Posts Tagged ‘cinema’

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important.

April 11, 2011

First of all, a gift / apology for not having written in such a long time! This is a new (well, new to you guys!) song called “Important”, which I did nearly a year and a half ago now – just after I finished and released Quiet Storm, so it was too late to put it onto that album. I was inspired (as is probably evident) by Beyoncé’s “Broken-Hearted Girl” musically, while the lyrics were part of my attempt to delve a little bit deeper with my lyrics. One of my aims for my new album is to talk more eloquently and honestly about love and relationships, because over the past 18 months I have experienced love, experienced relationships and friendships in such a new way. In that respect, this song precedes the timeline for my inspiration, but still fits the brief 😉 It’s just a demo version and still needs a little polishing up (and of course there is no guarantee it’ll make the final tracklist) but I like it and I hope you do too 🙂

One of the things that the song talks about is knowing your priorities and having them straight, in a relationship and in friendships. I have lately had to reprioritise my own life – financially, my car has pretty much taken over and if I am going to London to see Toby, running my car, paying rent and affording all my unavoidable expenses, I have had to accept cutting back on luxuries. I go out for coffee / dinner / cinema less, which is a shame because that means I see less of my friends. I spend less money on clothes and entertainment, and although my lust for them is undiminished, I can’t entertain getting a pretty designer thingummy any time in the near future because I just need to spend the money on other things. Once I move to London, even though my salary will increase, the need to budget intelligently is only going to intensify. I was saying to Toby yesterday that perhaps although I was rationalising at the time (with a grin on my face as I never thought I’d have to go through with it), I am glad I got my fancy jewellery and phone and sunglasses and all my designer things over the last couple of years, because they are things I treasure and now I have to make them last – now that I have them, I don’t need to get any more! My iPod (which I have had for 2 and a half years – the longest surviving iPod yet!) recently started playing up, which greatly irritated me – especially as I got a brand new car stereo so I can plug my iPod into it and play whatever music takes me mood – and I have had to spend quite a few hours over the past few days fixing it, because I can’t survive without music and I simply can’t afford another one right now.

Beyond material things, I need to treasure my friendships and my relationship. The inconveniences I have listed above are just that – inconvenient but not life-threatening! A couple of years ago, I could literally not survive without my iPod. But now, I think I could do it. I wouldn’t like it, but I could do it – other material things such as my phone, my laptop, my car have taken precedence. But my priorities have changed also. What’s important to me is keeping my relationship with Toby happy (which it seems to be up to now, and I realise that this is something to truly cherish), being a good friend and keeping a good circle of friends around me (which I feel I now have), and moving to London and building a career and a life for myself. All of a sudden, having a nice place to live in the city, having a good job and financial stability are important considerations. When did I become a grown-up?

I watched For Colored Girls today, which I had been desperate to do – and now I am desperate to read Ntozake Shange’s original choreopoem, which I shall probably purchase tonight or tomorrow. It reminded me that all of us have our own issues, our own baggage and our own insecurities which we need to conquer, but too often we struggle alone with these burdens rather than shouldering them with our friends and family to both help us cope and draw us closer together. I saw my friend Sarah yesterday whom I hadn’t seen since November, and while it was really good to see her, I found that I didn’t really know what to say to her to connect and recapture the friendship we had at university. Hopefully this is just a blip and next time we get together we can have a more effective catch-up; after 45 minutes, she had to go, but before she left she told me “not to leave it so long next time!” My life has become busy to the extent that try as I might, I can’t see all of my friends as much as I would like. And this is a shame, because when I’m at home in Bristol I can easily get lonely and no matter how much music, how many possessions I have, how many films I watch or PS3 games I play, I still feel bored and cabin-feverish. So I cherish my friendships, I cherish my relationship and how lovely it is, I cherish the things that I have, I cherish my emotions and both my ups and downs. And the real priority is making sure that I remain grateful and don’t become complacent about everything that I have. I may not be satisfied, because I have so much more in my life that I want to accomplish – but I am somewhat happy with my life and that is a really Good Thing.

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The King’s Speech – review.

January 23, 2011

I went to see The King’s Speech with Toby last night, and thinking about the experience, the main sensation that I feel is guilt. Guilt that midway through the film’s second third, I surrendered to sleep; guilt that I could not concur with the film’s largely glowing reviews from critics and friends alike; guilt that despite the actors’ invariably fine performances, there was just something lacking. It didn’t take me long to put my finger on what the main missing ingredient was, but first, allow me to expand.

The King’s Speech is a smug, self-satisfied film that surrounds itself with a certain air that says to its audience, that proclaims  to those who see its advertisements, “You are watching this because you are intelligent, because you are interested in History. Feel congratulated, feel superior to the hoi polloi.” This air of self-importance is perhaps fitting with the film’s focus on early 20th century royalty, but is certainly at odds with the flat cinematography. In Lionel’s basement, this cheapness, this absence of depth between the background, the foreground and the actors can perhaps be forgiven as it is evocative of the speech therapist’s relative poverty – all the more pointing out with a wry smile that the future King of England has had to go there, to such a lowly place (after all, it is in a basement that can only be accessed through a cramped lift) in order to find his redemption. But when in more royal quarters, how can you really feel a sense of majesty when the decor, the scenery does not evoke this? The film’s rather small budget of $15 million reveals itself early on. And yet, Firth’s previous film, the sumptuous A Single Man, was made on half that budget and both looks and, more importantly, feels like a million dollars. Go figure.

Nevertheless, the actors all provide stellar showings – none more so than Colin Firth, whose stammer never feels affected or artificial; whose frustration, anger, silence, tenderness towards his family, fear of and eagerness for being the country’s king ring true at every turn. Geoffrey Rush plays Lionel Logue with sincerity and humility, and while I much prefer Helena Bonham Carter as a sexy temptress à la Fight Club or a ridiculously pompous Red Queen in Alice In Wonderland, she more than does her part as Queen Elizabeth here. The King’s Speech is certainly not lacking in fine performances.

But unfortunately, the crux of the problem is this – characters cannot do anything without a story. The plot of The King’s Speech is as follows: the King has a stammer, so he gets some speech therapy to fix it so he can deliver speeches (thus the title’s double reference to the king’s ability to speak, and the film’s final speech – his ultimate test). That’s it. This plot is less than linear – it’s a dot. It goes nowhere, it does nothing unexpected or even notable. As mentioned earlier, I fell asleep for 20 minutes in the film’s second half, woke up and events were more or less where I had left them. And even worse, 99% of the film’s audience know the entirety of the plot before even entering the cinema! Even if you are not au fait with 20th century British history, the British monarchy nor the stories of wartime Britain, you will know how the film ends – for the pure fact that nobody under the age of 15 is going to see this film of their own accord, and the vast majority of those over 15 know that there has never been a king who died moments after being crowned during a World War, nor has there ever been a king whose stammer prevented him from delivering speeches. If either of these things had happened, they would be etched in our history in such a way that everyone would know about them, just as they know of the death of Princess Diana, of her wedding to Prince Charles, of the Queen’s Coronation in 1953, of the Queen’s two birthdays. It would be another elementary fact. Thus, this means that it is inevitable that the King gets his stammer cured, or at least is able to manage it in order to perform his duties.

There is nothing approaching a subplot in the film to maintain interest. Edward abdicates in order to pursue love, and the audience is expected to just accept this because that’s how it happened in history – there is no attempt to probe beneath the façade of pompous dignity to question whether Edward is actually doing the right thing, the brave thing, pursuing truth over the pretences inherent in being a monarch (according to King George V himself). The film has only room for one triumphant victim, and that is Firth’s character – even when he is acting like a snobbish, spoilt moron, the viewer is not invited to feel repulsed or even more than mildly annoyed at his presumptuous pride, because he is the film’s Hero, the country’s King, and thus must not be questioned. If you are choosing to question him and other aspects of the film, then good for you – but you’re going above and beyond what the film requires you to do in order to get to the final triumph and achieve your gold star. Any attempts to psychologise the King’s speech impediment are completely reductionist – is it the absence of Daddy’s affections? The taunting of the mean big brother? Peer pressure? The King’s Speech expects its audience to overlook this simplicity because it is British, it is Royal, it is Historical – but if these explanations were transposed to an American rom-com or a Channel 5 drama, they would be seen and derided for the facile clichés they are.

Ultimately, The King’s Speech is a simple film that contains faultless performances, and whose stars should be amply rewarded for their acting. But nevertheless, it is a film that is a plotless puddle, all the while proclaiming itself a majestic ocean.

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hypersex.

July 27, 2010

I’ve spent the last 4 weekends away from home with my boyfriend Toby: the first weekend in Peterborough, and the latter three in his new flat in London.  I’ve had a terrific time each time, and it’s a marker of how far I’ve come that now when I am at home in Bristol during the week, life feels empty and, well, a bit lifeless.  I’m finally feeling the love I so desperately longed to feel in the first few months, and I am truly lucky to have found him: I now only fear some unforeseen circumstance or twist of fate breaking us apart and taking this amazing man away from me. But there’s nothing I can do about that, so I just enjoy the times we share together and watch our relationship grow: I have let down my hard-to-get, impenetrable guard and now he sees me as someone who is often vulnerable, sweet and soppy.  During my last two visits, we went to the cinema to watch Eclipse and Inception, and as well as enjoying the films, I cherished the fact that going to the cinema with my boyfriend and cuddling up on the seats, arms linked & heads on each others’ shoulders, was something I thought I’d never get to experience.  It made me feel young, carefree and happy, like the teenager I no longer am but always longed to be.

However, as well as displaying and embracing my softer, romantic side, we also enjoy having sex and often joke that we must be nymphomaniacs.  The sex is the best I’ve ever had, and I am not going to go into specifics because y’all don’t wanna read that and I want to keep that between me and Toby.  But I feel like I finally get to unfurl the wings of my sexuality without embarrassment or shyness.  I have always been a sexual person, and I remember my body being a constant source of fascination as a child (and I mean way before puberty, which I hit early anyway).  As a boy and now a man, I’ve occasionally felt slightly ridiculous for being in touch with myself in a non-macho, non-“I want to fuck everything that moves” way.  I mean, I definitely get horny, but for me my sexuality is less about posturing, racking up notches on a bedpost to prove my virility to others and allay my own insecurities and more about feeling intangibly good in my own skin, exploring what feels / tastes / good and what my body can do to synchronise with my soul and feelings and heighten my experiences as much as possible, and then also sharing that with another person and trying to heighten their experience, someone who knows you and is always uncovering new things about you as you grow together, is a privilege.

As I’ve gotten older, my sense of fashion has grown and evolved as well, and my having tattoos is not only an embodiment of my darker, more dangerous side with personal emblems for me, but also an expression of sexuality. I believe that tattoos are very sensual things (I’m not interested in getting them as a fashion statement per se, and I will never be seen with a tattoo that is “on trend” because it’s “on trend”), and having someone firstly pierce your skin with a needle shows an immense display of trust; to leave a symbol or picture or message on you that has meaning is exhilarating; then to display tattoos, to let someone in on their meaning, to allow someone to touch that part of your body, is a thrill that for me is part of sexuality.  For me, I don’t need or want everyone to see my tattoos all the time (partly because for work I need to exercise some common sense and be able to cover them), but they are for me first and then for my friends and finally for my boyfriend (who likes them nearly as much as I do!).  Just as wearing sexy outfits, fitted clothes (both of which are again decidedly un-macho), certain colours and styles is more an embodiment of who I am at that particular moment, on that day, at that stage in my life and of who I am as a person (the different layers) than displaying labels, belonging to a particular social clique or taking part in a contest to display as much of myself as possible.  For me, sexuality and promiscuity are two extremely different things. I’ve come to the point where I am happy enough with my body to wear more or less what I want (apart from all the outfits I can’t afford!!! but I’m getting there slowly 🙂 ), and in contrast to my attention-seeking performance outfits of the past (leather trenchcoat here, ripped jeans with handcuffs there – though those outfits were definitely fun and I’ve very glad I wore them!), I am less about turning heads (although that’s always nice) and more about satisfying my own standards.  Which are usually higher anyway! But I also appreciate that I want to feel that I look sexy in my clothes: some people are not concerned with that stuff, but I am – call it vanity, call it what you want. The difference is that now, what validates my sexiness is primarily how I myself feel, and secondly what my boyfriend and close friends think and say. I’m more comfortable in my skin to be more about pleasing myself and to know that yes, some people’s opinions do matter and I want to please others too.  But I also know that the general public is not important, and that I shouldn’t feel intimidated or afraid to be who I am. My sexuality, sensuality, fashion sense, looks, physicality and being as a whole may occasionally be compromised by external forces – I’m only human – but I know that it shouldn’t be and I’m better at making sure that it isn’t 90% of the time.  I am learning to be comfortable in myself as a sexual being, a sensual being, and it’s thrilling that I can listen to sexually-themed music (the thought process behind this post was set in motion while I was dancing to “Desnúdate” from Christina Aguilera’s Bionic album, which I still utterly adore) and understand more of it – not because of the meanings of the words (which are translucent), but because my life and my maturity is falling in line with those things.  I’m growing, and I am grateful to my friends, to Toby and to life in general for provoking me and allowing me to do so. 🙂

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community.

July 5, 2010

When I am on my driving lessons, my driving instructor (who lives around the corner from me and has done for the whole of my lifetime and probably many years prior to that) often points out people who he knows, chats about the various people who have lived and continue to live in certain houses and streets, and talks about life in Kingswood in general.  Most of the time, I can only nod my assent because I have no idea whom or what he is talking about; I only know the names and faces of the people who live within 3 doors of our house and across the road from it.  On the odd occasion that I am walking around the local area, I could quite happily walk past people who live on my street without recognising them.  This street is not and has never been a community to me; my town is just a place I live, and although it’s adequate (I like the fact that unlike other, more wealthy areas of the city, it doesn’t have a ‘grey’ atmosphere and I can see the sky – I’m not a total urbanite then!), I don’t feel any sense of community with the other people who live there; in fact, I feel like more of an alien (and with my dress sense, I look like one too).  I must add that I will stick up for where I come from, despite its chavvy, slightly dangerous reputation; I did get slightly offended by a comment made by one of the people on my careers guidance course at UWE; being a graduate of Spanish and French, I was asked “But in Kingswood, you don’t get an opportunity to practise your languages, do you?” This comment was accompanied by a smirk; I took slight offence because although it’s true that where I live is not a cultural hub and I don’t meet many people who are multi-lingual there, Kingswood is not formative of who I am.  Moreover, it’s not a bad place, and given that the area of Bristol that this person comes from is more renowned for crime and poverty than mine, it’s somewhat hypocritical and condescending.

Anyway, I went to Peterborough to spend the weekend with Toby last weekend, and I had a wonderful time, but I noticed that for him, life and his sense of community is different: he knows all of the people who live in his close and a lot of those who live in his village.  He went to school up the road from his house; he can point out many people in the photographs included in the local Parish News (I am unaware of Kingswood having a Parish News leaflet, or any kind of worthwhile community publication). It is interesting that I cannot do this.  I always went to school on the other side of the city, because my parents paid for my education and decided to send me to those schools (and based on my subsequent track record and academic success, I can’t quibble with their decision – it was pretty wise and with hindsight I would now have done the exact same thing).  When I went through a brief phase of playing with the family of girls who were my age and lived across the road from me, they had a group of kids who lived in the neighbouring streets as their friends: I knew none of these people because they all went to the same school down the road from our house; I went to a private school across the city.  We had different school holidays, different teachers, different friendship groups, different subjects.  In retrospect, that was most definitely for the best but at the time it felt like I had to work extra hard to fit in with them.  Despite living across the street, it was like I was visiting another world, their world, every time we would play together, and after a couple of years the visit wouldn’t be worth it, and we would just say hi without animosity as we occasionally passed each other on the street.

However, whereas Toby can name all of his neighbours and various people who live in his village (and I also understand that part of this is the difference between city / country-ish mentalities), I enjoy my popularity when I wander round the Bristol city centre – Mike commented once on a shopping excursion that it seemed as if I knew at least one person in every single shop (and there are a lot of shops).  This is an exaggeration of course, but not a massive one; I like shopping and I used to work in retail in that area, therefore my face is recognised in the area and I can recognise acquaintances who work there too. An amusing story is the Guess Boutique – whenever I go in the staff are extra-happy to see me because they still remember the time Toby & I went in and I fell in love with a bag that I could not afford; Toby & I left and I spent the whole of that Friday night babbling about the bag. Saturday lunchtime we returned to the store and I bought not only that bag that I had originally claimed was “too expensive” but also a hoodie to boot (it was on sale, there was only one and it was in my size, it was black and gold which are my colours – it was obviously fate so who am I to stand against destiny?). I don’t know if the staff there work on commission but I think that that day, they were very happy!  So I make friends in shops.  My friends who live in Bristol may have gone to school or university with me, but we came from all different parts of Bristol (and their experiences of commuting to find a community may be quite similar to mine) so urban centres, shopping districts, cafés and cinemas are our meeting points.

My point is, I have my own community of people whom I call my friends; friends are the family you can choose, as they say.  However, my friends are all dotted about the city (and beyond that, the country); the way we keep in touch is via telephone, email and internet most of the time; and when we want to meet in person, it’s got to be an arranged thing rather than a spontaneous wander down the road.  Although it can feel slightly isolating living where you have no real connection to anyone else in the immediate vicinity, it’s made irrelevant by the fact that I can speak to and arrange to see a lot of my friends within very little time; and that my friends are so, so good to me.  I think that having my own space is something that I value too; at the end of the day, I can retreat to my home and have a little time for me, safe in the knowledge that I’m not going to bump into or be harassed by anyone who knows me.  I can be anonymous, think independently, live as I choose without any fear of anyone whom I care about judging me. I know that in Kingswood, I dress differently, I wear different clothes, I speak and think differently to the majority.  I would never change that; I like being my own person and I won’t ever change to conform (a hard lesson that built my character during my school years). But it’s made easier when I’m surrounded by people with whom I have absolutely no desire to fit in. My community, the people whom I love and value, are my friends; my community is not local but instead city-wide, national, and one day I hope it will be global.

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lady gaga – bad romance. (video treatment)

February 1, 2010

Lady GaGa’s new album The Fame Monster is an album I took a long time to come around to, but I have finally learned to appreciate its merits and its songcraft a lot more than that of The Fame.  I still think that Lady GaGa is somewhat gimmicky and repetitive, but the talent is evident in the music and I really like even “Speechless” (which I couldn’t stand to listen to for the first couple of months).  Lead single “Bad Romance” may repeat elements of “Poker Face” and “Paparazzi”, but I love the song and there’s a certain cinematic element (I’m talking beyond that of the Hitchcock references in the lyrics).  So when I am listening to / singing along to the songs, I imagine performing it and slowly but surely, a whole storyline began to unfurl in my head – so I thought it would be fun to get that down on this blog for you all so you can get a little taste of how my creative brain works 😉

Intro

Video fades in on an office scene for some sort of Soviet / Eastern-European corporation.  Two very big, very important looking men are sat at a conference table in the centre of the screen having an argument and barking into mobile phones in Russian.  In the back left corner of the screen sits a handsome man behind a desk, wearing a grey designer suit and thick, black-rimmed glasses, reading a set of papers intently.  In the back right corner of the screen sits Me, also in a black designer suit and glasses, typing furiously on a desktop computer.  After an intense conversation, the big-wig sat on the right of the table stands up, clearly frustrated, and walks over to me and barks a string of orders at me.  I stop typing, exasperated, stand up and look my boss dead in the eye.  Without another word, I pick up my Gucci shoulder bag from the floor, take off my glasses (never breaking gaze with my boss), put on a set of huge black Prada sunglasses and walk out of the office – I have apparently quit.  As I walk out, the other secretary-guy looks at me in shock / awe.

Shot of me walking out of a faceless skyscraper, half-running as I hit the street.

Back to office, the other guy frantically grabs his papers, collects his back and runs off after me.  Both of the Russian CEOs look on in shock, then after a beat begin barking into their phones once more as servants bring them tea / vodka / some unidentifiable drink in a steaming clear square glass mug.

Song starts / 1st verse

Oh-oh-oh-oh-oh
Oh-oh-oh-oh-oh-oh-oh
Caught in a bad romance

Ra Ra-ah-ah-ah
Roma Roma-ma
GaGa
Oh la-la
Want your bad romance

I want your ugly
I want your disease
I want your everything
As long as it’s free
I want your love
Love love love
I want your love

Shot of me walking purposefully down the street as music begins to play.  Cut with shots of my peer trying to catch me up, running after me, dropping papers and having to stoop to pick them up as pedestrians crowd around him.  Slow motion – a tear begins to fall from his eye.  Intercut with me running up the stairs to my flat, getting changed, putting on new clothes: shiny, black, designer, silver jewellery. As I turn around to go out the door, presumably for drinking and dancing, my colleague is there. We look at each other: close up on his face, on my face.  Another tear falls from his eye.  I close my eyes slowly.  He kisses my cheek.  I move my lips to his ear and whisper something.  Fade out…

2nd verse

I want your drama
The touch of your hand
I want your leather studded kiss in the sand
I want your love
Love love love
I want your love

You know that I want you
And you know that I need you
I want it bad
A bad romance

The camera spins around disorientingly to reveal a dark mirrored ceiling, green laser beams shooting here and there, people in various states of undress and sobriety dancing, drinking, shouting, kissing, fumbling, conversing.  Slow motion of a cocktail that contains coke falling on the floor intercut with my colleague / boyfriend standing by a booth, looking anxious.  As the glass hits the floor and the liquid spills out, cut to a scene of me in a bathroom staring hard at the mirror in an accusatory manner.  Close in on my eyes (wearing blue contacts).  I lip synch the words “I want your love”, then strut out of bathroom and grab boyfriend’s hand, who smiles.

1st chorus

I want your love and
I want your revenge
You and me could write a bad romance
I want your love and
All your lover’s revenge
You and me could write a bad romance

Oh-oh-oh-oh-oh
Oh-oh-oh-oh-oh-oh-oh

Caught in a bad romance
Ra ra-ah-ah-ah

Roma roma-ma
GaGa
Oh la-la
Want your bad romance

We make our way through the club, pushing our way through the crush of people unwilling to give way. Close up on our linked hands, my set lips, his eyes looking to me.  As we walk past, slowly each member of the crowd’s head turns to watch us pass by.  We stumble out of the club into the cool night air, the sky pitch black.  Limousines line the pavement and there is a queue of important looking businessmen, all in shades Karl Lagerfeld-style, all pouting and puffed up in their suits waiting to get into the bar next door to the club we have exited.  As we stumble drunkenly past, laughing and holding onto one another, the camera focuses behind us as one of the businessmen, in an Armani suit and black fur overcoat, leans out of the queue and raises his sunglasses so that his eyes are visible.  He looks in shock, then automatically whips out his iPhone and taps furiously on it.  We go on, laughing deliriously as we smoke our cigarettes and totally oblivious to what has just happened.  The camera cuts back to the man, who raises the phone to his ear, begins to talk, and slides the sunglasses back down to hide his eyes, puffing on a cigar.  Fade out as the screen spins and we wander back into the block of flats where I ran to after quitting my Soviet secretary job.

3rd / 4th verse

I want your horror
I want your design
‘Cuz you’re a criminal
As long as you’re mine
I want your love
Love love love
I want your love

I want your psycho
Your vertigo shtick
Want you in my rear window
Baby you’re sick
I want your love
Love love love
I want your love

Some time appears to have passed.  Back outside the club, same line of limousines, same pitch-black sky, same drunken revellers falling out of the nightclub.  An identical queue of identikit businessmen line the streets waiting for the bar.  A limousine pulls up in front of these businessmen, and the door opens as the man in the fur coat from the queue prior steps out.  From nowhere, paparazzi and a multitude of flashing lights appear as microphones are thrust towards the door of the limousine.  A beat, and then I climb out in skintight black jeans and a leather trenchcoat and dark sunglasses with leather cuffs.  I smile dazzlingly for my entourage as minders, having appeared from nowhere, clear a path through the paparazzi for me.  Freeze frames as flashing lights illuminate me shielding my eyes, signing an autograph, waving to the surrounding crowd.  Behind me, my boyfriend gets out of the car, a serious tight-lipped expression on his face, and he lunges forward and clasps my hand to pull him through the crowd, but I get knocked over and our hands come apart (close-up).  Cut to the VIP section, purple velvet ropes cordoning off us from the rest of the club: within the area is a giant plush black leather sofa in front of a table piled with bottles, cocktails, glasses of unidentifiable substances, a smear of white powder.  Sat on the sofa is me, my boyfriend (sat apart and not engaging in eye contact) and a heavy-set, stoned-looking bodyguard half-asleep.  Businessmen talking into phones mill around while the crowd dances, lights flash and I stare into the distance.  I fumble for a packet of cigarettes and a lighter, and I reach over to whisper in my boyfriend’s ear, but as he is about to respond (a smile flickering across his face), one of the businessmen reaches over and shakes my hand and begins to talk.

2nd chorus

You know that I want you (’Cuz I’m a free bitch baby)
And you know that I need you
I want it bad romance
Your bad romance

I want your love and
I want your revenge
You and me could write a bad romance
I want your love and
All your lover’s revenge
You and me could write a bad romance

Oh-oh-oh-oh-oh
Oh-oh-oh-oh-oh-oh-oh

Caught in a bad romance
Ra ra-ah-ah-ah

Roma roma-ma
GaGa
Oh la-la
Want your bad romance

Exasperated, my boyfriend gets up and stalks out the back of the VIP area; concerned, I brush aside the businessman and go after him.  Walking to the smoking area, I fumble to light my cigarette as I walk through a walkway framed on either side by barbed wire.  Camera flashes go off continuously, hands clutch excitedly at me through the gaps in the barbed wire; one of them grabs my shoulder and I fall to the ground, dropping my cigarette.  I scrabble around on the ground for it and look up.  The camera pans up from the ground (my line of sight) and a Gucci shoe trails upwards to a shin, knee, leg.  The camera scrolls up to reveal my boyfriend looking down at me.  Close-up of his disapproving gaze.  I gather myself on the ground, a tear forming in my right eye, and begins to roll down my face – the camera does not pull away.  He walks past me as I kneel on the ground, bereft and lost, puffing desperately on my cigarette, and I begin to crumple and cry.  Eventually I go to run after him, but I can barely hold myself upright.

Bridge part 1

Walk walk fashion baby work it
Move that bitch c-razy
Walk walk fashion baby work it
Move that bitch c-razy
Walk walk passion baby work it
I’m a free bitch baby

Hands clutch through the barbed wire as I start to run, and this time the walkway seems to be interminable.  Intercut with footage of me running is a shot of a police car parked stationary; a black police hat, a set smirk on an unidentifiable male face.  From nowhere, policemen rush through the walkway at me, the hands retreat and the camera flashes stop.  Beating me with truncheons, I crumple once again to the ground, my sunglasses and hair askew, my clothes slightly torn.  One of them handcuffs me, and as I lie on the ground, cuffed, hands start to creep back through the wire to grope at me.  Fade out.

Bridge part 2

I want your love
And I want your revenge
I want your love
I don’t wanna be friends

Je veux ton amour
Et je veux ta revenge
Je veux ton amour
I don’t wanna be friends
(Want your bad romance
I want your bad romance)
Want your bad romance!

A television in the corner of a mystery white room flickers on and off with footage showing “Alan has been arrested” ; “Star meltdown” ; “Dumped and detained!” among other headlines.  Close up on my face, clear and almost angelic, mouthing the song lyrics. My eyes are a liquid electric blue, my skin is pale and sunlit.  The camera pans out to reveal that I am in a straight jacket in a white, padded room with just a television in one corner, and a fold-out bed / sofa in the other, all white.

3rd Chorus

I want your love and
I want your revenge
You and me could write a bad romance
I want your love and
All your lover’s revenge
You and me could write a bad romance

Caught in a bad romance

Grief-stricken, I throw myself around the padded room, bouncing off walls, pounding the floor, tearing stuffing out of the pillow with my fingernails.  The camera retreats further back to show the room with a giant glass window looking in; doctors pace outside tapping pens against clipboards, looking unconcerned and business-as-usual. Tears roll down my face as I sing pleadingly into camera.  At the phrase “Caught in a bad romance”, the music stops, and all that can be heard is the sound of my breathing as I look full-face out of the screen.  The camera switches to my view, and outside the cell stands my ex-boyfriend, looking in at me.  A smile of sympathy plays across his lips, and at the same moment we press our hands together, regretfully, against the glass.  A doctor then comes and escorts him away, and I follow his gaze as he is shepherded down the corridor, looking back at me.  The camera zooms out further to show that in the two cells either side of mine are the two Soviet big henchmen from the intro office scene, barking Russian into their phones just as they were in the office.  The whole scene fades out to white…