Posts Tagged ‘Birthday Cake’

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mean / Tube update: Queensway and Bayswater.

February 7, 2012

I have been really irritable lately. On Friday evening we were at Toby’s flat and Christina was cleaning the kitchen and mopping the floor. I don’t know what possessed me, but I decided to go “See Toby, this is called ‘mopping’.” A few minutes later I realised that while Toby is indeed messy, there was no call for me to just criticise him out of the blue.

During my cooking of the lasagne on Tuesday, I kept my cool with the very frustrating ingredients and recipe for about 45 minutes before I snapped, started ranting about crushing garlic on Twitter and went for a cigarette. Now, although I can be somewhat impetuous, I know that I dislike cooking and I also know that I am not experienced and so things are likely to be frustrating – I should have had a bit more patience than that.

Then at the weekend, we went out to Soho for Christina’s birthday. We had a lovely meal at Ping Pong, but afterwards we were trekking through the snow for an hour trying to find our next venue. I was cold and wet, people were throwing snowballs in the streets and I got hit twice (which I think was really uncalled for, since I had not done anything to anyone), we lost half of our party, went into a random club which was full of people – and only 10 minutes later, just after I had put my bag down and taken my soaking coat off,  everyone decided that we were going to leave again and go somewhere else. But first everyone went to get cash. This was the breaking point for me and I told Toby that I could no longer handle all of this and wanted to just go home. With the snow, the crowds of people stranded in central London also trying to get home, and the tube stations and tube lines shutting down one by one, we had to walk in the snow, slush and crowds for 45 minutes before finally getting to Temple where we caught the District Line train back to Earls Court. We left Ping Pong at 9:30; we got back to my flat at midnight. I was thoroughly unimpressed.

And yet, I felt guilty. Although even writing this and reliving it as I do so, I feel justified in just wanting to get out of the situation and get home, I also feel mean for leaving Christina’s birthday early. I didn’t want to, but I also just couldn’t handle being out and cold and wet, wandering aimlessly and having snow thrown at me, and not being able to go home. But on balance, I had helped make her birthday cake (I rescued ganache, using the power of the internet!):

…wrote her card, was out last night for the restaurant-portion of the evening, and saw her again the following morning, so I had made an effort for her and things were all fine. But still, I don’t know why but lately I just feel like I am irritable to people and not as nice as I could be. I had a meltdown on Sunday with Toby – I felt trapped in by the snow, powerless to accomplish anything useful, and spiralling into depression and feeling utterly useless. After much understanding from him, I saw that I was being too hard on myself. Well, what’s new?

Following the emotional surgery, I uncovered that a lot of my frustration is to do with work. I will not say much more about this because I feel it would be unprofessional (and you never know who might be reading), but suffice to say that it’s called ‘work’ for a reason. Toby suggested that one thing I could do is make sure I take a proper lunch break and get out of the office, have some fresh air and a walk. So I have started doing this in earnest: and on Monday, I had a walk (trying not to fall over in the slush) and managed to add another two tube stations to my list: Queensway and Bayswater (after my initial failure when I walked to Paddington).

I worked out that I should also be able to walk to Lancaster Gate, Latimer Road and Royal Oak, so watch this space! I am hoping that not only will I get some additional exercise (and pictures!), but it will improve my mood (both daily and in the longer term). Fingers crossed 🙂

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Top 10 albums of 2011.

January 2, 2012

So here is my other annual end-of-year post. I have been able to whittle down my list of favourite albums that were released in 2011 into a nice list of 10, and I have written a twitter-sized (ish!) review under each one. Enjoy and share your thoughts and favourite releases of the year too! 🙂

10. Drake – Take Care

Drake releases another heartfelt hip-hop album, smoother & more cohesive than his debut. Highlights: Take Care, Marvins Room, Shot For Me

9. Rihanna – Talk That Talk (read the full-length review here)

The midpoint between Loud & Rated R. Stellar first half, average 2nd half. Highlights: You Da One, We Found Love, Cockiness (Love It) / Birthday Cake

8. Nicole Scherzinger – Killer Love

Nicole’s solo debut blends killer pop with strong ballads showcasing powerful vocals. Highlights: Poison, Killer Love, Right There, AmenJena

7. Mýa – K.I.S.S.

Mýa continues to deliver solid R&B with her latest album deservedly re-released in the USA. Highlights: K.I.S.S., Take Him Out, Mess Up My Hair, Mr. Incredible

6. Nadia Oh – Colours (read the full-length review here)

The sound of the summer! Deliriously catchy, irresistible dance-pop with tongue firmly in cheek. Highlights: Jump Out The Window, Taking Over The Dancefloor, No Bueno

5. Jay-Z & Kanye West – Watch The Throne (read the full-length review here)

The rap event of the year with production and braggadocio so confidently executed, it couldn’t fail. Highlights: Niggas In Paris, Who Gon Stop Me, Murder To Excellence

4. Natalia Kills – Perfectionist

Masterful, dark pop with powerful imagery to match its consistently hooky and interesting songs. Highlights: Wonderland, Free, Zombie, Mirrors, Broke, If I Was God

3. B.Slade – Diesel

My discovery of the year – the best male vocalist I’ve heard in a very long time, with an impressive lyrical depth and stylistic range. Highlights: B.A.S.S., I’m Done, Do U Get Down?, Dorothy Humperdink, Never Again…, Sequel

(P.S. his new album Stealth. is also excellent, but that only came out on 25th December and I don’t feel I have listened to it enough to be able to judge it – however, it likely would have earned its own place on this list!)

2. Lady Gaga – Born This Way

Lady Gaga just keeps getting better, giving everything she has – heart and soul. Highlights: Marry The Night, Born This Way, Judas, Americano, Yoü and I, The Edge Of Glory

1. Beyoncé – 4 (read the full-length review here)

Genuine soul, classic ballads and earth-shattering uptempos make for Beyoncé’s best album yet. Highlights: the whole album! (you can skip Start Over and the bonus tracks if you’re pushed for time)

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Rihanna – Talk That Talk (album review)

November 19, 2011

Rihanna’s new album Talk That Talk sits somewhere between Rated R – her creative and musical zenith, and Loud – her hit-laden album that couldn’t stop releasing catchy, radio-friendly #1 singles. This is very much a good thing – although the album is not quite as emotionally deep or jagged as Rated R, it has more edge to it than Loud did – think of it as Loud² with the lights turned down.

Lead singles “We Found Love” and “You Da One” are excellent examples of this. The former is a hands-up-in-the-air bittersweet love anthem that incorporates basic 4-to-the-floor dance just as previous lead single “Only Girl (In The World)” did. However, “We Found Love” is lyrically much more sparse and perhaps more potent as a result – the simple refrain of “We found love in a hopeless place” carries more weight. The excellent, vibrant and startling video further brought this song to life, emphasising the exhilarating highs (the high-energy production courtesy of Calvin Harris) and destructive lows (the simple, spare lyrics) of being in an all-consuming love. The album’s opening song “You Da One” is a sticky-sweet treat in the vein of mega-hit “What’s My Name”; it’s a shame that this didn’t come out in the summer, as it is a song to play in the car when you are riding with your boyfriend or girlfriend.

The first half of Talk That Talk is relentless; after “You Da One”, “Where Have You Been” turns the BPM up to ‘insane’, adds an irresistible call to arms in “Wheeeeeeere have you beeeeeeeeeen all my liiiiiiiiiiiiife”, and quickly becomes Rihanna’s best dance single since “Don’t Stop The Music”.  The album’s title track boasts a predatory rap from Jay-Z just like “Umbrella”, and Rihanna adopts a swagger which suggests that she is at once nonchalant and aggressively icy. It’s a curious dichotomy that defines Rihanna’s appeal – sometimes she is effortlessly stylish and seems to throw out hits that succeed in spite of their singer’s lackadaisical approach; and yet, there is some fierce and determined artistry in Rihanna’s heart to make her records work consistently, and to imbue them with heart and a range of emotions that has come through in her best material. At this point in her career, she commands respect.

According to “Cockiness” and its subsequent interlude “Birthday Cake”, Rihanna also commands the bedroom. “Suck my cockiness, lick my persuasion” / “I love it, I love it, I love it when you eat it” are lyrics so aggressively sexual and yet so explicitly chosen for their shock factor that you can’t help but admire Rihanna’s chutzpah. The cherry on top is that she delivers all of these lines as if she couldn’t care less. “Cockiness” is aided by some top-notch production from Bangladesh, while “Birthday Cake” gets dark and dirty thanks to The-Dream. (This song would have been the album highlight did it not inexplicably fade out after 1:18 – possibly the album’s most glaring fault! But fear not – Rihanna is apparently recording a full version, perhaps for a repackage? I am a cynic.)

Of course, in case you were in doubt, Rihanna has a heart too – ballad “We All Want Love” attempts and fails to recreate the epicness of Rated R‘s closer “The Last Song”, and is possibly an album low-point, although Rihanna sings earnestly. “Drunk On Love” is more successful – with a chunkier beat behind her, Rihanna sings about being intoxicated to the point that “nothing can sober me up”, and the desperation in her vocal is palpable.  After this, we’re back to the template of previous Rihanna songs, and “Roc Me Out” is a retread of “Rude Boy” that is perfectly acceptable, if hardly groundbreaking. The song is fine, but it would sound a lot better if “Rude Boy” hadn’t existed. “Watch n’ Learn” incorporates reggae flavour (which was one of the best and most welcome aspects of Loud) and improves upon Loud‘s “It’s Raining Men”. “Watch n’ Learn” is raunchy, as is much of the album, but it’s also laid-back, chilled and bouncy all at once. The closing ballad “Farewell” is somewhat overwrought, but Rihanna’s vocals are impressive and the lyrics speak about wishing a close friend / lover well, and selflessly not holding them back despite wanting to – which is a unique song topic. “Somebody’s gonna miss you / Somebody’s gonna wish that you were here” is a tender lyric that succeeds where “We All Want Love” fell a little bit flat.

Talk That Talk‘s bonus tracks are all decent. “Red Lipstick” reunites Rihanna with Chase & Status for some grimy dubstep; “Do Ya Thing” is another upbeat urban pop song; “Fool In Love” is a muted, electro-ballad that would have fit nicely in the main body of the album. In summary, Talk That Talk does not take the title of Rihanna’s best album; but given the circumstances under which Rated R was produced, that album is pretty special and unique and I wouldn’t wish her to go through that again. Talk That Talk perhaps ties with Good Girl Gone Bad for second place. It’s an album of contradictions – relentlessly sexual and yet unwittingly heartfelt in places; startlingly aggressive and yet disarmingly laissez-faire; there’s a bunch of hit songs on this record that nobody else could have delivered quite as well as Rihanna, and yet a lot of these songs are clearly inspired by earlier Rihanna hits. I believe that Talk That Talk is a calculated album designed for maximum chart success, but at the same time it sounds exactly like who Rihanna is and precisely what kind of music she personally wants to release. It’s a win-win situation for all concerned, including the listener – Talk That Talk is an irresistible ride.