculously thin, muscled and tanned to a deep bronze like that of a body builder (but slim) – in reality, I have not seen Mike naked but I am quite confident his body is not like this! I was horrified and as Clare and some of the women in the group started to grope his underwear (which seemingly fell away), I began to cry with embarrassment that I had been chosen for such a task, that I couldn’t do it, that Mike had had to save me and yet was enjoying being naked and playing the clown in front of the group (which I thought was utterly humiliating and sorta disgustingly prurient), and then I woke up.

Very bizarre. 😦

h1

regret.

January 1, 2010

Happy New Year!  Here’s to the next decade!  Last night I went to Panache with Hannah and Alex to dance the night away.  And I certainly did! The music was generally very good (though it did prove just how dire music is at the moment, since the older hits from the earlier part of the decade, and even hits in the past 3 or 4 years stand head and shoulders above most of what is released today), and we all seemed to enjoy ourselves.  We bumped into a couple of people we knew from school, and I generally ended up feeling very old (I am 24, the others were all 20 or 21) but it was a nice impromptu reunion with people whom I actually didn’t despise at school (generally, the idea of a school reunion fills me with dread and revulsion).

However, on my journey home from Hannah’s house today, I was thinking about some things that I need to get a grip on.  After the afternoon’s passed and I’ve relaxed at home, these things don’t seem quite as urgent as they did at the time, but I still think it’d be good to write them down just so that I have a record of what I was thinking (or wasn’t, as the case may be).  I know that when we went to the club, I looked good and I felt good, and I had drunk some but I wasn’t smashed.  However, by the end of the night, I was embarrassingly off my face.  I remember being aware of it, not being able to focus my eyes, coordinate my limbs (my dancing, usually pretty decent, had deteriorated into a bit of a joke) and slumping in the seating area while Hannah brought me water.  In the taxi home, it was only shame and finance that stopped me from vomiting all over the back seat (motion sickness really gets to me when I’m drunk – I know that it’s motion sickness because as soon as I get out of the car, I’m fine – and I wasn’t sick at all that night nor in the morning.  It’s happened before when I first met Mike and we went to the student bar and then he drove me home – I wasn’t sick then and I wasn’t about to start now).  I wasn’t going to have to pay £70 for the privilege of being sick in a moving vehicle, and I wasn’t going to embarrass myself by not being able to control my own basic bodily functions.  But it was a close one!  Somehow I managed to wake up and not feel hungover – a small miracle, but also not really the point.

I also drank so much that although I was perfectly happy and I didn’t do anything embarrassing, I sorta did behave flirtatiously with one guy who was dancing up against me and vice versa (it was all unwitting but funny) – but more seriously, I ended up slightly coming onto one of the people we bumped into from my old school later in that evening.  After a while, I gave up which was a really good move, because in the morning I just was like “OMG WHAT was I thinking?” The guy is ok, but somewhat immature and really not that attractive.  It would have purely been because he was there, and because to try and take my mind off Mike, I would be distracting myself by whoring myself out to other people.  As has been proven over this Christmas break, that’s not the way to go.  I’m worth much more than random forced encounters, and I’m certainly worth much more than lowering myself to the standards of any average-looking person. And Mike is better than that, and it’s sorta a disgrace to try and replace what he means to me with the first random who shows an interest.  Plus, I get frustrated at the fact that I have to make effort and chase these people – why isn’t anyone chasing me?  I like how I look more than I ever did before, so why is it suddenly so difficult to find someone?  I’m in Gucci, Armani, Prada – most guys my age don’t know what those even are.  And I guess I answered my own question – I try to be solid gold on the outside as well as on the inside (I know that I have a good heart) but I try too hard and it goes unappreciated, and I forget my earlier wisdom of being ice king and not easily won.  Overall I’m glad that nothing happened, and I’m mortified that I even entertained the thought.  I thought about giving up alcohol, but that would never happen; lo and behold, I appear to be staying over at Mike’s on Monday night, so drinking will definitely happen then anyway!

Alcohol also makes me (as it did during the Christmas party a few weeks ago; although last night I was about 3 times as drunk) seem to run off in random directions.  Hannah and Tess went missing during one period of the evening, and I spent half an hour pushing through people in the club in an effort to find them – it turned out they had gone to the kebab van without telling anyone!  Then I ended up helping a girl who was in tears, had acquired another girl’s phone but had lost her own, and needed a lift from her friend but didn’t know where to meet him.  I was out of the club wandering around Broadmead for half an hour with this girl who clung to me tighter than a starfish on a rock, who was using my phone (luckily I’m on contract so it was fine) and smoking my cigarette – she was appreciative, but it’s not something I would ever have taken the time to do had I been sober!  And I hazard a guess that if she had been sober, she wouldn’t have been in that situation anyway 😉  The moral of this post seems to be that alcohol is messy!  And it is.  But I suppose that compared to what could have happened, it was all pretty harmless.  I did have a good time, and I didn’t do anything wrong or bad.  We got there and back in one piece, I wasn’t sick anywhere, I didn’t embarrass myself (as far as I’m aware) at Hannah’s house in front of her parents, and I don’t appear to have lost anything vital.

But the reason why I wanted to write this post was to say more than “don’t drink too much or you may act like a twat”.  Everyone knows that.  I just wanted to say that although it’s not a complete excuse, alcohol made me forget myself.  It made me forget my own sense of dignity, which I nearly compromised by being sick, by pulling someone below my station and ultimately, by forgetting that I am worth more.  I guess I’m disappointed in myself because I felt and acted weak last night, and I should be strong – most of the time, I am strong.  But last night, I forgot that a meaningless encounter won’t hold a candle to a strong friendship and infatuation with a close friend; I forgot that I am a good person inside as well as on the outside, and I shouldn’t settle.  I deserve more, so why did I entertain settling for less?  That’s my first regret of 2010 (I start early!), but I hope that it’s something I can do something about. 🙂

h1

don’t take it personal.

December 15, 2009

I apologise for not having blogged in a little bit.  Real life has kinda taken over, and if you follow me on twitter (please do!!! – I have my latest tweets on the right —> ) then you’ll have an idea why.  Basically, although I’ve been open that I’m slightly envious of the fact that Mike likes someone other than me, and that other person seems to like him back (although there are marriages, children and mixed signals thrown into the mix), I’ve been handling it pretty well.  Yep, that’s right, you spotted the past tense.  Well, I’m handling it well again now.  But we had our Christmas meal on Friday night, and I might have got a little bit paranoid and possessive.  Allow me to elaborate.

Mike & me are HBICs on our course.  We do more or less everything together, we are friendly with everyone and everyone knows us as the smokers / naughty guys talking dirty at the back of the class / dedicated and working in the library on the sly / fun and easy to talk to / the ones who organise the social events on the course.  The third person in our equation is someone Mike noticed early on, but has only been included in our circle the last few weeks.  I knew that Mike was developing feelings before he admitted it to me, but it is still hard to accept.  I know he’s a straight married man, but what does a not-stunning 33-yo woman with 2 kids, an overly-possessive husband and an average wardrobe have on me?  Ok, she is a lovely lovely person, and admittedly has sparkling blue eyes and a shapely butt. But I’m 24, I apparently “look immaculate” (Julie), am “very pretty / beautiful” (Mike!!! and others), I can sing, dance, write and produce my own music, I smoke, play piano and guitar, I’m quite intelligent and “articulate” (Leanne) and “really good to talk to and understanding” (Penny, Emma, Mike).  What the fuck more can I do?  How many more hoops do I have to jump through?  I’m missing the point.  Sexuality is sexuality, although I firmly believe that although you can definitely be instantly attracted to physical traits, ultimately the body is the wrapping and the gift is the person inside (I mean that not in a sexual way, but in an emotional / spiritual / personal way).  Somewhere along the line, he’s my best friend but he doesn’t see all of who I am – otherwise if he has feelings for the woman, he certainly would have feelings for me as we share a good heart and a love of innuendo.  I’m going over old territory here, but although he’s my best friend at university and I utterly cherish that, sometimes it’s maddening that I can’t have more.

Anyway, I admit I’ve been a bit envious.  But I’ve also been more than there for him as much as I can, despite my own feelings for him (which he knows about).  The day of our Christmas meal, I was feeling extremely nervous and on edge, despite telling myself that they are adults, they can do whatever they like and it’s not my job nor my place to keep them apart.  I felt that I didn’t want Mike to be regretting anything the next day, that I might be a bad friend if I let him down by not keeping him rational, and that I would have my heart hurt in the process.  I played “Russian Roulette” multiple times, since that song, those lyrics and the whole Rated R album seem to be the story of my life right now, and nervously arrived at Mike’s house.  For a while I felt fine – we got to the restaurant, Mike said that after we went for late-night drinks and conversation the night before he was feeling more balanced about it all, I was confident and happy.  But then she eventually arrived, I felt the focus slipping away from me, I ended up having a lot to drink (note: 5 sambuca shots in one go is never a good idea), and then my hitherto good handle on the whole situation (which admittedly I had been managing pretty well, considering it’s a lot to bear) flew out the window.  I had to corral our whole group (who were splitting off in various directions, somewhat annoyingly – again I blame the alcohol!) into BSB on Corn Street, and then no matter how much I danced, smoke or drank, I couldn’t help but keep looking back at the two of them chatting in the corner.  In short, I was driving myself crazy, and Mike knew that I was really tense.  Apparently I said a couple of not-so-nice things about how little I trusted her (the drink talking, not that that’s an excuse), and I was dashing on and off the dancefloor and in and out of the club like a crazy person trying to keep my emotions and sanity in check, and then failing miserably.  I didn’t offend anyone, I didn’t do anything stupid or say anything revealing – I even managed to cover for the two of them when an observant Jenny remarked “how close they are… I wonder if they like each other?” (my reply – “Nah, we’re all just close friends” before linking my arm through Mike’s).  I am a good friend and my heart was and is in the right place.  But that night, my head was not.  More than my own envy or my own feelings, I wanted to be a good friend to Mike and stop him from doing anything he would regret in the long term.

At the end of the night me and Mike were walking back from dropping Jenny and her at the car park, and we had a little talk.  I was in a very bad mood, and it took me a while to work out why.  I called Mike to apologise for my mood, and he said it was ok, and I offered to explain what it was tomorrow.  First thing next morning, he texted me to ask how I was and why I had been feeling down.  I explained, he said I didn’t have anything to apologise for and not to worry or think so much. (For the record, “don’t think so much” is an astute but lousy piece of advice!!!)  I felt silly all weekend, but I thought that things were going to be ok and I was looking forward to seeing him on Monday.  Since I had his house key, I had arranged to give him that back.  Fast forward to Saturday night – Mike isn’t replying to my texts (this is unusual behaviour!), I was feeling fed up, caged at home, and decided to go out with Nick to a party and get drunk.  I had a fantastic time, and although I still had Mike at the back of my mind (or midway, maybe), it was whatever.  Life goes on.

Sunday I was in Starbucks working on my essay, when I get a call from Mike (after not replying to another text of mine telling him I had a crazy dream where we were both mercenaries undercover at an underground Nazi gathering led by Daniel Craig, except Mike was being hunted by the police for drug trafficking… yeah) to ask me if I was at home, and if I could give him his house key.  I had his key in my bag so I met him and his nephew Jack outside Harvey Nichols, handed it over (along with some tobacco, since I had run out of cigarettes on Friday night and smoked several of his rollies… it was also a little bit of an “apology offering”) and we had brief conversation.  Once again, everything seemed fine.  But then in the evening, we had texts which went unanswered, others which were answered and I just didn’t know where I stood.  Obviously I was overreacting, but nevertheless I couldn’t stop my own guilty feelings from colouring my judgement and thinking that I might have ruined our friendship.

Monday comes, I’m talking with Henna outside university when Mike rolls up.  He’s fine, but melancholy.  I apologised, we talked a lot about Friday, but things just weren’t the same.  He seemed glum, I was sad, and although we were talking and spending time together it just wasn’t the same. No innuendos, no physical contact, and at one point he thought I was in a piss with him (when I wasn’t!) and I explained what I was feeling and he said that “although I promised I’d never hit you, if you keep worrying then I will!”  Despite that, it was like our friendship was a shadow of its former self.  I texted him in the evening, but no reply once again.  I felt like I was being punished when I had apologised, been told there was nothing to apologise for and not to worry about it!  I felt like I really was a product of my mother’s emotional fuckery and my father’s control freakishness, and yet I couldn’t stop my brain from over-analysing every little thing (I apologise to Nick, Adam, Nana and everyone else I stressed out to over the past few days – y’all are so understanding and I really appreciate it.  Thankyou. 🙂 ).  I felt so down, that after everything our close friendship had been somehow ruined, that despite my ability to be truly honest with Mike about my deepest darkest secrets and tell him things I can’t remember telling anyone, he couldn’t come correct to me and tell me what the matter was.

This morning I waited for him at our usual block, on edge and feeling sorta upset.  We met up and went to the library, he apologised for not replying to my text (I pretended it was nothing) and the black cloud persisted for a while.  But I soon realised that it wasn’t to do with me – in fact, I was the only person he could spend time with but still be honest about his moods.  I didn’t press him, but I realised that his home situation was really getting him down.  I offered him reassurance, friendship and a hug where appropriate, and tried to give him space.  As the day went on, we perked up (despite the fact we were writing an essay!) and I felt finally reassured that I still had his friendship, and that I can’t be responsible for him always being in a good mood, or for him being down.  His being sad makes me feel sad for him, but however much I might drink on a night out or however much guilt I feel, I can’t hold myself responsible for his moods, no matter how good friends we end up being.  I learned that I really do take things too personally, that I can’t turn my brain or heart off however much it might be convenient sometimes, and that I can be someone’s best friend but I can’t stop them from making a mistake – all I can do is be there for them, give them space to breathe and a shoulder to lean on when they need it.  This weekend was an emotional rollercoaster for me, but it wasn’t without its lessons and I try to take that away from it.  Drinking and love doesn’t mix, and you can only hide your heart under a façade for so long before it nevertheless starts to chip. Now I’m repairing myself and we’re all taking a deep breath and gradually going back to normal, and that’s a relief.  But I promise not to forget what I’ve learned this weekend, and I appreciate (once again) my friendships so much.