Posts Tagged ‘concept’

h1

Describing Scent workshop at Les Senteurs. (review)

April 15, 2012

On a bright Saturday lunchtime in April, Toby and I headed to Marble Arch to attend Les Senteurs‘ “Describing Scent” workshop, hosted by my good friend Nick (who also happens to be the Store Manager of the Les Senteurs store on Seymour Place). We arrived and as the shop starting filling up with attendees, we made our way downstairs to be greeted by a large table, laid out with place settings which each had a slice of orange on a neon plate, a loop of string, a coin, a rubber band and a glass with ice. The dozen of us seated ourselves, introduced ourselves to the group (among us was a florist, a composer, a student of fashion journalism, a mathematician, a chemist, and the rest of us who were also fans of perfume via various avenues) and then Nick proceeded to explain the purpose of the workshop. Part of it would be smelling scents (starting with the objects on the table, and then followed by a range of perfumes passed around the room on blotters) and experiencing fragrances mostly stocked by Les Senteurs. But the real point, as hinted at in the name of the workshop, would be to describe the fragrance. Not only in terms of smell, but in terms of taste, colour, light, shadow, temperature, textures, shape, sound, the kind of place it evoked and so on. It’s extremely difficult to describe a scent effectively using only the limited vocabulary of adjectives normally ascribed to smell – scents are intangible, and so they evoke a range of images, sounds (interestingly, “notes” and “accords” are used in the language of perfumery), textures and emotions in each of us.

As we proceeded through the objects on the table, and then onto the eight fragrances, we discussed how each of them made us feel, and what they evoked in us. Nick guided us through each of the perfumes, which we firstly smelled ‘blind’ (i.e. not knowing anything about the fragrance – neither its name, nor the brand behind it) and then were tasked with describing as fully and accurately as possible. It was a comfortable environment for us to be honest and unguarded about what the perfume evoked, as we were all passionate about fragrance and we all understood that perfume is personal to each of us. Nick would eventually reveal the perfume’s name and brand, composition and concept. It was intriguing to see what notes each of us picked up (which frequently included ingredients not listed in the perfume’s composition), and how different our own thoughts were from others’. For example, Toby’s scientific knowledge was able to explain various smells and associations in a way that was completely beyond me, but at the same time I made other connections for different reasons. Moving through fragrances by Creed, Parfumerie Générale, Heeley and others, we exposed the different connections and our own varying preferences between a range of scents. But whatever we preferred, be it niche or “high street”; leathery or floral; warm and introverted or cool and expansive – this workshop worked because we were all passionate about fragrance, and because Nick facilitated the workshop in such a way that we all felt comfortable to express ourselves.

At the end of the session, we all filled out a feedback form which asked some intriguing questions – among which were:

  • “Is this kind of event something you would talk to your friends about” (evidently so!);
  • “What is most important to you in a perfume?” (for me, a fragrance has to smell beautiful, but also different to everything else in my collection, so that it complements one of my moods. I am far too fickle / moody to have a ‘signature’ fragrance that would suit me every day, day in and day out! I also think that it’s important that the fragrance has a well-chosen name and attractive bottle, as these are the things that will initially attract me towards trying it out.); and
  • “Are there any events you would like to see that haven’t been suggested already?” (I feel that I would love to attend workshops that would each focus on ‘classic perfumes’ – such as Joy, Chanel No. 5, Chanel Pour Monsieur, Poison and Opium).

I can’t recommend the Les Senteurs workshops highly enough for anyone even slightly curious about perfume beyond the Superdrug counter (for their list of events, please click here). Toby and I both had an excellent time, and it was both luxurious being able to spend an afternoon smelling such wonderful scents, and intellectually stimulating being challenged to describe them and contemplate how others react to fragrance. At the end of the day, there are few rights and wrongs in one’s experience of perfume, and this workshop served to underline how intangible and thus personal fragrance can be.

h1

birthday list.

October 11, 2010

Okay y’all. Rather than moan about my job, which I really shouldn’t do because at least I have a permanent job where I receive a decent salary each month and I know I do my work decently, I will talk about positive things. It’s my birthday in 2 weeks! So here is my list of things that I want (with pictorial accompaniments).

A car.

Y’all don’t need a picture of a car. This isn’t going to happen anyway because it’s far too expensive. But I have my driving test in 2 and a half weeks and I need to pass. I hope that I will! And once I pass, I will be getting a car sharpish so that I can drive to work, also drive to London to see Loverman, and avoid the Megabus which may be cheap, but took me 4 hours to get from London Victoria coach station to my home yesterday. This is ridiculous. So, yes, car.

Money.

Self-explanatory. Who doesn’t want money?

French Connection coat.

My beautiful leather and fur jacket, after 4 years, is falling apart. I have loved it since the first day I owned it, but I am going to have to say goodbye. This will be my replacement. It’s a classier and much warmer version of the Gestapo coat (which has a similar cut but doesn’t hug the body so much, and is made of a nylon-scratchy material), perfect for these cold wintry days and without the military-style epaulettes on the shoulder. I tried it on in French Connection and the wool and cashmere blend felt divine. Toby and even one of the shop assistants both loved it. I will be going halves on this coat with my mum and I can’t wait; because it’s not waterproof however, I’ll need to buy a new black umbrella to keep myself dry in the absence of a hood. After all, I don’t want my lovely new coat to get wet and thus spoiled!

Desperate Housewives Season 6.

Because this is my favourite show on television, and I don’t get to watch it when it’s running, so I have to catch up on DVD. The DVDs become my crack for a few weeks. Toby and I saw this being advertised on tv, and I subtly informed him that this might be a good present. I think my tactful hint might have been noticed, and so I reckon Toby will be buying this for me.

Emporio Armani Diamonds for Men – EDT or After Shave Balm


One of my signature fragrances, I love how this fragrance is soft and elegant, yet fizzy and sparkly at the same time. Kinda like diamonds.

Usher – Raymond v. Raymond deluxe

Because Raymond v. Raymond was ok, but not quite good enough for me to purchase it. And Versus is nowhere near good enough for me to buy it on its own. However, the two combined are worth my money. Or the money of whomever buys it for me.

Drake – Thank Me Later

Okay, I was incredibly late to catch on to Drake. I had heard about him for ages, but pointedly ignored all of the hype as I decided “he can’t be that good”. I was wrong. I heard “Best I Ever Had” on Nicki Minaj’s Beam Me Up Scotty mixtape and that became one of my songs for when I think about Toby. I fell in love with that song, and then with “Find Your Love” and “Over” on Teairra Marí’s (by the way, BLAZING HOT) mixtape Point Of No Return mixtape. It turned out that all 3 songs were by Drake, and at this point I decided to reassess him and download his album. It is excellent, and he is talented (and also improved upon Kanye’s 808s and Heartbreak sound). So I would like my own copy of this album.

Rihanna – book.

This is a book about the journey and conception of Rihanna’s Rated R album and Last Girl on Earth tour. I loved everything about her most recent album (and “Only Girl” has been a disappointment to me in contrast) and it became a sonic bible to me over the last 11 months. The lyrics, the sound, the videos, the look – it was all on point. It was deep, it was painful, and it celebrated that pain and exposed it and worked it out. I would love this book to commemorate what has become a very special album for me personally.

DVDs

– Rec 2, The Backup Plan. Horror and romcom – to keep me balanced.

Emporio Armani underwear

Okay, I love these boxer shorts, regardless of Cristiano Ronaldo being in them. And I love my boyfriend so much that even Ronaldo pales into insignificance. That is a lot. Anyway, I love these boxer shorts, and I can’t find them anywhere. And only in red and black online. So if you find the black and white ones for sale, just like old whatshisname here is wearing, please give me a heads up! Or even buy them for me. Thanks!

Chaos by Donna Karan.

This is the fragrance I have fallen in love with that I do not yet possess. If I don’t receive this, I will have to buy it for myself. It smells of ice and etherealness and subtlety. I adore it, and its mystery is something I hope will rub off on me if I manage to own it.

So now you have an insight into a few of the things that I crave! Just writing that and looking at the pretty pictures make me feel better. Nothing like a bit of online window shopping!  See y’all soon xx

h1

ave maria.

September 21, 2010

Above is my cover of Beyoncé’s “Ave Maria”, which I made for Toby as a 6-month anniversary gift.  The lyrics speak for themselves. After originally keeping it special for him, I thought that nearly 3 months later it’s time to let y’all hear it. I hope you enjoy it; I don’t think my microphone did it justice and I think that Beyoncé’s version is untouchable, but I am nevertheless pleased with how it turned out.  And Toby really liked it, which is the most important thing.

However, my other reason for posting it up here is to say that I have opened a Soundcloud account! It can be found under http://soundcloud.com/onyxparadise and I am currently in the process of uploading the entirety of Quiet Storm, as well as some other tracks. In the future, I will be uploading my new tracks there! 😀 I am starting to get excited about creating new music, and the concepts and themes of my new material will be quite different from before, I anticipate, and reflect my various life-changing experiences over the past year. In many respects, the past 12 months have been eye-opening, soul-shattering, emotional and have inspired a lot of growth.  It’s been without a doubt the best year of my life. I’ll share more on the concept of my new material as I create it and feel confident enough to expose it to the world. But the idea of it is forming in my head and has been for a while, and I am very excited. To this end, on Friday when I get paid, I will be paying off my credit card and buying a brand new microphone so that the quality of my recordings is much improved. Watch this space!

h1

Janelle Monáe – The ArchAndroid (album review.)

May 23, 2010

I literally don’t know where to start with this review.  Comparisons have been made to James Brown (the lead single “Tightrope” has a funky, dirty bass and backchat with Monáe’s band), Judy Garland (“Oh, Maker” features a stately purity of voice in its verses, only to give way to a joyful exaltation of a chorus, and is one of the album’s highlights) and even Erykah Badu (Monáe sings with a knowing voice, sometimes sounding wise well beyond her years while not even connected to this cosmos).  But Janelle Monáe is undeniably her own woman: crazy hairstyles, performing in black-tie tuxedos, employing ethereal instruments coupled with double-time beats, composing her material in suites… It would be audacious enough if it didn’t succeed, if Monáe were above her station with this Metropolis, 28th century high-concept shit.  But she’s not.  Although at times The ArchAndroid feels a bit like it’s overreaching, the vast majority of it is exciting, mindblowing and more than a little bizarre.  This makes it one of the boldest releases to come out in quite a while.

I’m not going to attempt any detail of the story behind this album; it’s only vaguely important to the running order of the songs.  In very brief, Cindi Mayweather was an android who fell in love; the cyber-hunters were invited to hunt her down; she has since discovered the ArchAndroid helmet which displays the city of Metropolis on the top – yep, that’s the album cover above! – and has transformed from pariah to messiah for the robot population of Metropolis.  Monáe creates a textured evocation of this hyper-space reality within her music, and it’s appropriate that The ArchAndroid sounds nothing like anything else in current popular music.  However, its melodies are still catchy, its production tricks are still appreciable (although the music sounds far removed from anything Sean “Diddy” Combs would touch, Monáe is signed to his BadBoy imprint, whose releases normally display impeccable production values – if, at times, little else), and the meanings behind the inventive, often poetic lyrics (from “Say You’ll Go” – “Love is not a fantasy / A haiku written in Japanese”) go beyond the specifics of the Metropolis concept to speak more generally of love, society, and human emotions and situations.  In other words, Monáe hasn’t concept-ed herself into oblivion; the songs can still have meanings to each individual listener, which is important because we still need to relate in order to truly engage with the music.

Moving to the specifics of the music on The ArchAndroid, it’s a hefty album, comprising two suites that are much weightier then Monáe’s The Chase EP; that disc had three songs which were swift, exciting and irresistible.  The special edition had two extra non-concept tracks; a plea to the President for social consideration, and a beautiful, restrained cover of Nat King Cole’s “Smile”. Monáe may not be a vocalist in the same way as Beyoncé, Mariah Carey or Christina Aguilera, but she has an extraordinary control of her instrument, and displays its versatility when songs require it (similar, in a way, to Toni Braxton or Sade).  On The ArchAndroid, Monáe alternately displays grace (“Oh, Maker”), subtlety (“Sir Greendown”), uninhibited release (“Come Alive (The War Of The Roses)”) and an old-school sensibility that fuses scat, Broadway and Latin rhythms (epic closer “BaBopByeYa”).  Suite II (the first suite of The ArchAndroid) is generally more immediate and accessible to the uninitiated listener: after a classical intro (although its concept hangs together flawlessly for most of the album, the instrumental interludes may be slick but they are still unnecessary filler!), Monáe gets straight down to business with the help of spoken word artist Saul Williams for “Dance Or Die”.  Beats fibrillate below Monáe’s haughty poetry, and before the listener knows it, the song segues into “Faster”, into “Locked Inside”…; before you know it, you’ve reached subdued ballad “Mushrooms & Roses” and Suite II is nearly over.

The seamless melting of one song into the next is a neat production trick, but one that we have seen before.  It has its risks, since the listener has to pay attention to his iPod, CD player or media player of choice in order to determine where one track ends and the next begins.  If the songs are dull, they risk totally going over the listener’s head.  Luckily, the majority of The ArchAndroid has enough memorable hooks, production tricks and bizarre sections to stick in the mind and merit repeat listens.  Suite II is far stronger than Suite III for this however; Suite III, although shorter, is much denser and ethereal. Although Suite II had some lovely slower material (“Oh, Maker” and “Sir Greendown”), Suite III seems weighed down by the lack of upbeat or midtempo songs.  “Make The Bus” is an ok effort but hardly lives up to the breathtaking pace of Suite II; “Wondaland” seems altogether too precious.  However, Suite III comes into its own as it reaches its conclusion: “57821” (the serial number of the robot Cindi Mayweather) begins to engage the listener with its subtle, undulating backing, before the majesty of closing tracks “Say You’ll Go” and “BaBopByeYa” unfurls.  In all, Suite II is stronger and more addictive listening, but Suite III has its moments despite its more downbeat demeanour.

Why does it all work? It’s beyond me, as Janelle Monáe seems to have thrown everything and the kitchen sink into this album – in terms of lyrics, vocal approaches, production tricks, musical genres, concept… It’s a miracle that it doesn’t sound overblown, desperate or self-important, but for the most part – it doesn’t.  Only on “Wondaland”, “Mushrooms & Roses” and “Neon Valley Street” does Monáe sound a tiny bit like she’s faking, stalling while she scrabbles for a new idea with which to blindside us.  The vast majority of The ArchAndroid is not only severely impressive, but sounds genuine.  Which makes Janelle Monáe a hugely talented, innovative young woman, and one of the best new artists to emerge in recent years.  Take a listen to The ArchAndroid and prepare to be both mentally and aurally stimulated.

h1

the one.

January 28, 2010

The most honest and one of the most difficult things that I have come to realise about the whole Mike situation (read back if you don’t know, although this entry will no doubt catch you up more or less anyway) is that he is The One.  Not that I actually believe in the concept of “the One”: I find it extremely improbable that out of the billions of everyone on earth, there is only one single person with whom you are meant to be happy.  I don’t believe in God, so I don’t believe in that sort of destiny or pre-determined fate.  I don’t find it logical in the sense of considering issues like gender, sexuality, race, religion, culture, even people of different languages?  I mean, what if my one meant-to-be person happened to be a female homophobic person from a tribe with their own language, living in the middle of the African desert?  I’d be more than a bit screwed, and it’s an unlikely match to start with.  So I don’t believe that there is one soulmate.

So let me clarify: when I say that Mike is “the One”, I mean that in my 24 years of living, he is the most important and closest thing to a soulmate with whom I could imagine spending my life with, that I’ve ever met.  Of course, he’s straight, he’s 11 years older than me, he’s married, he’s a father – so again, it’s not going to happen.  Last week we were discussing our feelings, the situation and so forth, and he said “I truly wish I could reciprocate your feelings.”  That meant a lot to me, and what else could I say but be honest and reply “I wish you could too”? I know that if things were different and he could be with me somehow, we would do it and that would be it, end of story, happily ever after thankyou very much.  But things aren’t different, and I ended the conversation with “In another life, maybe.” and left it at that, and proceeded to talk about other, less serious things (and I later got very drunk, vomited over a bridge near a swan and then stayed at T’s place).  Nevertheless, that discussion will be one of the many things that I never forget about Mike – there are so many even after just 5 months of knowing each other.  And before you say it, I don’t know if I believe in reincarnation either, but my mind is a little more open to that than the “one sole soulmate in the world” concept.

After starting the week with some insecurities over my friendship with the third member of our little love triangle (which were proven unfounded – I overthink things, misinterpret little subtle gestures and take them far too personally), I’ve made a real effort to be the best friend I can be to both Mike and V, and to focus on my burgeoning friendship with T.  Things look good, and although I’m not really comfortable at letting someone get close to me in a more-than-friends way, I’m starting to feel a little more at ease with it.  I’d still like to slow down the pace somewhat, but I enjoy spending time with him and I feel so flattered that he appears to think so much of me.  I’d be a fool to just throw that away, and I’m glad (most of the time) that I haven’t.  He’s a really good guy, so why not see if it leads somewhere?  My feelings for Mike are there and I acknowledge that, but there’s no need for T to know about them because that would just cause needless questions and possible hurt.  I am glad to say that I consider Mike one of my closest, best friends, and everything I’ve been through and we’ve been through has ultimately contributed to that rather than broken it down, which I think is testament to the both of us.

I spent the day with Mike today as we walked his son up and down Bristol docks on the train tracks (he educated me about trains, I taught him about raspberries), got Mike’s first tattoo (it looks fantastic, and watching him get inked up was a tiny bit sexy but mainly really interesting – as well as enthusing to play off his jubilation when he saw it in the mirror and was so happy – just like my reaction!), booked my second tattoo – the revolver – for next week (arrrrgh here we go AGAIN! No doubt I’ll post up the picture just like with the first one 😉 ), spent time with his family, had chilli and smoked lots, and watched Snow White with his son.  I was so privileged that they wanted to spend time with me – not just Mike, but his whole family – and that really means a lot to me.  He is one of my very best friends, and I hope to death that that is something that never changes, because losing him would be a catastrophe.  I feel close to his son, his wife is absolutely lovely, and although sometimes I feel that it might be weird considering the way that I feel about Mike, I adore watching his family interact (especially considering my own family’s ups and downs in terms of emotional push and pull) and feeling as if I am part of them.  Knowing his wife so well, rather than infuriating me in terms of “damn, you got my man first!” (I occasionally feel that, but really very rarely), seems to normalise me and I don’t think of Mike romantically so much when I’m in his family’s presence – it’s just not appropriate and doesn’t enter my head.  He’ll always be a sexy man, he’ll always have a sexual magnetism for me, but in that kind of situation the pull is less.  And considering my possible relationship with T, my close friendship with Mike which I don’t want to jeopardise, and the many ways in which my romantic feelings are inappropriate, whatever minimises my attraction to him is welcome.

So I hope that T and me work well, I hope that Mike and me are best friends for many years to come (as well as tattoo buddies!), I hope that I can always feel comfortable with his family and that they can always feel comfortable with me.  Within one month of 2010, I’ve got one tattoo, one on the way, a possible new boyfriend, and I’m working on passing my driving test – all with strengthening my bond with Mike.  I sense a lot of positive accomplishments to come, and that makes me really happy. 🙂