Posts Tagged ‘Aaliyah’

h1

2526: track by track

November 26, 2012

As stated in my previous post, my latest album 2526 is a loose diary of the last 2 years of my life, and focuses on love, and a range of facets of that emotion. I’m now going to take you through each track and tell you a little bit more about them all.

1. My Way / Sincerity

As one might surmise, these were originally two separate songs. “My Way” was a response to the burdens of parental love and pressure from those around you who know you best and suffocate you in their desire for you to achieve the best – at the same time as you love them for wanting the best for you, you can’t help but know that ultimately you’ll end up disappointing them. Try as I might, I could write a bridge for this song, and it was unfinished for ages. “Sincerity” came from wanting to write a song called “Sincerity”, and wanting to use the classic, hard-hitting beat from the remix to “It’s All About The Benjamins”; there seemed to be a real contrast between hard and soft.  But I couldn’t write a bridge for this song either, and it went unfinished for ages as well. One day, it dawned on me to just put the two together – the subject matter of the songs went well together, and while the overall tone of the songs is one of defiance and determination, there is also love and vulnerability. And most importantly, no bitterness.

2. Distance

This is one of my two favourite songs on the album. I was heavily into the song “I Miss You” by Beyoncé (from her masterpiece 4), and the night that I received the instrumental from Citizens of the World, I had been looking forward to Toby coming down to Bristol for the weekend (this was before I had moved to London) – we hadn’t seen each other for a while and I really missed him. Except that same night, he had called me to say that he probably wouldn’t be able to make it (in the end, he did). I was feeling melancholy and yet selfish as well, and the lyrics and melody to this song subsequently came in about 15 minutes. The lyrics so vividly capture the emotions I was feeling, and the vocal delivery is something that is supposed to be downbeat and yet sincere and heartfelt. The production is perfect. I am so grateful to have recorded this song.

3. Delete U

This song was written not long after Quiet Storm was done, and the piano intro is supposed to be reminiscent of Prince / The-Dream. I remember breaking up with one of my previous dalliances and just removing all trace of him from my life. It was intriguing that rather than tangible memories, we store a lot of initial information about friends and relationships digitally and so it’s all about “pressing delete” rather than throwing things in the trash. The use of terms such as “Facebook” and “Twitter” automatically date this song (probably to its detriment, although I personally don’t think it rings as unnaturally as the lyrics about getting off the Macbook and Facebook from Brandy and Monica’s otherwise-very-good “It All Belongs To Me”), but when I’ve dated my entire album through its title, it doesn’t really matter!

4. Important

I am well aware that this song sounds really similar to “Broken-Hearted Girl” by Beyoncé, but it’s not a bad song to use as a template and I really wanted the piano and drums to be straightforward – the vocals and lyrics are supposed to occupy centre stage in this song. I wanted to talk in an honest way about how it feels when you don’t know what is going on in a relationship, and whether your priorities and feelings really mesh with those of your partner’s. Are you on the same page? I left the song open-ended – we don’t know if the couple in the song stay together or break up, because although I personally tend towards the latter, the whole point is that life and love is not clear cut and the things we think we should do, we don’t always do.  Love is complicated.

5. Unforgettable

This song is a remix of / my spin on Drake’s “Unforgettable” from his first album Thank Me Later, and I loved the melancholy production. The chorus of my track I guess is a bit more reminiscent of the Nat King Cole classic; I wanted to have a rap song on my album, like “Armani Earrings” on Quiet Storm, but less incendiary and more vulnerable. The sample of Aaliyah just made Drake’s song so perfect. Mike has played such a big part in the last 3 years of my life that I didn’t know how to feel about it when he moved out of Bristol. Even though we worked together, it felt like we were drifting apart and I was sad about it. I wrote this song to encapsulate all of my emotions about the relationship with one of my best friends developing and evolving. Ultimately, I ended up moving a lot further away! I have grown up so much over the last 3 years, and I wanted to pay tribute to someone who had a considerable role to play in the man I am today. Friendship is love too, after all.

6. Phoenix Rising

This song evokes love as empowerment. This was the first track from Citizens of the World that I wrote to, and I had Nicole Scherzinger’s Killer Love album on repeat at the time, hence the namecheck in the first line. The production was ethereal, and I wanted a melody that really soared on the wings of the track. It was a challenging vocal to sing – particularly the end note! – but recording this track was really enjoyable because I got to do different and interesting things with my voice.

7. U Gotta Go

This song was much more fun and more upbeat – when I received the instrumental, it sounded so happy and pop! I immediately thought of “I Wanna Go” by Britney Spears – but I didn’t want to do something completely featherweight, so I flipped the song to make it a breakup anthem with some sassy lyrics about dumping a car in a lake that I cribbed from Tamia’s “Go” (aside: she is such a ridiculously talented singer!). I also wanted to make a poppy track that had some good vocal riffs in it – so I did that.

8. Sabo

This is my other favourite song on the album, because it is very personal and meaningful. Obviously, it’s addressed to Toby and it’s about him and us. I am so deeply, romantically and truly in love with him. He bought me a ring from Thomas Sabo for our 6-month anniversary, and I still wear it every day – I love it (black and silver are my favourite fashion colours, after all!) and I am so proud of it. I wanted to write a piano ballad the old fashioned way – chords and lyrics on top, no digital production – so that’s me playing the piano (the microphone isn’t great for recording the piano, so that’s why it sounds a bit honky-tonk). I was also in love with Beyonce’s “1+1” so I wanted to have some powerful vocals in the bridge, that really pulled out the soul that I wanted to express. The song turned out exactly how I wanted it to (honky-tonk aside), and I always knew it would be the end song / finale to my album.

Once again, I hope you enjoy the album!

h1

why young money has won me over.

January 17, 2011

OK, so as I am unwell and off work, I might as well try and do something productive. I haven’t done a music review on this blog for ages – and while this isn’t a traditional album review, I thought that I would write a music-related article.

I was reading on Toya’s World Drake’s recent comments on how Aaliyah inspired him as a singer to make his songs relatable across genders and across situations. This connects to one of the best songs on his album, “Unforgettable”, which samples her. Unfairly, I ignored Drake for an unfeasibly long time, and it was only hearing his songs covered by Teairra Marí on her Point Of No Return mixtape that made me decide to give him a chance. I am so glad that I did – rather than just another overhyped rapper who featured on every R&B and Hip Hop single of the moment over the last year and a half, his album betrayed a talent for rhyming and exposing vulnerability and honesty over beats that combined some of the raw soundscapes from Kanye West’s 808s and Heartbreak with horn-led Swizz Beatz productions. I was thoroughly impressed by Drake’s honesty about fame, and his lyrics which alternated between self-hype and self-deprecation. While Kanye West’s stellar new album My Beautiful Dark Twisted Fantasy equally shows him exposing the insecurities behind his ego on songs such as “Runaway” and “Blame Game”, the difference is that Drake has been upfront about his insecurities from the get-go. This is something I feel is admirable for a male artist in any genre – traditionally, female artists are emotional and find strength in their vulnerability, while male artists are sex-hungry, predatory and invulnerable to emotion just as they portray themselves as being invulnerable to everything, bullets included (a quick flip through rap history should indicate that this is certainly not the case – 50 Cent aside). So Drake utterly won my respect for being frank and honest, while also creating a really good album that still had some swagger songs, but was not afraid to step away from that and both rhyme and sing with equal sincerity.

Nicki Minaj’s mixtape Beam Me Up Scotty was utterly thrilling, but again betrayed something more than your average hyper-sexual female rapper. Her idiosyncratic delivery, and her willingness to be vulnerable and honest about her music industry difficulties (on “Can Anybody Hear Me” she proclaimed “Def Jam said I’m no Lauryn Hill / Can’t rap and sing on the same CD / the public won’t get it, they got ADD”). By extension, we can understand that Minaj has a clear vision of who she wants to be as an artist, but is being somewhat held back from that and steered in a slightly different direction.  It’s no accident that “Save Me” is one of the best songs on Pink Friday, and it is the only song which Minaj sings from start to finish. Image-wise, Nicki Minaj is clearly hailing after Lil’ Kim, and to a lesser extent Lisa Left-Eye Lopes. Pink Friday at first was a disappointment to me because it was much more pop than I was expecting, and there weren’t many of her hard, crazy verses that characterise her best features, such as on Kanye West’s “Monster”. Nevertheless, the album has impressed me because it does mix in various sounds, various characters, and is not overtly sexed nor trying too hard to be one of the guys, or prove its gangster credentials – these are elements that have characterised a lot of female rap and it is brave of Minaj to forsake all of these and try to be herself, even if she is not allowed to be so fully. So again, although Nicki Minaj is hardly original and I have a suspicion that her true artistry will be revealed in years to come, her output and dedication to her craft is still promising and beyond what is expected of most new acts.

I wonder if, when putting together his Young Money troupe, Lil Wayne was aware of just how talented his acts are. I am tempted to say yes, as madness and artistic talent can often go hand in hand. Young Money’s album itself comprised catchy, if disposable, chart fodder which nevertheless promoted a collective ethos above highlighting individual talents. This is all well and good, but apart from Wayne, Minaj and Drake, how many of the others can you name? Sure, Shanell is memorable for being the other female in the group, and has contributed solidly to Nicki Minaj’s songs “Handstand” and “Cupid’s Got A Gun”, exhibiting a controlled and evocative vocal on the latter. She also wears that interesting jewellery across her face.  Tyga stands out by dint of his recent collaborations with Chris Brown on “Deuces” and other songs. But neither of these artists (nor any of the rest) have yet been allowed to stand on their own two feet. I mean, between Wayne’s own mixtapes and those of Drake and Minaj, along with their official studio albums, singles, collaborations and features, they already saturate the media. It is likely that if all were given the same treatment simultaneously, the public would scream for respite.  But I wonder, since Young Money clearly comprises talented members who, importantly, have their own vision and are not afraid to express it, just how many more talented members we haven’t yet been exposed to. This intrigues me and suggests that the collective is filled with promise.

h1

Quiet Storm Inspirations II. (download)

August 1, 2010

As promised, here is the “sonic mood board” that inspired my album Quiet Storm (which you can download here).  Where the last “Inspirations” album was comprised of songs that inspired particular facets of songs on Quiet Storm, this one is more indicative of what music I was listening to when I was inspired to create the concept of the album: nocturnal, sexy, emotional, romantic, soft and tough, vulnerable and strong in one go. As you will see from the tracklist before, it’s an R&B compilation through and through; I’d go as far as to say that these are some of the best contemporary R&B songs over the last 15 years (interestingly, quite a few of them are early Missy Elliott / Timbaland productions… I miss those days!).  Of course, the list is not exhaustive and I had to cut down from over 50 songs to the 19 that you see here; anyway, I hope that you will enjoy downloading the album, listening to the songs and perhaps discover some artists or some songs that you didn’t know, or hadn’t heard in ages.  Download link is at the bottom underneath the tracklisting.  Enjoy!!!

1. Aaliyah – We Need A Resolution (f/ Timbaland)
2. Ginuwine – Pony
3. Mariah Carey – The Roof
4. Ryan Leslie – Addiction (f/ Cassie & Fabolous)
5. Kelly Rowland – Flashback
6. Omarion – Ice Box
7. Janet Jackson – Empty
8. Toni Braxton – Rock Me, Roll Me
9. Shola Ama – (I Don’t Know) Interlude
10. LeToya – I Need A U
11. Dru Hill – Beauty
12. Nicole Scherzinger – Whatever You Like (f/ T.I.)
13. Nicole Wray – Make It Hot (f/ Missy Elliott & Mocha)
14. Brandy – Come As You Are
15. Total – Rain
16. Mýa – For The First Time
17. R. Kelly – Feelin’ On Your Booty
18. Rihanna – Question Existing
19. Sugababes – Maya

DOWNLOAD

h1

edgier.

December 10, 2009

Having been on my new university course for 3 months now, and having made some really close friends who are generally a few years older than me (my closest friends on the course are 33 and 35), I’ve really been able to see how far I’ve come as a person.

Looking back at myself even 4 months ago when I had only started writing this blog, I knew myself, but myself was unsure and nervous.  I felt as if I was in a rut professionally after graduating with a good degree from a prestigious university, personally I had had “friends” who turned out not to be friends at all slander me and accuse me of things (theft, bullying) that I had and have never done, and would never do in a million years.  I took it all on the chin and just had faith that things would get better, but I knew in my heart that I didn’t know what would happen.  Would this careers guidance course be the right decision for me?  What was going to happen to me?  Had I peaked already in my life?

The answer to that last question, now I see, is an emphatic NO! Obviously I was only 23 (now 24) and to paint myself as an underdog who had it all and then lost it was more than a little unfair to myself.  I now know that I have so much going for me, so much to offer, and I am not an ugly or stupid person no matter how much certain people may endeavour to make me feel that about myself.  I deserve the best, and with this new qualification, new friends who seem to value me for me from the jump, and new confidence, I feel that I can get the best.  Once again, I’m back on track, and more than anything I’m so relieved.  I may paint myself as confident and assertive – and I am those things – but underneath I still get nervous and insecure.  Now, I finally see that I really am worth more.

I guess it’s a part of natural evolution.  I’ve grown up a lot, and although it took pointing out, I am older than my years.  I don’t feel out of place hanging out with 30-year-olds, because we have the same mentality and experiences.  People generally have trouble guessing my age (I still get ID’d for buying cigarettes on the one hand – which makes Mike LOL and envious at the same time!; on the other hand, a couple of people on my course originally thought I was late 20s because of the fact I can articulate myself and hold my own in discussions), but although I may tease my colleagues at university about receding hairlines, wrinkles and old age, I don’t feel any difference between us.  Aaliyah really had it right – age ain’t nothin’ but a number.  Usually it correlates to maturity, but not always.  At the end of the day, people are people, and we are all human.

These are things that I already knew to be true, but having them held up in front of me has forced me to accept these things as positives about myself.  It’s finally really sinking in.  And the truth of who I am as a man, as a human being, is finally coming out.  This is what I wanted to write about really, but it took the backstory above to get there! (Sorry… but I always give you the main course – no snacks here!)  I thought that I was an adult after university (by which I mean my undergraduate degree at Oxford), but it took me a bit longer.  Working at the Perfume Shop gave me a taste of the hard grind, working for not enough money and being treated like I didn’t have a brain (the saving grace was superficially decent friendships and getting to work with fragrance and deepen my knowledge of it).  My newer job at the hospital has made me see how people can be valued in their work, both monetarily and in terms of being treated like an intelligent human being.  My new course at university has helped me see what I really want to do, and now having that thrust forward has completed me and erased some of my doubts (not all, but some is certainly a step forward) about my future and my life’s purpose.

As things around me have been moving in the right direction, so I’ve been able to spread my wings and become more of who I am.  I love smoking – I’m not a moron and I know it’s not good for my health nor my voice, but I enjoy the feeling from it, the fact it kills time, and the socialising aspect of it – I think it goes hand in hand with being confident and conversational, as you often get approached by people who want a light / spare fag, and you end up conversing with strangers because you share an appreciation of nicotine!  In turn, smoking has reduced my hunger (allowing me to stick to my no-evening-snacking policy) and I’ve dropped a waist size – people at uni have christened me “good looking”, “pretty boy” and lots of other complimentary things referencing both my physical looks and my fashion style. I feel more confident in and out of my clothes – although I’m such a perfectionist that I’ll never be satisfied!  But looking at my vanity and my past issues with my own body and self-esteem, I’ve come a long way.  I feel happier in my skin physically as well as emotionally – and I’m feeling more confident to express the edgier, darker sides of myself which set me apart from others.

After years of deliberation, changing my mind and refining my ideas, I’m finally set on getting tattoos!  One is a stylised A, which you can see here; the other will be above my left collarbone mirroring it, and will be a gun.  I’ve been inspired by Rihanna‘s gun tattoo, but I want it because to me a gun is a symbol of strength and power, of aggression and conflict, of edginess and darkness.  These are all things that I embody – I am tougher than some people initially assume, and I want an emblem of that grit and fire.  I feel it’s applicable to me, and also quite exciting and sexy.  And whereas before I might have balked at the permanence of a tattoo like that, now I feel mature and comfortable enough in myself to be able to wear it and pull it off.  This is me – maybe I’m a good boy gone bad, but I still have a good heart; I have just spent too long in my life pleasing others, and now I’ve finally lunged for myself with this course and am reaping the rewards much more than I ever did listening to other people’s opinions on what was best for me, I believe in my own capacity to make decisions.  I’m not an angel, I’m not a good boy, and I’m tired of portraying that.  I am me and I have a good heart and an intelligent mind, but sometimes I enjoy being provocative or sexy or pushing the boundaries.  That is just as valid a part of me, and my new friendships embrace that part of me too and love me for it.  My infatuation with a married man who has become my best friend and is actively ok with my affection and flirting and actively returns it has been a revelation to me.  We understand each other, we can control our affections (he feels the same way about someone else) and be mature adults, but we also have fun with it – we accept each other and I never felt so comfortable to be able to be so emotionally honest with someone I knew would accept me for who I am. From him I learned what it is to be a good father, a good husband, a good man, and also that whatever I’m feeling, I am a rational person and I should never feel guilty for my feelings.  I should never feel stupid, and the sign of a good friendship is being able to admit how you’re feeling and that other person accepting you for it and not telling you it’s wrong or silly.  Again, these are things I superficially knew, but feeling and living them is a whole other revelation.  I hope that my friends can one day think of me in the same way.

So my embracing my dark side instead of being afraid of it; my becoming edgier is a natural emancipation, a natural evolution of me.  I am free to be who I am, and I am proud of who I am.  I’ve felt ashamed, even in small doses, for too long.  It took a long time to get here, and I’m sure in the future I will still make mistakes and waver, but hopefully I can come back and read this post and remember my feelings right now, and that’ll keep me going.  Once a good boy goes bad, we’re gone forever – but I wish I’d gone sooner and I look forward to where I’m going and whom I’m going with.

h1

layin’ in the bed bumpin’ Jodeci…

October 6, 2009

… is exactly what I’m doing right now.  (Thankyou Mariah Carey – “The Impossible”, Memoirs of an Imperfect Angel) Wrapped up in a daydream, I took half an hour longer to do my veterinary nurse job profile for university because I kept pausing, laying my head on the bed and just dreaming and wishing about things that could never come true.  Inappropriate crushes, unlikely crushes, unrequited crushes.  Following on from my previous post where I was lamenting the fact that all the best, most mature, solid and sexiest guys are straight (and usually a few years older than me), I… am lamenting that very same thing!  So let me regroup a sec and come with a progression.

I think that possibly the most accurate thing I said was wanting someone who feels comfortable in their own skin.  Looking at B’s sudden decision to contact me last weekend, I was talking to Mike about it and he said exactly what I was thinking, “What does he want you to do about it?” And I can’t make somebody feel good about themselves, and I can’t be responsible for healing anyone’s deep-seated personal issues.  If you’re coming to me expecting me to do that for you, then I’m really sorry but I just can’t.  And I won’t – I have my own things to deal with, and I can keep myself together relatively well but I can’t give over that much of myself without my own life just falling apart.  Right now, I need somebody who’s not perfect, but who has it relatively together and can offer me as much as I’m offering them.  That’s the way it is.

I wonder if it is true that “we’re always on the lookout for the next person”.  Right now, I am more or less adamant that I want to get myself sorted and stable with this course and whatever comes afterwards (fingers crossed, a job!).  I want to get a car and I want to move out (it’s come to the point where I sort of dread coming home and whatever mood I might find my parents in – my own place is looming!).  Once I’ve sorted those things, then maybe I will consider really trying for a long-term relationship – until then, if it happens, then great, but I am honestly honestly not looking.  I am flattered if people flirt with me, and I may flirt back for fun, but I’m tired of being dicked around so I’m not looking for anything serious unless it trips over on my doorstep.  Which would be a first.

I just wish that I could have the kind of relationships I have with my friends, both guys and girls.  We can go for drinks and chat for days, we can party, we can hang around one of our places and listen to music and just mess around and be silly. It’s easy.  And I understand that relationships involve a certain amount of effort and compromise and sacrifice – but it shouldn’t feel like hard work constantly, otherwise the rewards of the relationship aren’t enough to make it worthwhile, I don’t believe.  I just want to be with somebody who wants to be with me, who has fun being with me and who makes it easy to be with them.  I mean, good looks and independence and money are all lovely, but if it’s still hard work, I guess I’m getting a little lazy (thanks LeToya).  Just be good to me (thanks again LeToya) and genuine and I’m not that hard to please.  Sometimes I like to go shopping or go out to drink or dance or whatever – I’m 23!  But sometimes just lying together listening to music or watching a film is the most intimate, wonderful thing.  Especially if you have strong arms and nice broad shoulders – I’m not usually someone who admits this (and my height and stature seem to contradict what I’m about to say), but sometimes it’s nice to feel fragile and have somebody scoop you up and make you feel safe.  Just buy some proper R&B CDs – Ginuwine, Jodeci, Usher, Mariah Carey, Dru Hill, Aaliyah are good starters – and put some nice cologne on and invite me over… nothing more, nothing less.  Let’s escape into a private daydream, just for a few hours… and you got me. 😉